Juanita's With Yibing @ The Lot Radio 08 - 28 - 2022

Yamarchy's exclusive mix for RDC "Sound Horizon" podcast:

"I created this mix by imagining the Enoshima sunset from the cockpit of OPPA-LA. The first track of this mix is by my good friend DJ Sach Lee, which is the peak of this mix."

"オッパーラのコックピットから江ノ島サンセットを眺めながらイメージして作りました。1曲目に使った友人のDJ Sach Leeの音源がこのミックスのピークです。"

Track list
1. Sach Lee - Unknown
2. Middle Point - Paraiso (HaPa Remix)
3. Chateau Flight - Instant Replay (Original Mix) 
4. Unkown - #5B
5. Dirk Leyers, P&D (Paramida & Dirk Leyers), Paramida - Deal (Original Mix)
6. Hector - Hide (Original Mix)
7. Daisuke Kondo - Nubian Dub
8. Milio (NL) - Afterglow (Original Mix) 
9. Benjamin Fröhlich, Private Agenda - Soft Power (Disco Dub)
10. Tornado Wallace Presents - Sea Translation
11. Sultan Shakes - Interstellar Love (Young Marco's Trybal Dubb) 
12. Unknown - NO REASON

RDC 044 - Yamarchy

Bill Spencer shares monthly weekend recordings from his living room studio in Detroit, Michigan.

https://www.nts.live/shows/bill-spencer/episodes/bill-spencer-18th-september-2022

A Month Of Sundays w/ Bill Spencer 180922

Pre-order: https://hypeddit.com/94hdsk

@baltra announces his forthcoming EP 'Where I End' and drops the introspective title track of the same name - due for release this November via his own @96-and-forever-records.

‘Where I End’ connects the dots between ethereal atmospheres and downtempo breakbeat made for the darker corners of the club. Swirling textures and shimmering synth pads combine with a vocal sample that collapses and fragments in an impressive display of Baltra's production techniques.

More exclusive music

Premiere: Baltra 'Where I End'

As the year winds down, let loose with Lolsnake and her entry into the Crack Mix series.

Storming in at just over an hour, it’s a “deep journey exploring the mood of rolling into the winter months” from the Berlin-based DJ and visual artist, who is also the founder of queer platform and event series Weeeirdos. Expect scintillating techno and melodies bright enough to rival any festive season decor.

Find out more on crackaud.io: crackm.ag/3HuXiz0 
 Still Independent. Help us keep it that way: crackmagazine.net/subscriptions

Crack Mix 481: Lolsnake

You might have first heard of Earth Trax under his original alias, The Phantom. Or maybe his given name, Bartosz Kruczyński, which he uses for gorgeous ambient music. Or Pejzaż, where he cuts up Polish records from his vast collection. Or as part of Ptaki, another sample-based project he did with fellow Warsaw resident Jaromir Kamiński. You get the idea—dude makes a lot of music. And a lot of it is very good. Earth Trax is the project that really made us swoon, with a soft-focus, sunset-hued meld of techno, breakbeat, progressive house and trance.

On wonderful records like LP1, melancholy is the operative word, but Kruczyński isn't exactly a sadsack. It's more complex than that, nailing the tears-on-the-dance-floor vibe with the part that many people forget: it's still club music. That's why tracks like "Dream Pop," which kicks off this mix, are so successful—they're heavy but never weighed down by emotion, with a skip in their step and a robust low-end to go with the sighing vocals. 

Kruczyński's RA Podcast is something of an excavation of this sound, using his own tracks and those of like-minded producers to sketch out a style that's equal parts rousing and pensive, midtempo but still propulsive. Over two and a half hours he lets these tracks breathe and leisurely mixes them together, almost like an old-school progressive house double mix CD but in the more vibrant, varied clothes of today—before it starts to unravel into an extended, beatless outro that's worth sticking all the way until the end for.

@earthtraxonline

Read more at https://ra.co/podcast/863

RA podcast

RA.863 Earth Trax

tracklist:
im rausch der tiefe
the day after tomorrow
about leaving
elevate this
floodgate
the luring of the beyond
closedgates iii
take your time
psi
trippyaf
upstairs
climber
light flooded
life (beautiful (no matter what))
broken home
outro

life

For Erika’s second album “Anevite Void”, she explores her live process as it permeates everything she does, including documenting the process of life in the elaborate sci fi mythology she created. 

@erikadotnet began performing live in Ectomorph in 1997 when she was gifted a TR-606 by BMG and asked to join the group. This grew to her building her own studio, performing solo as Erika, collaborating with people like Jay Ahern and Noncompliant, and performing as a member of Circle of Live. Her depth of thought and clarity of vision has led to her mentoring people on live performance through the In Bloom platform, where she has made a large impact on many up and coming musicians. 

“Anevite Void”, Erika’s new album, finds her organically writing songs for her live shows, allowing them to take shape through performance, and later recording them in the studio, making this the first album she has entirely written and produced on her own. Mixed by long time collaborator BMG, she finds this record as the launching point for a new process for her.

Conceptually, this album was inspired by “the irregular life cycles created by three suns circling over a planetary organism that presents two major biomes: rocky crystalline desert, and deep layered forest, each of which exists above and/or below ground, depending on what phase the suns are in.” From this realm the album took shape. She also chronicled this concept in drawings but found this painting by Detroit puckish punk legend Nai Sammon perfectly visually explained the concept, and chose it for the cover. She describes “each track is about an organic process that occurs: acts of survival of the biomes, or what happens between them and the multitude of other beings that they host.”

Erika is currently splitting her time between being based in Berlin and Detroit, is part of the triumvirate that runs Interdimensional Transmissions (BMG, Erika and Amber) that are releasing this record and produce legendary events such as No Way Back, Samhain and Return to the Source. She performs live and DJs and collaborates and oozes sonic truth in its many forms. Visit the “Anevite Void” in early 2023.

LP version:

A1 Emergency Shutdown
A2 Opal Haze
A3 Dirt Breather

B1 Obsidian Sunset
B2 Star Line Down

C1 Anion
C2 Crystal Circuits

D1 Desert Red
D2 Tomorrow's Fires
D3 Wandering Mountain

Digital:
1. Emergency Shutdown
2. Opal Haze
3. Obsidian Sunset
4. Star Line Down
5. Anion
6. Desert Red
7. Crystal Circuits
8. Tomorrow's Fires
9. Dirt Breather
10. Wandering Mountain

Anevite Void

Erika - Anevite Void (Preview Clips) [IT 50]

Tree (live @ Bonum Factum)

I know, I know, I know, 
I should let it go, it go, it go, it go

There’s the refrain, that’s the main shame
Turning back around again and again and again
Always on background, in display
I can’t shake the feeling, it’s here to stay

Waiting, waiting, waiting
For a change, a place to stay
A place to lay the blame
To restore some of the same

Stuck gum on urinal cakes 
Within four scribbled walls
“I like music that sounds like shit” 
The sticker read in these stalls

Scratched record spinning ‘round again and again
Same top 40 tired four-chord refrain
Verse-chorus-verse
Verse-chorus-verse
Verse-chorus-verse
And I’m stuck on this bridge
Yea, this broken bridge

Wide sky fantasize
About open highways
Steely-eyed but I realize
I’m stuck on this bridge
Yea, this broken bridge

Waiting, waiting, waiting
For a change, a place to stay
A place to lay the blame
To restore some of the same

There’s the refrain

Here to stay

Red neon lights hide lines 
Engraved on my face
Bathed in roses with weathered wilt
A sign of disgrace  
Through piss puddle alleys, knight of cups 
Searching for fountains and grails, don’t give up

Friends on background, episodes on replay
I can’t stand the monotony, it’s here to stay:
Predictable plotlines and tired routines
Stock characters in played-out scenes

Waiting, waiting, waiting
Waiting, waiting, waiting
Waiting, waiting, waiting
Waiting, waiting, waiting

Consortium Of Googly-Eyed Missteps

[ Ensemble - Proposal 9 ]

I fill voids of silence with music.

This is mostly a digital repository for my old bands' recordings dating as far back as 2001 with a recording of my first band when we were in middle school. You'll mostly find metal and different styles of rock, but I've done all sorts of whacky stuff for the RPM (Record Producing Month) Challenges

Consortium Of Googly-Eyed Missteps

Gaston J

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