Name: Sau Gile Shikve Hai Lekin - Live by gauravchopra
Duration: 10 min 32 s
Description: One of my compositions. Lyrics by Razdanji.

Garm Suraj ki-Tina Sani

Language : Poorbi

Ayesha Omar connects with the basics this Season with ‘Laage Re Nain’. Based on the early evening raag Bhopali, the song’s composition has manifested in the form of an easy listening experience with a chilled out vibe and a catchy tune – making it a song that’s quick to bob your head to. A raag that she had learnt at the age of 9, Ayesha feels that this experience now transports her to her childhood, as this was one of the earliest raags she had learnt. Composed in the ancient sub-continental language of Poorbi, the verses speak of classic love, mirroring the restlessness that comes with being in love across distance. While the yearning does tug at the heart, the experience in this song is not one of sadness, it is a celebration of being in love and fully experiencing all the feelings associated with the state in true bliss. While the lyrics are reminiscent of folklore, the verses thematically express the perpetual state of search we find ourselves in while all along the way; the true voice of Love is within. While the overall composition stems from Eastern Classical origins, the feel of the song finds itself well placed with the mountain music of Nepal – a connect that begs to dive in further to discover the harmony with the Zen of Buddhist musical influences. The groovy sunshine feel of the song, performed by the band in Serbia, meets influences from Nepal such as the Flute coupled with the calming quality of bells.

Laage Re Nain - Ayesha Omar - Coke Studio - Season 6 - Episode 2

ASAD AMANAT ALI KHAN

Kahe ko biyahi bides-Amir Khusro's Bidai song

Kahe Ko Biyahi Bides-Live-Rashmi Agarwal

Song: Duniya Ki Lehron Se 
Singer: Tina Sani

Duniya Ki Lehron Se - Tina Sani

Ghaflat

One of my compositions. Lyrics by Razdanji.

Sau Gile Shikve Hai Lekin - Live

Gulzar Nazm In His Own Voice 41 Nazm Jukebox Collection written and recited.mp3

Dekh Toh Dil Ke Jaan Se Uthta Hai - Mehdi Hassan

Lyrics:
Jo main janti bisrat hain saiyan
Jo main janti bisrat hain saiyan
Ghunghta mein aag laga deti
Ghunghta mein aag laga deti
Main laaj ke bandhan tod sakhi
Main laaj ke bandhan tod sakhi
Piya pyare ko apne mana leti
Piya pyare ko apne mana leti

Mere haar singar ki raat gayi
Piyu sang umang meri aaj gayi
Piyu sang umang meri aaj gayi
Ghar aaye na more saanwariya
Ghar aaye na more saanwariya
Main to tan man unpe
Main to tan man unpe luta deti
Jo main janti bisrat hain saiyan
Ghunghta mein aag laga deti

Mohe preet ki reet na bhaayi sakhi
Main banke dulhan pachhtaayi sakhi
Main banke dulhan pachhtaayi sakhi
Hoti na agar duniya ki sharam
Hoti na agar duniya ki sharam
Unhein bhej ke patiyaan
Unhein bhej ke patiyaan bula leti
Jo main janti bisrat hain saiyan
Ghunghta mein aag laga deti
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Abul Hasan Yamin-ud-Din Khusro (1253-1325) popularily known as Amir Khusro was an Indian musician, scholar and poet. He was a Sufi mystic and a spiritual disciple of Nizamuddin Auliya of Delhi. He wrote poetry in Persian and Hindavi. He is regarded as the ‘father of qawwali’. He enriched Hindustani classical music by introducing Persian and Arabic elements in it. He was the originator of the khayal and tarana styles of music. He also invented tabla. His verse forms include Ghazal, Masnavi, Qata, Rubai, Do-Beti and Tarkibhand. His main poetical works are Tuhfa-tus-Sighr, Wastul-Hayat, Ghurratul-Kamaal,Nihayatul-Kamaal, Mathnavi Noh Sepeh etc. Khusro's Hindavi Poetry {pahelis (riddles), dohas (couplets) and geets (songs)} seem to have been orally transferred from generation to generation by Qawwals, mirasees (professional singers), bhands (stage performers) and women-folk.
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Jo Mein Jaanti Bichhrat Hein Sayyan - Ustad Farid Ayaz & Ustad Abu Muhammad Qawwal Party

Pathanay Khan - Ghoom Charakhra

Music and creativity come naturally to Gaurav.

His aesthetic inclinations were nurtured from a tender, impressionable age within a family of music enthusiasts. Early instincts evolved into an enduring passion, cultivated with care and mellowed with maturity. 

Gaurav is a “Sangeet Visharad” in vocal Indian classical music, which epitomizes his proficiency and his dedication to his pure art form. Profoundly influenced by the poetry of life’s many moods, Gaurav was initiated into the pensive and emotive milieu of ghazals.

Endowed with a rich and mellifluous voice, a discerning observation and a vivacious imagination, Gaurav has developed a distinctive style which evokes shades of the traditional, infused with a charming freshness and intensity. His eloquent renditions have received numerous accolades, and have regularly featured over television and radio.

Gaurav has also performed and traveled with ghazal maestros such as Ahmed & Mohammed Hussain and Ghulam Ali and had the opportunity to imbibe the nuances of their style and preference for poetry.

Gaurav’s singing portrays an exquisite effusion of feelings with an alluring lilt. Variegated hues of imagery are conjured as soulful romanticism blends with genial sprightliness. The compositions in the albums by Kuldeep Singh, Khansaheb Jaffer Pervez and Gaurav, himself, are delightfully enchanting, with delicate improvisational patterns that enhance the elegance of the poetry. 

The emotion is palpable.

Especially so, in the new album, "Raaz Ki Baatein"

Sau Gile Shikve Hai Lekin - Live

gauravchopra

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