🙏🏻 BLOODY HYPNOTIC AESTHETIC TRIP , DMT generating VIBES 🙏🏻🤩

08 02 3016

They held one another tightly as they walked peacefully along the dimly lit boulevard. The wind howled and the rain battered the pier in the distance as they watched the waves crash in against the shore. It was dark, there was nobody else around. 

In the distance they could see the faint shadow of a boat moving against a milky backdrop of stars and murky clouds. She held his hand tighter now, it were as if no palm was too big to ease her nerves. Not even his...

Vienna-based Florian Stöffelbauer – also known as Heap, has built a consistent reputation as a skilled DJ, producer and Neubau’s label head.

Now he is set to release a new record via Isla, a collection of abstract electronics with influences from punk, industrial and leftfield sounds galore.

'False Hope' will be available from the 4th of November next month.

PREMIERE: Heap - No Palm Too Big feat. Gayna Rose Madder [Isla]

Ahead of tomorrow's BT night at Bike Jesus with Ivna Ji, Exhausted Modern, Barking and mʊdʌki, we present Poisoned Notes, featuring four exclusive tracks from tomorrow's line-up.

Offering a taste of the sounds to come, flexing downtempo, pulsating jams, breaks and electro.

[NOCAT] VA - POISONED NOTES
Free digital compilation.

Tickets available from RA.
https://ra.co/events/1875583

@mudaki

Free

mʊdʌki - You Can Run But You Can't Hyde

Sally Dige - Hard To Please

My fucking sauce (FREE DOWNLOAD)

B2 - Ogza - Primus

Psychosengeballer

Limited 12": smarturl.it/MariaUsbeckVinyl
Spotify: smarturl.it/MariaUsbeckSpotify
Apple: smarturl.it/AmparoApple
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Maria Usbeck's solo debut, Amparo, is a collection of songs written and recorded across the span of three years in Ecuador, Buenos Aires, Santiago, Barcelona, Lisbon, Easter Island, Costa Rica, Florida, L.A. and her home in Brooklyn. Though the songs were composed electronically, Amparo called for an acoustic treatment, so Usbeck spent a winter in the studio recording the arrangements live with producer Caroline Polachek and mixer & engineer Miles Benjamin Anthony Robinson. Fleshed out in full sonic color on the marimba, xylophone, quena flute, piano, and harp, the album stretched into something hi-fi and expressive, meditative but not meandering.

Amparo stems from Usbeck's desire to compose in Spanish, her native language. Growing up in Quito, Usbeck was immersed in salsa, merengue, bachata, and Andean music, but was more attracted to German and American culture than to her own, and moved to America by herself at 17. After five years of fronting new wave outfit Selebrities and writing songs in English, Usbeck experienced a delayed-onset homesickness and knew it was time to "let the mother tongue speak." The impulse manifested itself directly: Amparo takes its title from Usbeck's middle name and her mother's name, and translates roughly as "to guide, protect, and embrace." Usbeck wields her Spanish lyrics cleverly while folding in snippets of several other far-flung tongues: Rapa Nui from Easter Island, Quichua from Ecuador, Bribri from Costa Rica, and Catalan. Because these lyrics were composed while visiting the countries from which they originate, their usage is more impressionistic than literal, like a mockingbird imitating fragments of other bird calls. Similarly, Usbeck reinterprets the Ecuadorian music that she grew up with as a newcomer, returning home with fresh ears, and as such the sounds are very much her own.

The backbone of Amparo is percussion, vibrating throughout with timbales, tumbas, a talking drum, bongos, shakers, and an Indian flat drum, with the gaps filled in by her field recordings of birds, beaches, and jungles. The songs were written and recorded chronologically, with the exception of the closing track, a cover of Colourbox’s “Tarantula” reimagined in Usbeck’s Spanish translation. Amparo is a reflection of the textures of Usbeck's childhood. It is also a distinctly grown-up pop record – a travel diary, music made by a visiting outsider to tap into a shared core of human expression. Emotively, Usbeck is her most powerful on piano ballads "Uno De Tus Ojos" and "Jungla Inquieta," but is a magnetic narrator throughout, moving between whispers, chants, and lullabies. Amparo pulses with many stories in many voices, but they flow together seamlessly like water, leaving behind a wordless hum.

Amparo is released May 27 via Cascine in North America, Labrador in Euope and Rallye in Japan.
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Cascine on FB: bit.ly/1QTpyHQ

Maria Usbeck - Jungla Inquieta

Remix from 'Fleshed Out' by Gazelle Twin. Released on Anti-Ghost Moon Ray Records, 29 July 2016.

Bandcamp: gazelletwin.bandcamp.com/album/fleshed-out
Double Vinyl: gazelletwin.tmstor.es/cart/product.php?id=28946

Still Life (Blanck Mass Remix)

Time was of the essence, more so now than ever. The waterfall roared as the leaves blew in the rising wind. The storm was only going to get worse from here on in and they had to escape. They were running out of time, what had been a pleasant adventure had become a perilous affair and if they weren't careful this trip may well be their last. Time was everything now. 
Dimitri Veimar is the latest producer to release music as part of the Omnidisc Swim Series. He steps up to deliver four tracks with a dancefloor orientation

PREMIERE: Dimitri Veimar - Time [Omnidisc]

Exclusive mix by Dj Marcelo Mellao aka Dj Dark Side. From lmtd promo compilation "The Dark Side Mixes Volume 14" (2011).

Yazoo - Goodbye Seventies (Dark Side Extended Mix)

Buy here: https://killekill.bandcamp.com/album/macht-macht-zement
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A1 // Rap One Two Three
A2 // Horn of Glory 
A3 // Im Gespräch

C1 // Zu Spät
C2 // Faust auf Faust

B1 // Nachsitzen
B2 // Disco 3
B3 // Warzenschwein

D1 // Spoil the Girl
D2 // Postman

‘Macht Macht Zement’—what does it mean? 80s drums, synths and vocals, almost without context. 
Fallbeil, two soon-to-be men (aka boys), finish tracks at the rate of butchers kneading meatballs. Due to laziness and a lack of technique, everything gets recorded on one track and immediately thrown into the frier. 
Nothing is planned. First up, school detention followed by rough LoFi rap.
The album contains a wide variety of themes; from mailmen to warthogs, from latecomers to sensible conversation, every track is created out of spontaneity. Two very short tracks on this album date back to 1999, when the boys performed as ‘Funky Granatos’ in the local youth centers. Sadly, their performances weren’t successful. Nobody wanted to listen to them and almost every concert ended in mass brawls. 
The track ‘Postman’ comes from the duo’s side project Grand Malheur and was recorded in 2015 in Bronxfeld. More output from this project will appear on various EPs in the near future. 
The album title ‘Macht Macht Zement’ originates from Tom Pötgen. Tom always wanted to throw the sacred hand grenades. We hope he does that right now!

Macht Macht Zement

BOIDAE003 - FALLBEIL - Macht Macht Zement (Snippets)

DJ Sundae (Idle Press // Paris)
@djsundae

Illustration: @steviewhisper

DJ Sundae says Yes.

Esplendor Geometrico - Moscu Esta Helado

From AEST-048: Undveld “Figures Of Past” CS

Signal transmitted through hollow spaces converting into new messages of isolated structure. “Figures Of Past” include very diverse material from Undveld, which remains as mix of soundscapes and occasional rhythmic noise

Figures Of Past

Undveld - The Chase Just Floats Around

Artist: 01b
Title: Demencia Civil
Label: of dolls and murder
Format: Digital and limited cassette edition
Release Date: Feb 5th 2021
Buy: ofdollsandmurder.bandcamp.com/album/odm0…ncia-civil

Demencia Civil is the new various artists compilation by argentinian label/collective Of dolls and murder.
It gathers 10 artists from Scotland, Italy, Brazil and Argentina , taking us on a trip going through dystopian ebm, post apocalyptic industrial, electro and breakbeats.
The album releases on digital and limited edition cassette on February the 5th

@ofdollsandmurder
www.facebook.com/Ofdolls/
www.instagram.com/ofdollsandmurder_/

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Still Life (Blanck Mass Remix)

Gazelle Twin

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