Isus

Adagio - Concierto de Aranjuez played by Pablo Sainz Villegas

Concierto de Aranjuez - II. Adagio (Joaquín Rodrigo)

I wish you Happy Holidays with this End-of-the-year Gift Track. 
Limited Edition only 300 Free Downloads. Follow me, Like & Repost 🙏

Free Download: https://hypeddit.com/8slzkr
Bandcamp: https://martinkrivano.bandcamp.com/track/dont-you-be-afraid

Martin Krivano - Don't You Be Afraid [Limited Edition]

The Colour - 2007

Liszt Museum- Chamber Hall - Budapest 

Antonio Vivaldi - Del Goder La Bella Speme - From Arsilda Regina Di Ponto

Track: Nr. 1 Scene in the Garden / Szene Im Garten 

Robert Schumann: „Szenen aus Goethes Faust“ / 
„Scenes from Goethe’s Faust“
Chor & Symphonieorchester des Bayerischen Rundfunks
Daniel Harding, conductor
Christian Gerhaher, Christiane Karg et al.

The work is not an opera, nor is it an oratorio, a cantata or a choral symphony. Indeed, Robert Schumann's "Scenes from Goethe's Faust" is very hard to categorize. The professional world has recently re-appraised the "Faust Scenes" as one of Schumann's major works, and this BR-KLASSIK recording reflects today's increased interest in a piece considered by the composer himself to be among his best. At the helm of the Symphonieorchester des Bayerischen Rundfunks is the outstanding English conductor Daniel Harding, and with the "Faust Scenes" he presents a large-scale masterpiece that traces Goethe's complex and highly philosophical literary work in a loose sequence of musical scenes. In the last decade of his life in particular, Schumann repeatedly fathomed the possibilities of music-dramatic and vocal-symphonic composition. In his "Genoveva", "Manfred," "Requiem for Mignon" and also the "Faust Scenes" he goes beyond the opera, oratorio and cantata and treads entirely new musical ground. The development process for the work lasted over a decade, and Schumann only finally completed it in 1853 shortly before the sudden deterioration in his health. With its lyrical and dramatic movements, Schumann's creation spans the story from Gretchen to Faust's death, and on to the mysterious transfiguration and redemption of the final Chorus mysticus. The part of Faust is sung by outstanding baritone Christian Gerhaher. He is joined by Christiane Karg as Gretchen and other internationally renowned soloists, together with the Chamber Choir of Augsburg Cathedral Boys' Choir and the Bavarian Radio Choir. 



Robert Schumann: Szenen aus Goethes Faust.  Chor und Symphonieorchester des Bayerischen Rundfunks

HAYDN - La Passione
Symphonies 41, 49, 44
Arion
Chef invité : Gary Cooper
2009, EMCCD7769


« Dès la première répétition, nous dit le chef britannique Gary Cooper — l’un des plus éminents ambassadeurs actuels du clavecin et du pianoforte —, je savais que cet enregistrement serait spécial. En tentant de se rapprocher du monde sonore qu’a connu Haydn à Esterháza, où il disposait de forces instrumentales assez modestes, je crois qu’Arion s’est montré plus qu’à la hauteur ! Avec de l’esprit, de la musicalité, du style et de l’énergie à revendre, les musiciens de l’ensemble ont fait revivre toute la fraîcheur et la nouveauté de ces symphonies si merveilleuses et intenses. Il est évident à l’écoute qu’ils aiment chaque note de cette musique ! » 

Haydn - Symphonie No. 49  Adagio

This is my own interpretation (Composition/MIDI is not mine, I took over the modular synthesis and other creative ideas as Tape emulation and analogue processing hisses and much more) of the Gymnopedies. Im just testing my Modular Synthesis techniques to produce this (on my opinion) these amazing keys. 
The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie. The melodies of the pieces use deliberate, but mild, dissonances against the harmony, producing a piquant, melancholy effect that matches the performance instructions, which are to play each piece "painfully", "sadly" or "gravely".

Created on: November 2014

Erick Satie - Gymnopedies(1888) [Carlos Banegas Interpretation]

Odysseus - The Wrath of Gods

Opera romantica in tre atti
Weimar, Teatro di Corte, 28 agosto 1850
Lohengrin:Placido Domingo
Elsa:Arlen Saunders
Ortrud:Ruth Hesse
Telramund:David Ohanesian
King Henry:Hans Sotin
Direttore:Matthias Kuntzsch
Live recording, Hamburg, 1968
(Selezione dell'Opera)

Richard Wagner: "Lohengrin"

01 Symphony No. 4 In B-Flat Major, Op. 60  I. Adagio - Allegro Vivace

Vivaldi - Concerto A 4 In D Minor, RV127 Gli Incogniti

With Le Banquet Céleste, Damien Guillon, Maude Gratton

Bach: Cantatas BWV 169 & 82
https://lnk.to/BachCantatas169_82

Following his recording of J.S. Bach’s solo cantatas for alto BWV 35 and 170 (issued by Outhere in 2009), and building on the success of that disc – still a benchmark even today – countertenor Damien Guillon has continued his work of research and interpretation, devoting his second CD to the Cantata BWV 169 for alto solo, and to the famous BWV 82 Ich habe genug; though better known in its 1727 version for bass, from 1735 onwards it was also performed by an alto voice.
To complement this cantata programme, organist Maude Gratton performs Bach’s Prelude and Fugue BWV 543, as well as the chorales Allein Gott in der Höh sei Ehr, BWV 662, BWV 663 & BWV 664.

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Après un enregistrement consacré aux cantates pour alto BWV 35 et 170, paru en 2009 chez Outhere et devant le succès de ce disque qui fait aujourd’hui encore référence, Damien Guillon poursuit son travail de recherche et d’interprétation en consacrant un deuxième opus à la  cantate pour alto solo BWV 169 et à la fameuse BWV 82 Ich Habe Genug, plus connue dans sa version pour basse (1727) mais aussi interprété dès 1735 par un alto.
En complément de ce programme, l'organiste Maude Gratton a associé à ces cantates le prélude et fugue BWV 543 & ainsi que les chorals Allein Gott in der Höh sei Ehr, BWV 662, BWV 663 & BWV 664.

Bach: Cantata "Ich habe genug", BWV 82: I. Aria "Ich habe genug"

Giacomo Puccini(Lucca, 22 dicembre 1858 – Bruxelles, 29 novembre 1924)a 160 anni dalla nascita
"Turandot" - Versione originale del finale di Franco Alfano
Con: Josephine Barstow, Lando Bartolini
dir. John Mauceri
reg.1989

Giacomo Puccini 160: "Turandot" il  finale di Franco Alfano (1926)

Chicago Symphony Orchestra
Bernard Haitink, conductor
Paul Lewis, piano
Neeme Järvi, conductor

Beethoven Piano Concerto No. 2 in B-flat Major, Op. 19 (October 2018)

Discover now! http://smarturl.it/BachHarpsichord2

Concerto in F Minor, BWV 1056: II. Largo

Gbopera è un webmagazine dedicato all'opera lirica, la musica classica e la danza

Uderground Vibes Platform  extra.pedestrui@gmail.com     .     more underground than the earth's crust  . https://www.urantia.org  : for more ???? ask to ^ . sometimes I vibrate at this frequency. 

Richard Wagner: "Lohengrin"

www.gbopera.it

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