Name: rays of sun and hope by gd&tm
Duration: 3 min 4 s
Description: instrumental: melodic synths to a dnb beat

instrumental: melodic synths to a dnb beat

This is a cool refreshing move from you - really enjoyed it!

that noise used for the main background is in sane

Nice downbeat relaxing chill feel on this electronic track. [via https://sc.repostexchange.com]

love the hi hats real chill happy vibe 🙂

💿 Eclipse Frequency es un viaje sonoro de techno oscuro con kicks profundos, atmósferas hipnóticas y sintetizadores espaciales que te sumergen en un trance minimalista a 128 BPM. Perfecto para quienes buscan sonidos envolventes y futuristas en la pista de baile. 🚀✨

🔊 Sumérgete en el viaje completo y deja que cada track te transporte a otra dimensión.

👉 No olvides:
✅ Seguir esta playlist
💬 Compartir tus sensaciones en los comentarios
🔔 Apoyar el canal para más lanzamientos

Phantom Waves 👻

Ondas fantasmales que se expanden en un océano de frecuencias.
👉 Comparte si sentiste la vibración.

ECLYPSE FREQUENCY

Phantom Waves

As they sip the syrupy sauce of sorcery they quietly fall into apathy... Video on youTube https://www.youtube.com/watch?v=u6lKli1peOE&feature=youtu.be

Smelly Newscast

apathy

Monday6 is an Albuquerque, NM Rock/Jazz inspired band. 

Lyrics:
YOU KNOW, THINGS JUST GET BETTER
THE LONGER WE’RE TOGETHER
OOH BABY, WE’RE THE BOMB
FROM THE FIRST DAY I GAVE YOU MY HEART
YA, EVERY LITTLE PART
OOH BABY, WE’RE THE BOMB !

THE LONGER WE HOLD ON 
TIGHTLY TO EACH OTHER
NOTHING CAN GO WRONG
AS LONG AS WE HAVE EACH OTHER 
WE’RE THE BOMB
YA, WE’RE THE BOMB

THRU THE FEARS AND YEARS, THE TEARS WOULD FALL
I ALWAYS KNEW, WE’D MAKE IT THRU IT ALL
OOH BABY, WE’RE THE BOMB 
YA, WE’RE THE BOMB


THE TIMES THEY’RE OFTEN TOUGH 
BUT WE’RE MADE OF THAT LASTING STUFF
YOU CAN ALWAYS COUNT ON ME
YA, EVERYONE CAN SEE
WE’RE THE BOMB
YA, WE’RE THE BOMB

FROM THE FIRST DAY I GAVE YOU MY HEART
YA, EVERY LITTLE PART
FROM THE FIRST DAY I GAVE YOU MY HEART
YA, EVERY LITTLE PART
OOH BABY, WE’RE THE BOMB
YA, WE’RE THE BOMB

Written by- Dave Prince
Lead Vocal- Dave Prince
Guitars- Phil Shapiro
Bass- Dave Gray
Drums- Chris Cormir
BG Vocals- Dave Prince/Phil Shapiro/Dave Gray
Percussion- 
Mixed and Mastered by Phil Shapiro

Buy on BandCamp HD

We're The Bomb

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - IV. Scherzando

The Hope of Love

Sacrilege

Flank Exposed

rockon2020

rays of sun and hope

Childhood

Morechestra

slow rock blues ... for dog-walkers (& -talkers) everywhere!!

walking the dog

Guitar chords that sounds like when you are addictive to love. When you are falling in love.

Illustration by Brian Rau, Chicago, http://brianrau.com

Love Feelings

Apple Music

This is the principal soundcloud channel for original one-man music by gd&themultitracks.  Mainly instrumental, the music was home-recorded in stroud, england using hardware synths & instruments and Audacity community software for editing and mixing the individual multitracks.  I've had great enjoyment in making (& listening to!) the music, but any plays or feedback would be much appreciated. 
The music spans a wide range of sounds & genre.  I've put a selection of tracks into playlists which cover much of the music:  rock, melodic rock, soft guitar, ambient, electronica, soundtrack, jazz & blues..
enjoy your music ... just play on!

rays of sun and hope

gd&tm

Recent comments

👽 Hayden Passmore 👽

ZEKRY

Daniel Clapper

N.o.b.S.

Related tracks