unique sounds and melodies that complement its beat

Love the collection of effects on the lead guitar.

Love the vast, thoughtful, desert outlaw mirage feel in this. GREAT song!

thanks for listening ... and all the feedback!

Dancing Roses

pop punk/rock 

Co produced, mixed, mastered and cover art by
@a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com

www.facebook.com/The-Get-Go-112705484540144/

Asleep at the wheel

Give up the ghost

Lost Boy

A reflection of the COP21 summit, "Its too late to be late" - recorded using the Noire felt piano and session strings.

It was only just time
And then the change begins
The little you have
Starts to grow thin 
It’s in this moment you see your true nature
Begin withholding and then we fracture

It’s too late to be late
There’s not much left to save
We’re just like poles apart 
We were polarised from the start 
Its too late to be late 

It was only just time
Before the riots begin,
Red is all see,
And your worst fear, Becomes a reality
It’s in this moment become your true nature
begin withholding and then we fracture

It’s too late to be late
There’s not much left to save
We’re just like poles apart 
We were polarised from the start 
Its too late to be late

Too Late to be Late (stripped version)

This one means a lot to me so if you feel it please share it. Lyrics:

I'd rather not remember
just how good your love feels.
You're just a pretender.
Was it ever real?
I'd rather not remember
just how good your love feels.
You're just a pretender.
Was it ever real?
You never really show that
huh, think my innocence has grown back
uh, up all night thinking about you
just like when we smoked that
never chose that life
know i broke that pipe
like you broke my heart
growing cold as ice 
i could tell from the start
that you didn't really want me
show no interest throw me off beat
I beat myself up every day
every way, every drug, everything
selling wedding rings
shots on your block, let it ring
your love is a drug
i can't always get
so i'd rather call the plug
cause its so much more consistent
they say just be persistent 
but then i feel co dependant
i care too much and i meant it
i'd rather not remember it 
but you know you got me feinding
ya you know you got me forever and
you know that it is so hard
little easier together and
I don't know how to forget
don't know how to forget it
I'd rather not remember
just how good your love feels.
You're just a pretender.
Was it ever real?
I'd rather not remember
just how good your love feels.
You're just a pretender.
Was it ever real?

I DON'T WANNA REMEMBER HOW GOOD YOUR LOVE FEELS (PROD. GRIM JONES) #EMOTIONAL #SAD #HEARTBREAK

Here's the beat I used on YouTube
https://www.youtube.com/watch?v=f7m2XxXvaII

Here's the producer
https://www.youtube.com/channel/UC-rTvrZQdlVj6vetLAKgK1Q

Photographer By redfox2019386 (prod.Rinne)

C / T / F / O
Release Date: 07-01-2019
© 2019 Keith Richie

C / T / F / O represents a bold evolution in my sound—ushering in what I consider a new phase: Aggressive Ambient. While still grounded in the atmospheric textures that define my work, this album introduces grittier edges, distorted basslines, and a driving pulse that adds urgency and weight to each track.

The journey begins with Maestoso, featuring searing guitar leads by Ray Clay. What starts as a subdued ambient-techno fusion gradually builds into a cinematic, guitar-forward anthem—setting the tone for the dynamic contrasts that follow. Throughout the album, you'll encounter industrial rhythms, shadowy darkwave undercurrents, and moments of melodic tension that refuse to stay in one place.

Familiar elements of my previous work remain present, but they’ve been recontextualized with new intent. Tracks like Muzika Automatika—a clear homage to Kraftwerk—blend retro-futuristic textures with robotic precision and raw mechanical energy.

C / T / F / O is unpredictable and unapologetically experimental. It’s ambient music with a backbone, designed for those who want their soundscapes immersive and invigorating. The experience concludes with the title track—a final cathartic release, and a reminder to… well, C / T / F / O.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/ctfoBC  

Quil Pill

new project run

ValdyR

rockon2019

looking for a destination

The Chronicles of Manimal and Samara
"At The Worlds End"
Music Composition: Andrea Papi
Lyrics & Vocals: Daphne Ang

“Human actions threaten more species with global extinction now than ever before.” - Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES)  [Read report: https://ipbes.net/news/Media-Release-Global-Assessment]

“At The Worlds End”   imagines the world in the end times in order to raise awareness on the effects of mankind’s actions on our planet's environment. 
We all have to do our part as citizens of earth.

Pre-Save 'Full Spectrum' - Debut Album of The Chronicles of Manimal and Samara : https://ffm.to/fullspectrum2021.oyd
------------------------------------------------------------------------------------------------------
“At The Worlds End” is a progressive metal song that imagines the world in the end times in order to raise awareness on the effects of mankind on our planet's environment. The song is told through the eyes of two lovers, who exchange a final declaration of love in a post-apocalyptic elegy, on the last day on earth. Mournful yet resolute, the lovers’ final parting valediction also offers a glimpse of a possible future, and the hope of a new world, when they pledge to meet each other again, “where it all began, at The Worlds End".

Released on February 5, 2021
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ 
About The Chronicles of Manimal and Samara

The Chronicles of Manimal and Samara (TCOMAS) are a London-based duo comprising Andrea Papi and Daphne Ang. Coming together in early 2020 to record their debut album FULL SPECTRUM, the duo are fast establishing their niche in music as pioneers of a new form of expression, through the performance of poetry in music, and as an act that traverses between the wide-reaching spectrums of music. Drawing inspiration from TOOL and Kraftwerk, as well as the poetry of Sylvia Plath, Virginia Woolf, and Jim Morrison, TCOMAS brings literature, art, and history together into a space where rock and metal meets electronic.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ 
Connect With The Chronicles of Manimal and Samara:

➤ Official Website: https://tcomas.com
➤ Spotify: https://open.spotify.com/artist/2V3zzIcq2sbRbaEjbGypc8
➤ YouTube : https://www.youtube.com/c/TheChroniclesofManimalandSamara
➤ Twitter: https://twitter.com/tcomasmusic
➤ Instagram: https://www.instagram.com/tcomas.music
➤ Facebook: https://www.facebook.com/tcomasmusic

© 2021 The Chronicles of Manimal and Samara / TCOMAS Music
#AtTheWorldsEnd #TheChroniclesofManimalandSamara #TCOMAS #TCOMASMUSIC

Full Spectrum

At The Worlds End

⚡️Music Video⚡️

This is one of 3 soundcloud channels - gd&tm, gdtm & gdtracks -  of original one-man music by gd&themultitracks, home-recorded in stroud, england.  I've had great enjoyment in just making (& listening!) to the music, but any plays or feedback would be much appreciated ... just play on!

looking for a destination

gdtm

Recent comments

Johnny C

gdtm

Robert Grigg

ICARI

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