afraid not for myself but

'The Children of Scorpio’ is the first single and title track from Project Gemini’s forthcoming album. Project Gemini, aka Paul Osborne, has created a cinematic musical journey that plays out like a long-lost soundtrack (think cult B-movies of the 60s and 70s); 'The Children of Scorpio’ was formed from Paul's love of a myriad of genres; from European library music, acid folk, psych-funk, vintage soundtracks and the contemporary breaks scene. 

The single ’The Children of Scorpio' started life as a demo 12 years ago, when Paul's time playing in various bands had come to an end and he started recording music at his home studio. Paul took inspiration from many sources including his obsession with Lalo Schifrin’s soundtrack to the Clint Eastwood film, 'Dirty Harry’, and artists like David Axelrod and his work on The Electric Prunes 'Release of an Oath’ LP. Paul channelled these influences into his creation, titled it in a nod to the villain in 'Dirty Harry', shelved it and moved on. 

After the release of his first single as Project Gemini in 2019 Paul decided to start work on an album project and revisited the original demo. He described the process, “I stripped it right back to its bare bones and started reconstructing it from scratch (although the vocals and middle guitar break survived from that original 2010 demo), and once I’d nailed the bass sound it all came together. Haifa-based multi-instrumentalist Shuzin brought some serious heat on the drums, and Barrie Cadogan, aka Little Barrie, put the icing on the cake by adding the solo you hear at the tail end of the track. It turned out to be the creative trigger for the whole album, and for that reason, it’s a really important track for me personally.”

Download

Project Gemini - The Children Of Scorpio

Sparks

Sparks (Extended Version) [feat. Steve Spacek]

Orkes Kelana Ria - Semoga

An extended mix from Rrose to celebrate our entry into 2023 and the upcoming release of TULIP SPACE [EAUX1591] available for pre-order now at https://eaux.ro/album/tulip-space and the upcoming full-length album PLEASE TOUCH (full announcement in Spring). The mix contains tracks from both releases.

This is a studio mix, started with an initial live take and then combed over meticulously with automated filters, eq, and fx. This is the same setup I use to play out, minus the automation. There is rarely a point when only one track is playing. I always try to find mixes that feel like a new track emerges from the combination. I imagine the optimal listening environment to be eyes-closed with headphones on, but I also hope you will feel an irresistible urge to move at some points ;)

For the nerds, here is an overview of my automation session: http://rrose.ro/23a

Full track list:

datassette - Umbrella Partita (Live At Cafe OTO)
Carmen Villain - Subtle Bodies (Smalltown Supersound)
Bea Brennan - Drift (Old Technology)
Aleksi Perälä - FI3AC2029060
Rrose - Squared (EAUX)
Rrose - Pleasure Vessels (EAUX) 
Rrose - Spines (EAUX)
Konduku - Scale (Mantis)
Raymond Scott - The Bass-Line Generator (Basta)
Eleh - Bright & Central As The Sun Itself (Important)
Ø (Mika Vainio) - Monneista Viimeinen (Last of Catfishes) (Sähkö)
Polygonia - Enteroctopus Dofleini (ARA)
Robert Hood - The Workers Of Iniquity (M-Plant)
Israel Vines - Nosedive (Interdimensional Transmissions)
errorsmith - No Ice
Aleksi Perälä - FI3AC2030010
Acid Jesus - Radium (Klang)
Nicole - A Small Entrance To A Large Spectrum (Basic Energy)
Wata Igarashi - Warp (WIP)
Jonas Kopp - LIM 3-5C (Tremsix)
Israel Vines - Tri Polar (interdimensional Transmissions)
Clay Wilson - Moving Centre (Bunker)
D-Leria - Junglism (Semantica)
Paleman - The Fell (Sublunar)
Paleman - Patience 3 Recurring (loop)
Anthony Rother - Axial Symmetry (PSI49NET)
Polygonia - Vipera Berus (ARA)
The Angel Race - Ghetto Sketches [MATHEMATICS]
Matrixxman - Mother's Return
Paleman - Ravine (Sublunar)
SSTROM - Volatile Substance [VOAM]
Polygonia - Pterois Miles (ARA)
Phase Fatale - Desecrating Vows (Rrose remix) (BITE)
Desroi - If Your Teeth Fall Out You Can Have Mine (desroi)
Agency666 - Not To Be Re-Produced
Kon Janson - Bit Shift (Spatial Cues)
Robert Hood - Untitled 5 (M-Plant)
Teresa Rampazzi - Atmen Noch (Die Schnachtel)
Adriana Lopez - Nudo (Sublunar)
Mathys Lenne - Rupture [HAYES]
Sanna Mun - Janiform (Modwerks)
Fret (Mick Harris) - Rhino Patch [LIES]
Rrose - A Row of Cylinders (Eaux)
Aleksi Perälä - FI3AC2032040
DJ Slip - 808 to Nice [SubVoice]
Rrose - Rib Cage (Eaux)
Abstract Division - Don’t Fall Asleep (Rrose remix) (Dynamic Reflection)
Universal Indicator - red a3+a4 (Rephlex)
Toru Katsuta - Solar Prominence (Toru)
Kali Malone - Arched in Hysteria (Hallow Ground)
A214 - lala 
KMRU - dont linger they might see you
Jennifer Walshe - Quam Pulchra Es, Motet (Migro)

download link: https://we.tl/t-HQPtG1OEAE

Rrose : 23

'Naivety' back to us with huge remix collection. Unconscious audio dreams from Anatolian Weapons, Toulouse Low Trax, B1980, thePhilosophica, Markeno and Neu Verboten with brooding atmosphere. This is electronic music that is truly timeless.

Opener 39C from https://soundcloud.com/anatolianweapons is a psychedelic trippy remix with a long life and the flat footed broken beat, marking new sound for both the label and the Greek producer's genre - spanning discography. From the agitation, pulse pounding action to the utter cold forest, fueling a fire that that continues to burn in your mind starting from the 8th minute.

«Naivety Remixed» returns to the label,
exclusively on March 3, 2023. Pre-order is open!
https://mqrotrecords.bandcamp.com/album/naivety-remixed

Aheadacheaday is the solo project of Alberto de Angeli, 
Milan based music producer, sound designer and DJ.
https://soundcloud.com/aheadacheaday

Naivety Remixed

Premiere RMR002R - Aheadacheaday - 39C (Anatolian Weapons Remix)

Rinse FM Podcasts

Hessle Audio feat. Ben UFO & Deep Creep - 06 March 2023

X 313 - Interferon (Dave Clark’s DeConstructed Mix)
Ron Morelli - Heart Stopper 
Sightless Pit - False Epiphany (feat. Claire Rousay)
UAN0024 - Rumsey 
Emeka Ogboh - Oju 2.0
Mt. Borracho - Interception 14- KQPN AM730  West Memphis AR 
No Home  - Bad Oyster 
ESP Summer - Splinters
Maria T - Afternoon Destroyer
Billy Nichols - Would You Believe
Dan Melchior Band - Get Right Back
Son Of Dribble - Dusty
Flower City - Wasting Away
Waste Man - Luck Merchant
Rench’s Rifles -  08 
David Moss & Baird Hersey - Summoning Of The Spirits
Emily Robb - side b (split tape with Bill Nace)
XV - Funkyconomy  
Colin Andrew Sheffield - Don’t Ever Let Me Know (Charms)
Equipment Pointed Ankh - II (from Changing Legs)

The Gerard Cosloy Radio Hour That Feels Like Two Hours : 03/15/23 Show 146

Getting in the mood for the big kick-off this week.

Ed Lincoln - Se Você Quiser (Mark Wayward Edit)

Rare Silk - Storm (Arp Duppy Chip Mix)

Reasonable Doubt

Brownswood Recordings and The Steve Reid Foundation celebrate the life and spirit of one of the world’s greatest jazz drummers – Steve Reid – via a deluxe 12” featuring a brand new interpretation of the classic ‘Lions Of Judah’ by emanative & Ahmed Abdullah backed with a Four Tet re-edit. 

Steve Reid was an amazing drummer with a long and illustrious history that stretched from working with James Brown, Miles Davis and Fela Kuti through to his own Steve Reid Trio and more recently working with Kieran Hebden (Four Tet). He died from throat cancer in the US in April 2010 without the money for treatment that could have saved his life. 

The Steve Reid Foundation was established by Gilles Peterson in memory of his friend. The aims of the foundation are to fundraise on behalf of struggling musicians in need of help and support. All profits from the sale of the ‘Lions Of Judah’ 12” will go to the foundation.

gillespetersonworldwide.com/gilles-peterson/the-steve-reid-foundation/


Greedbag: http://brownswoodrecordings.greedbag.com/buy/lions-of-judah/

Amazon: http://www.amazon.fr/Lions-Judah-Four-Tet-Re-Edit/dp/B006A9XSJK/ref=sr_1_cc_1?s=aps&ie=UTF8&qid=1370360040&sr=1-1-catcorr&keywords=emanative+judah

emanative & Ahmed Abdullah - Lions Of Judah

Binker and Moses leave the now behind and Journey to the Mountain of Forever.

Binker Golding and Moses Boyd will release Journey to the Mountain of Forever -  their second album for London record company Gearbox Records - on 2nd June 2017 in double vinyl LP and double CD formats.

When Binker and Moses’ debut album Dem Ones was released in the Summer of 2015 it kickstarted a remarkable year for the young saxophone and drums duo, who won a string of awards including the 2015 MOBO Awards: Best Jazz Act, Jazz FM Awards 2016: UK Jazz Act of the Year and Breakthrough Act of the Year and the 2016 Parliamentary Jazz Awards: Jazz Newcomer of the Year. Like the album itself, their festival and club performances received rave reviews and ever-growing audiences, culminating in a November 2016 UK tour with The Bad Plus. 

Journey to the Mountain of Forever is a story album about travelling from the known to the unknown. You can expect to meet with Shamans and Ultra Blacks and immerse yourself in strange rituals and echoes from the infinite.

Sessions for the new album took place on July 21st and 22nd 2016, resulting in 10 reels of tape filled with over five hours of music. Like it’s predecessor Dem Ones, the new album was recorded completely live from Mark Ronson’s Zelig studio by Grammy award winning engineer Ricky Damian. direct to a 1960’s Studer C37 1/4” tape machine at Gearbox’s studio next door with no edits or mixing. The vinyl lacquers were cut directly from this original stereo master on Gearbox’s 1967 Haeco Scully lathe with Westrex RA1700 series amps, using a Westrex 3DIIA cutting head and Telefunken U73B tube limiter, Maselec master control and equalisation and Audio Note monitoring equipment.

- - - - - - -
Journey to the Mountain of Forever

Disc One: The Realm of Now 
Binker Golding - tenor and soprano saxophone
Moses Boyd - Drums

Disc Two: The Realms of the Infinite
Binker and Moses with: 
Evan Parker - tenor and soprano saxophone
Byron Wallen - trumpet
Tori Handsley - harp
Sarathy Korwar - tabla
Youssef Dates - drums

Produced by Darrel Sheinman for Gearbox Records
Recorded by Ricky Damian and Caspar Sutton-Jones
Mastered by Darrel Sheinman and Caspar Sutton-Jones at Gearbox Records

Binker and Moses
Journey To the Mountain of Forever
Cat No: GB1537
Barcode: 5065001717482
Formats: Double Vinyl LP Gatefold, Double CD

Order Here: http://smarturl.it/BinkerandMosesJTTMOF

Journey To The Mountain Of Forever

Intoxication From The Jahvmonishi Leaves

Intoxication From The Jahvmonishi Leaves by Binker and Moses

Artist: The Cactus Channel
Release: Emanuel Ciccolini / Budokan
Formats: 7” vinyl record (45rpm) / digital
Cat: HS006
Release Date: March 2012

The kids from The Cactus Channel are finally Legal! One year after their debut vinyl release turned funk and breaks lovers worldwide on their heads, Australia’s baddest High School band have come of age. Recorded under maximum pressure in the final months of their secondary education, the new release is cooking with all kinds of gas. The musicianship, and writing on this record is superior, the production ruffer and tuffer, and with a full length LP only a few months away, Emanuel Ciccolini/Budokan is just a taste of the badness to come.

Emanuel Ciccolini - Named for guitarist Lewis Coleman’s Italian Grandfather, you can imagine the original Emanuel was a very bad man. This is some sinister, high-octane car chase funk. Think of the getaway scene in a heist movie set in Napoli circa 1974 and you get the idea. Ciao!

Budokan – Let’s not beat around the bush, this is makeout music. This B side is as smooth as the A-side is tuff. If teenage pimping on a waterbed was a song, it would be this song. The lowdown tempo and fat drums take it where it needs to go. Who knew teenagers could do it this slow?

The Cactus Channel - Budokan

"I love The Expansions their futuristic leanings inject new life into the form. Fresh material!" Ian Merchant (Black Acre)

“Exudes all the qualities I cherish most in music, warmth, integrity and a dedication to the groove… it’s a hard road to travel when you step in the footprints of giants, The Expansions are treading that path with ease and assurance.” Patrick Forge
=========
When The Expansions self released their first single in 2013, the laid-back jazz funk of Lavender, it quickly gained strong support from soul and rare-groove aficionados including Kenny Dope, Dom Servini, Patrick Forge and Andy Smith. A run of shows followed and before long, when someone was asking if there was a soul-jazz band around to play with, “The Expansions” was the answer. 

Although this popularity meant a hiatus in releasing music, the band have been constantly busy, playing around Europe with legendary British-Ghanaian soul singer, Andrew Ashong and the exceptional, upcoming talent Connie Constance. 

But always, The Expansions has remained a central focus and the true home of these four jazz and soul lovers, with occasional trips out to the country to form ideas and practice new music for the eventual album. 

Murmuration, recorded over three days at Big Noise in Southend, is constructed of single takes, with minimal overdubs, as the band attempt to capture the feeling and energy they create live. 

Debut single Breakthrough introduced the insanely catchy but deeply soulful blend of synths and groove, but here on the album that is explored to the fullest with longer breakdowns and more expansive, experimental solos. Pocket 5 displays the, possibly unexpected, influences of broken beat and almost combative rhythm playing – particularly in the complex guitar and keys breakdown where Koor and O’Keefe layer conflicting time signatures and battle to ride it out to the heavy drum return. 

Cannonball brings warm mellowness that delicately evolves through beats, touching on bossas alongside their fundamental hip-hop sensibilities. But even here there is a raucous zenith before the band sublimely recede into the silence of the a-side ending. 

Colossal album highlight Ivory Mountain is truly an epic. Evoking moments of 4Hero, there is a lightness of groove in the first half of this soulful exploration. But at the halfway point, all restraint is let go as a live string section joins the four quarters of the band for three glorious minutes of soulful disco. Evoking sounds of Quincy Jones, George Benson and Johnny Hammond, all the way through to a beautifully cacophonous finale. 

Dragonfly undoubtedly reflects on the work of Herbie Hancock and is the most direct throwback to the band’s earlier work, which is a welcome marker of how far they have come. A quintessential jazz funker. 

The album closes with the thoughtful and introverted shuffle of Miles Away. In the final eight minutes of Murmuration, The Expansions allow space and time to take precedence, with once-more-restrained peaks and developments. It becomes clear though, that the band cannot resist one last explosive finale, as they rise with screeching synths, strings and dubs for a perfect race to the finish line. 

You can hear the influences of Idris Muhammad, Grover Washington, even parallels with South London peers Yussef Kamaal and Ruby Rushton. But The Expansions have tirelessly worked to create a sound of their own and are very proud, along with label Albert’s Favourites, to finally share it.

Cannonball (Murmuration Preview)

The Expansions - Cannonball (Radio Edit)

Fu Chronicles

Fist of Flowers

Founded in 2009, Gearbox is a vinyl-led record label, mastering and vinyl-cutting studio and turntable manufacturer situated in London and Tokyo. What started out as a focus on previously-unreleased archival jazz recordings,  (including Tubby Hayes, Ronnie Scott, and Yusef Lateef), has now branched into contemporary jazz, electronic music, and folk. 

Output includes London jazz duo Binker and Moses, Indian percussionist and tabla-player Sarathy Korwar, tubist Theon Cross, and American jazz and funk five-piece Butcher Brown.

Intoxication From The Jahvmonishi Leaves by Binker and Moses

Gearbox Records

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