piano

Nocturne (Chopin)

Reverie (Debussy)

Si Dolce Claudio Monteverdi - Andre Heuvelman trumpet

المزيكا التصويرية لفيلم 
Forrest Gump 

Forrest Gump Piano Theme

We can never tire of this delicious piece!

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Clair de Lune - Debussy

Francis Goya - Concerto Pour Une Voix (Cover)

Delicately  & Beautifully organised <3 Enjoy :)

Brian Crain - Leaves On The Water

Csodás Virágokkal - Relax Zene

G.PH. TELEMANN: Concerto di camera in G minor TWV 43:g3, Il Giardino Armonico

Music by Pascal Comelade
arranged, perfomed and produced by Orchestra Joubès:

Antonio Fraioli - violin
Davide Mastropaolo - piano
Ernesto Nobili - electric guitar

Orchestra Joubès - Les Humeurs de Catherine

Beethoven - Piano Concerto No. 5 in E-Flat major, Op. 73,

J.S.Bach: Violin Concertos

J. S. Bach - Violin Concerto No. 1 in A Minor BWV 1041 - Hilary Hahn

Guest conductor Mei-Ann Chen ('95, '98 M.M.) leads the New England Conservatory Philharmonia in a performance of Rimsky-Korsakov's Scheherazade. Recorded live in NEC's Jordan Hall October 26, 2010.

Rimsky-Korsakov: Scheherazade, Op. 35 - The Tale of Prince Kalendar ( Lento-Allegro molto)

Sangwon Lee, clarinet; Jonah Ellsworth, cello; Yu Ting Christine Huang, piano
Chamber Music Gala, December 3, 2018, NEC’s Jordan Hall

Max Bruch composed his “Acht Stücke” Eight Pieces, Op. 83, for clarinet, cello (or viola), and piano, in Berlin in 1910 for his son Max Felix, a clarinetist. A virtual contemporary of Brahms and Dvorák, Bruch was renowned during his lifetime for his choral music, but is perhaps best remembered today for his Violin Concerto No. 1 in G Minor, Op. 26. After his death in 1920, his works were suppressed by the nascent Nazi Party and as a result, his music is not as widely known today as it perhaps should be.

Of the Eight Pieces, which one writer described as favoring “rich, mellow instrumental hues and an autumnal maturity of expression, deeply felt but purged of excess,” the third -- heard here -- was Bruch’s personal favorite. Despite being written at a time when many composers were experimenting with modernism, they are thoroughly and unapologetically Romantic in style. In his one possible nod to an ever busier world, Bruch stated that the Eight Pieces could and should be regarded as individual miniatures rather than movements of a greater whole, and had them published separately to emphasis the point.

Beethoven - Piano Concerto No. 5 in E-Flat major, Op. 73,

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