Beeti baatein laaye dard hazaar
Past stories bring a thousand sorrows
This reflects how clinging to the past causes suffering. In , unexamined memories and attachments lead to dukkha.

Aadatein bane jo ye aaye baar
These recurring patterns became habits
Habits are conditioned mental formations (sankhāra). When repeated, they shape how we suffer or awaken.

Har ek pal, pal bhar ka mehmaan
Every moment is a guest that stays briefly
This is a reflection on impermanence (anicca). Nothing stays—every moment is temporary.

Mausam hain ye jo badle aasmaan
These moods are like seasons changing the sky
Emotional and mental states arise and pass like weather. The sky represents the unchanging awareness behind it.

Saansein hain befikre, khudi mein fanaa
Breaths are carefree, dissolving in the self
With mindfulness, breath becomes a gateway to letting go. "Dissolving in  self"  releasing own ego, seeing the illusion of a fixed self.

Khabar na ghamon ki, hain sabse riha
Unaware of sorrows, completely free
Freedom from sorrow does not come from ignoring it, but from wisdom and non-clinging. This suggests inner release.

Khayal kal ke kaise guzra zakhm mitaye?
How can thoughts of tomorrow heal old wounds?
Future thoughts cannot undo the past. Song teaches us to be present with what is, not escape it.

Khayal kal ke kaise guzra gham bachaye?
How can thoughts of tomorrow save us from past grief?
Future planning or fantasy will not protect us from sorrow. Only insight and presence can transform suffering.

Har lamhe me tu poora dhal ja
Fully dissolve into each moment
This line encourages total presence. In practical practice, liberation is found in being fully with each moment.

Is pal mein hain chupa tera pata
Your path is hidden in this moment
The way to peace and awakening is not in some distant future—it is in deep awareness of now.

Gham ho ya Khushi, thehre kab yahaan?
Has sorrow or joy ever stayed here forever?
Everything is impermanent—neither pain nor pleasure stays. Recognizing this leads to equanimity.

Dekhta ja tu kal ka haseen karwaan
Just watch the beautiful caravan of tomorrow
If interpreted mindfully, this means observing without attachment. Watching the future unfold without grasping or fear.

Beeti baatein laaye dard hazaar
Repeating this line emphasizes the pattern of suffering caused by remembering and clinging to the past. It invites reflection and the possibility of release.

------------------------

Artist Note

This song is a journey through impermanence — a meditation on time, memory, and presence.

Built upon the timeless structure of Raag Yaman and Raag Bhairavi, the track opens with a hypnotic drone, gradually unfolding into layers of earthy tabla grooves and syncopated folk rhythms. The rhythmic interplay between tradition and innovation mirrors the movement of the mind — constantly shifting, yet held by something deeper.

Traditional flutes weave through the composition like a breath of insight, while call-and-response vocals echo the inner dialogue between clinging and letting go. The lead voice moves with power and vulnerability, channeling the energy of both sorrow and surrender.

Each musical phrase is shaped to reflect core truths: the weight of past impressions, the repetition of habits, and the fragile beauty of the present moment. The lyrics are not just poetry — they are reflections. They speak of grief that arises when we live in yesterday, and the liberation found in melting into the now.

In essence, this track is a fusion not just of musical cultures, but of emotional layers and inner realities. It’s a soundscape where Dhamma meets pulse, where impermanence dances, and where each moment is honored as a fleeting guest.

Let it be heard — and let go.

Khyal | Reflection of thoughts | Urdu | #MindBlend | Inner Realm

🎶 About the Song – Habits of the Eagle
=====

This song is created using style blending skill — weaving together different musical styles, flowing like echoes that shift from one form into another. It doesn’t remain in a single frame; instead, it carries the listener through a living stream of changing tunes, mirroring life itself.

At the heart of it lies the dual wisdom of the eagle:

The power to dive deep into one point, seeing with sharp focus and insight.

The power to soar high above, viewing the whole world with balance, recognizing the continuous flow of existence as anattā — without self, without grasping.

Just like the eagle, a seeker of inner peace needs both:
🌊 Deep inward concentration to uncover truth.
🌌 Expansive vision to see the interconnected, selfless nature of all life.

Thus, the music itself becomes a metaphor: a shifting, echoing journey through styles that points toward inner stillness and liberation.

This symbolism is not new. In our Sri Lankan dance heritage, the Ukusa Wannama embodies the eagle’s qualities in movement and rhythm — strength, clarity, and majestic vision. The dance, like the song, reminds us of the path: to rise above, to look within, and to see without grasping.

In this way, the song becomes more than sound. It is a mirror of the Dhamma — carrying us through changing styles, pointing us toward stillness, and teaching us the eagle’s two habits that lead to freedom.

~~
Inspired by Ukusa Wannama Srilankan Folk Dance patterns

~Inner Realm ~

Ukusa Wannama | Wisdom of a Eagle | Instrumental | #StyleBlend | Inner Realm

නැටවෙන ගති | Reflective Dance Forms | #DanceBlend | #MindBlend | Inner Realm
=====



[Intro]

[Drop]
[Music]

පය දුවපු තැන හිත දුවන විඳි ගැන 
 සිහියෙන් ඉන්න සිහියෙන් ඉන්න
 නැටවෙන ගති  ගැන හිතුවද හිතුනද  
සිහියෙන් ඉන්න  සිහියෙන් ඉන්න

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
සිහියෙන් ඉන්න සිහියෙන් ඉන්න

[Drop]
[Music]

සෙලවෙන ගත අනුව සිතුවිලි හැදුනද 
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
මොහොතින් එහාට හිත පැන ගියාද  
සිහියෙන් ඉන්න සිහියෙන් ඉන්න

[Drop]
[Music]



Artist Note:

This song was born from the body’s own rhythm — the feet racing, the hips swaying, the pulse alive. Yet, as movement flows outward, the mind dances even faster, chasing thoughts across past and future.

Amid the drops, the beats, and the swirl of motion, there is an invitation: to pause, to witness, to remain aware. Every step upon the ground becomes a knowing; every shiver of the body, a mirror to the mind’s restlessness.

Here, the dance reveals its deeper secret: impermanence in motion, thoughts arising and dissolving, and the luminous clarity of presence. To groove is to observe, to celebrate is to awaken, and to move is to discover the stillness at the core.

This is not merely a song, but a living reflection — an inner dance of awareness, a momentary glimpse into what is truly happening, right now.

---
Inspired by Srilankan Kavadi Styles

~ INNER REALM ~

නැටවෙන ගති | Reflective Dance Forms | #DanceBlend | #MindBlend | Inner Realm

[Intro]
[Drop]
[Music]

පය දුවපු තැන හිත දුවන විඳි ගැන
Where the feet once ran, the mind still keeps running.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

නැටවෙන ගති ගැන හිතුවද හිතුනද
When habits stir and old patterns dance within, did you notice, did you think of it?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සෙලවෙන ගත අනුව සිතුවිලි හැදුනද
As moods sway and shift, thoughts are shaped and formed.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

මොහොතින් එහාට හිත පැන ගියාද
Did the mind leap beyond the moment, running ahead?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

=====

Artist Note

This song is built around a single, simple reminder: “සිහියෙන් ඉන්න” — be with awareness.
Each line reflects the natural drift of the mind — running where the feet once ran, moving with old habits, carried away by thought and mood. But every drift becomes a chance to return, to notice, to observe the moment as it is.

The progressive flow of the music mirrors this movement of the mind: rising, shifting, echoing, then settling back into presence. It is not about forcing silence but about witnessing how thoughts arise and fade. In this way, every beat, every pause, becomes an opening into stillness.

The song is a practice in itself: listening with awareness, feeling with awareness, and returning to awareness. A reminder that in the dance of thoughts and sensations, liberation begins with observation.

නැටවෙන ගති   | Reflective Progressive | #MindBlend | Inner Realm

[Intro]
[Drop]
[Music]

පය දුවපු තැන හිත දුවන විඳි ගැන
Where the feet once ran, the mind still keeps running.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

නැටවෙන ගති ගැන හිතුවද හිතුනද
When habits stir and old patterns dance within, did you notice, did you think of it?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සෙලවෙන ගත අනුව සිතුවිලි හැදුනද
As moods sway and shift, thoughts are shaped and formed.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

මොහොතින් එහාට හිත පැන ගියාද
Did the mind leap beyond the moment, running ahead?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

Artist Note

This song is built around a single, simple reminder: “සිහියෙන් ඉන්න” — be with awareness.
Each line reflects the natural drift of the mind — running where the feet once ran, moving with old habits, carried away by thought and mood. But every drift becomes a chance to return, to notice, to observe the moment as it is.

The progressive flow of the music mirrors this movement of the mind: rising, shifting, echoing, then settling back into presence. It is not about forcing silence but about witnessing how thoughts arise and fade. In this way, every beat, every pause, becomes an opening into stillness.

The song is a practice in itself: listening with awareness, feeling with awareness, and returning to awareness. A reminder that in the dance of thoughts and sensations, liberation begins with observation.


At the end of this version , the shifting tempo itself becomes part of the reflection. By altering rhythm mid-note, the listener’s perception of the voice is unsettled — what seemed like “someone” singing is revealed as just sound, just vibration. The familiar sense that a voice must belong to a person begins to blur.

This  technical blend showcase how Dhamma can be mirrored in audio form. It shows how easily the mind generates the thought of “a person” or “a self” behind an experience, even when all that is truly present is sound, changing and passing. In this way, the music becomes a direct demonstration: the “singer” is only a momentary construction, and awareness is free when we see through that veil.

හිත දුවන විඳි | Thought Forms | #StyleBlend | #MindBlend | Inner Realm

[Intro]
[Drop]
[Music]

පය දුවපු තැන හිත දුවන විඳි ගැන
Where the feet once ran, the mind still keeps running.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

නැටවෙන ගති ගැන හිතුවද හිතුනද
When habits stir and old patterns dance within, did you notice, did you think of it?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සෙලවෙන ගත අනුව සිතුවිලි හැදුනද
As moods sway and shift, thoughts are shaped and formed.

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

මොහොතින් එහාට හිත පැන ගියාද
Did the mind leap beyond the moment, running ahead?

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
Stay with awareness, stay with awareness.


Artist Note

This song is built around a single, simple reminder: “සිහියෙන් ඉන්න” — be with awareness.
Each line reflects the natural drift of the mind — running where the feet once ran, moving with old habits, carried away by thought and mood. But every drift becomes a chance to return, to notice, to observe the moment as it is.

The progressive flow of the music mirrors this movement of the mind: rising, shifting, echoing, then settling back into presence. It is not about forcing silence but about witnessing how thoughts arise and fade. In this way, every beat, every pause, becomes an opening into stillness.

Musically, the song keeps evolving — blending Middle Eastern tonal colors, bass-driven rhythmic grooves, and trance-inspired layers. Styles flow into one another without settling, embodying impermanence through sound. Nothing holds fixed form; everything changes, reshapes, and dissolves, just as in lived experience.

The song itself is a practice: listening with awareness, feeling with awareness, and returning to awareness. A reminder that in the dance of thoughts and sensations, liberation begins with observation.

In the final passage, the shifting tempo becomes part of the reflection. By altering rhythm mid-note, the listener’s perception of the voice is unsettled — what seemed like “someone” singing is revealed as just sound, just vibration. The familiar sense that a voice must belong to a person begins to blur.

This subtle technical blend demonstrates how Dhamma can be mirrored in audio form. It shows how easily the mind generates the thought of “a person” or “a self” behind an experience, even when all that is truly present is sound, changing and passing. In this way, the music becomes a direct demonstration: the “singer” is only a momentary construction, and awareness is free when we see through that veil.

සිහියෙන් ඉන්න |  Right here right now | #StyleBlend | #MindBlend | Inner Realm

[Intro]

[Drop]
[Music]

පය දුවපු තැන හිත දුවන විඳි ගැන 
 සිහියෙන් ඉන්න සිහියෙන් ඉන්න
 නැටවෙන ගති  ගැන හිතුවද හිතුනද  
සිහියෙන් ඉන්න  සිහියෙන් ඉන්න

[Drop]
[Music]

සිහියෙන් ඉන්න සිහියෙන් ඉන්න
සිහියෙන් ඉන්න සිහියෙන් ඉන්න

[Drop]
[Music]

සෙලවෙන ගත අනුව සිතුවිලි හැදුනද 
සිහියෙන් ඉන්න සිහියෙන් ඉන්න
මොහොතින් එහාට හිත පැන ගියාද  
සිහියෙන් ඉන්න සිහියෙන් ඉන්න

[Drop]
[Music]


සිහියෙන් ඉන්න සිහියෙන් ඉන්න
සිහියෙන් ඉන්න සිහියෙන් ඉන්න

[Outro]

🎶 Artist Note
======
This song is a celebration of movement and awareness. When the rhythm begins, the body naturally shakes, sways, and dances—without effort, without planning. The groove pulls you in, and the body responds on its own. At the same time, the mind begins to wander—thoughts racing in different directions, forming images, memories, and stories.

Yet here is the wonder:

The body flows with the groove in one continuous pattern.

The mind leaps in random fragments, shifting from one knowing to another.

Both happen together, yet separately.

The song invites you to notice this beautiful duality—how the dance of the body and the dance of the mind arise in different orders, sometimes in sync, sometimes apart. This is not about controlling or stopping either one. It is about simply being aware—seeing how the natural play of life unfolds.

Through dancing celebration, “සිහියෙන් ඉන්න” (Sihiyen Inna | Be Mindful) becomes both a practical reflection and a rhythm. It is the call to remain awake, to rest in the form of now, while body and mind perform their endless styles and blends.

~ Inner Realm~
https://www.youtube.com/watch?v=oFhQhrcUUDw

සිහියෙන් ඉන්න |  Form of now | #StyleBlend | #MindBlend | Inner Realm

[Intro]

[Music solo]

දෑස  අහිමිව අතීතයේ 
මා පාර සොයපු  අඳුරේ
මියගිය ඔබගේ දන්දුන් 
දෑසින් එළිය දුටිමි කතරේ
මැවෙන මැවෙන රූ විඳින විඳින ඇස් 
මොණර මිරිඟු අතරේ
එළිය සොයනවා එළිය බලාගෙන 
මැකී නොගිය අඳුරේ

[Drop]
[Music]

ඒ දෑස මගෙ දෑස වන්නේ කෙලෙසමැයි
මගෙ දෑස වේ නම් ඔබ දෑස නොවේමැයි
මම මෙතැන ඉන්නේ ඔබ ඔතැන හින්දමයි
ඔබ ඔතැන නොමැති නම් මම මෙතැන කෙසේ මැ යි

[Drop]
[Music]

මං කොහොම මං වෙන්නෙ 
මට මාව නොමැති නම් 
 නොමැති බව මම වෙන්න 
හැකියාව නොමැති නම්
අඳුරෙන් එලියකට , ඒ තුළම නිවී යන
මම කියාගත් මම, දැක මැකෙනවා මං

[Outro]


Lyrics : Yamali Kanchana Ratwatte  / Gehan Panapitiya 

===

Artistic Note

This song is written as a journey — from darkness to light, from perception to self-questioning, from illusion to release. Each section is not just music, but an invitation to look directly into this very moment.

Intro – Darkness & Memory

The song opens with blindness, with eyes lost in the past. In that darkness, memory becomes a strange source of light — “seeing through the eyes of one who is no more.” Here, sound is stripped back: tight bass pulses and sharp percussive strikes create a dry, searching atmosphere, as if every note is feeling its way forward.

Verse – The Illusion

Forms rise and vanish. The “peacocks” imagery is not decorative; it embodies the restless illusions of the mind — beauty, fear, attraction, distraction. They shimmer like mirages in the darkness. The guitar here picks up folk-like motifs, weaving intricate fills that flicker like those mirages.

First Drop – Questioning Perception

The song then confronts the paradox of perception: “If my eyes are yours, is there anything that I own? I am here only because you are there — what happens if you are not?” The rhythm grows tighter, more urgent, pulling the listener into the core tension of dependent arising.

Second Drop – Questioning Self

The lens shifts inward. “If I cannot exist without the absence of me, do I exist?” Here, binaural percussion enters — a celebratory yet disorienting pulse — creating a psychedelic, immersive break. The soundscape cracks open, as if space itself is asking the question. It calls you to look: Right now, right here, in this reality.

Outro – Release

From darkness to light, within that light the “I” dissolves. The track fades on this insight, leaving only the resonance of what has been unspoken.

Beyond Human Limits

These expressions go beyond the known forms of sound. They venture into a soundscape beyond conventional instrumentation. The high-end frequencies, the rapid rhythmic cycles, the shifting binaural layers — they stretch the edge of what human hands cannot produce alone.

This is where human and AI meet, not in conflict but in collaboration. The human brings lived insight and emotional depth; AI expands the sonic palette and rhythmic precision. Together they open a brave new sound world — futuristic yet rooted in folk, reflective yet meditative, alive with the possibility of release within.

දෑස  අහිමිව | Beyond Forms | #StyleBlend | #MindBlend | Inner Realm

Artist Note [ If you want to understand what really this is , keep reading ]

The Formation

The piece launches with rapid, punchy bass and dry percussive strikes. The tight, minimal sound mirrors the lyric’s opening: eyes lost in the past, searching in the dark. There is no lush reverb — only bare sound, as if the listener too is caught in the raw edges of perception.

As the verse deepens, folk-inspired guitar phrases weave into the pattern. These fluid, cyclic motifs echo the arising and fading of forms (මැවෙන මැවෙන රූ, විඳින විඳින ඇස්), suggesting how the senses continuously construct fleeting images, like mirages among peacocks. The shifting rhythmic cycles destabilize a fixed sense of ground — embodying impermanence.

Midway, the track bursts into a binaural Slow celebratory percussion drop. Here, the stereo field expands, the sound becomes immersive and psychedelic. This section mirrors the lyrical self-questioning — “How can that eye ever be mine? If it is mine, it is not yours…” — a celebration of paradox, where distinctions blur. The binaural resonance places the listener inside the question, dissolving boundaries of “self” and “other.”

Finally, the music contracts again, moving from intensity into stillness. The layers peel away, leaving a contemplative sonic space that parallels the lyric: “The self I once claimed, now seen, dissolves away.”

The Connection to Dhamma

The structure itself reflects the path of insight:

Dark, dry bass/percussion = avijjā (ignorance, blindness).

Folk guitar cycles = saṅkhāra (formations), ceaselessly arising and passing.

Binaural drop = the expansion of awareness, yathābhūta ñāṇa dassana (seeing as it is).

Final dissolution into stillness = nirodha (cessation, release).

The music does not simply accompany the lyrics; it enacts them. The sonic journey mirrors the listener’s own mind: clinging to forms, questioning identity, then dissolving into the silence where no “I” remains.

This is not just a futuristic folk rap — it is a field of practice. To listen is to observe how rhythm and self both arise, shimmer, and vanish.
====

[Intro]

[Music solo]

දෑස අහිමිව අතීතයේ
මා පාර සොයපු අඳුරේ
මියගිය ඔබගේ දන්දුන්
දෑසින් එළිය දුටිමි කතරේ
මැවෙන මැවෙන රූ විඳින විඳින ඇස්
මොණර මිරිඟු අතරේ
එළිය සොයනවා එළිය බලා ගෙන
මැකී නො ගිය අඳුරේ

[Drop]
[Music]

ඒ දෑස මගෙ දෑස වන්නේ කෙලෙසමැයි
මගෙ දෑස වේ නම් ඔබ දෑස නොවේමැයි
මම මෙතැන ඉන්නේ ඔබ ඔතැන හින්දමයි
ඔබ ඔතැන නොමැති නම් මම මෙතැන කෙසේ මැ යි

[Drop]
[Music]

මං කොහොම මං වෙන්නෙ
මට මාව නොමැති නම්
නොමැති බව මම වෙන්න
හැකියාව නොමැති නම්
අඳුරෙන් එලියකට , ඒ තුළම නිවී යන
මම කියාගත් මම, දැක මැකෙනවා මං

[Outro]

Lyrics : Yamali Kanchana Ratwatte and Gehan Panapitiya

This Dhamma expression Give you a chance to reflect the original meaning within you. a chance to see the real you behind name and form.
This is not for listening, it for observing within.

අඳුරෙන් එලියකට | Beyond  Current Form | Sinhala | #StyleBlend | MindBlend | Inner Realm

[Intro]

[Music solo]

දෑස  අහිමිව අතීතයේ 
මා පාර සොයපු  අඳුරේ
මියගිය ඔබගේ දන්දුන් 
දෑසින් එළිය දුටිමි කතරේ
මැවෙන මැවෙන රූ විඳින විඳින ඇස් 
මොණර මිරිඟු අතරේ
එළිය සොයනවා එළිය බලා ගෙන 
මැකී නො ගිය අඳුරේ

[Drop]
[Music]

ඒ දෑස මගෙ දෑස වන්නේ කෙලෙසමැයි
මගෙ දෑස වේ නම් ඔබ දෑස නොවේමැයි
මම මෙතැන ඉන්නේ ඔබ ඔතැන හින්දමයි
ඔබ ඔතැන නොමැති නම් මම මෙතැන කෙසේ මැ යි

[Drop]
[Music]

මං කොහොම මං වෙන්නෙ 
මට මාව නොමැති නම් 
 නොමැති බව මම වෙන්න 
හැකියාව නොමැති නම්
අඳුරෙන් එලියකට , ඒ තුළම නිවී යන
මම කියාගත් මම, දැක මැකෙනවා මං

[Outro]

මැකී ගිය අඳුරේ | Fading Darkness | Sinhala | #MindBlend | Inner Realm

Artist Note
====
This contemporary rendition draws profound inspiration from the timeless masterwork originally crafted by the legendary Gunarathna Abeysekara and Mohideen Baig. Their original composition stands as an enduring masterpiece that continues to resonate across generations, weaving Buddhist philosophy into the very fabric of Sri Lankan musical heritage.
This remake serves as my humble tribute to these creative visionaries who possessed the extraordinary ability to translate the deepest Dhamma insights into accessible, soul-stirring melodies. Through their artistry, they brought the Buddha's profound teachings to countless hearts and minds, making the path of enlightenment tangible for ordinary seekers walking the journey of life.

We honor these legends who walked before us, lighting the way for spiritual understanding through the universal language of music. Their legacy reminds us that true art transcends entertainment—it becomes a vessel for wisdom, a bridge between the sacred and the everyday.


The Journey of Understanding

The song opens with a simple truth: "බුදුන්ගේ අමා ධර්මේ නොතේරී" (Not understanding the Buddha's precious teachings). This line asks us - do we truly understand what the Buddha taught, or are we just going through the motions?

When the lyrics speak of "වෙලීලා බැඳී ප්‍රේමේ විනාසේ වුණා" (being bound by love and facing destruction), they're showing us how our attachments become our chains. Think about something you desperately wanted - when you couldn't have it, didn't you suffer?

The beautiful imagery of "මලේහි වසා බඹරා උරා රොන් ගනීවි" (the bee dwelling in the flower, drinking nectar) paints a picture we can all relate to. We're like that bee, finding sweetness in worldly things. But notice what happens - "එයින් ඌ පලා ගිය දා මැරී මල් හැලේවී" (when it flies away, both bee and flower perish). This is us clinging to temporary happiness.

The line "අස්ථිර වේ ජීවේ තණ අගේ පිනි සේ" (life is unstable like dewdrops on grass) reminds us that everything passes. Your troubles, your joys, your relationships - all temporary.

"සොයාලා බැලූවොතින් පෙනේ මේ මනා සේ" (if you search and look, this becomes clear) - the song encourages us to open our eyes and really see the patterns in our own lives. Where are you seeking permanent happiness in impermanent things?

Let these simple truths guide you toward inner peace.

Inspired by the works of 
Original Artists  : Mohideen Baig | Gunarathna Abeysekara

All Rights for respective owners.
~ Inner Realm ~

බුදුන්ගේ අමා ධර්මේ | Remake | Sinhala | #mindblend | Inner Realm

~~ An Engineering Approach to Conveying Life's Meanings through Digital Audio. ~~

"As an AI engineering artist, Inner-Realm harnesses the power of machine learning to craft immersive experiences that simplify complex Dhamma points, making them accessible to everyone. With mesmerizing visuals and soothing soundscapes, Inner-Realm's generative Music Genre invites you to embark on a journey of discovery, unraveling the depths of Buddhist teachings. Each carefully crafted piece distills intricate concepts into intuitive, easy-to-grasp presentations, ensuring that the essence of Dhamma is revealed in a way that resonates with minds of all ages and backgrounds. By fusing cutting-edge technology with spiritual exploration, Inner-Realm's innovative unique approach awakens new perspectives, inspiring a deeper understanding of the timeless wisdom within the Dhamma. May these insights illuminate your path towards inner peace and enlightenment"

Khyal | Reflection of thoughts | Urdu | #MindBlend | Inner Realm

Gehan Panapitiya | Inner-Realm

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