Instructor

From my debut EP 'Shy' out April 5th on @activia-benz
http://hyperurl.co/NoticeMe

Vocals by Daniel Ness
Produced by Daniel Ness
Mixed & Mastered by Vladimir Woodham-Smith

Buy + Stream

Notice Me

everglade - Notion Of Land

We're proud to announce our first release of 2019: Formless, by @wild_kid. Experiments in form and deconstruction, and response to political stimulus, written 2015–2019.

Out 04.19.19.

Formless

Wild Kid - A-F.U.S.A.

HELM - Chemical Flowers
Format: LP / CD / Digital
Cat.No: PAN 99
Release Date: 17 May 2019
Purchase: https://bit.ly/2Uxqs9z / https://bit.ly/2UpJ0bA

Luke Younger returns to PAN with an eight-track album of his most direct work to date. Composed alone at NO studio in the Essex countryside, to start an album with a piece called ‘Capital Crisis (New City Loop)’ seems an intentional misnomer. Long, sustained periods in the rural studio setting see Younger working with an array of fragmented, disassociated sound sources to build upon 2015’s Olympic Mess. It shares a similarly inclined vision of the urban environment, but here Chemical Flowers makes reference to paradoxical notions of authenticity and creative practice by way of questioning the structures around us. Collages are assembled and dismantled, temporal and spatial boundaries fluctuate and movement is an overarching theme.

Surrealist drowned world atmospheres sculpted far enough away from the source of inspiration leave plenty of room for ambiguity. The nocturnal nature of the recording process is self-evident, and pieces like ‘Leave Them All Behind’ tap into a deep psychedelic undercurrent. Confused narratives, emotions and aleatory hallucinations ebb and flow throughout. ‘I Knew You Would Respond’ evokes murky soundtrack terrain with eerie repetitive strings and ambient respite, disrupted periodically by brief bursts of granular noise. It’s one of the records most unnerving moments, possibly as it’s one of the most recognisably human.

The album navigates dense passages with recurring signifiers. Hollow percussion, modulating delay and curious field recordings come and go, maintaining a perpetual state of flux where nothing stays the same for long. The drowned world theatricals return on the swamp-like ‘Lizard in Fear’ whilst string rhythms creep in on the penultimate track to incite momentary electroacoustic harmony. Floating synthesis slowly washes over and the title track unfolds - five minutes of reverb-laced portamento, visions of decay and Editions EG influenced
world-building. Movement is key.

Chemical Flowers features string parts arranged and recorded by JG Thirlwell (Foetus / Manorexia / Xordox). Additional cello played by Lucinda Chua and saxophone by Karl D’Silva. The album is mastered by Rashad Becker, featuring artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Chemical Flowers

HELM - I Knew You Would Respond (PAN 99)

Slagwerk is happy to announce their third release, which is a 4-track piece by London-based Belgian-born producer 0comeups. The EP entitled 'Creek Don't Rise' is the first output since One Deep, which was his debut on Purple Tape Pedigree in 2016. 

Artwork: ssaliva
Mastering: Elvin Vanzeebroeck
Releasedate: February 7th 2020
Format: Digital / USB

0comeups — 'Them Not Me'

Artist: Smagghe & Cross 
Title: 1819
Label: Offen Music 
Release date: 27.01.2020 
Format: 12“ LP

This second Lp on Offen is an ajar window overlooking the phantasmagoric world of Smagghe & Cross, a remembrance of days that never were. The music is sparse, the past is forever : ghosts of industries are conjured through the English countryside, fading memories play static with an idea of romance, the sun breaks through the iron clouds. A record free of uncouth nostalgia but laced with ethereal melancholia.

1819

B1 Antheia - OFFEN 012

DJ Lostboi & Torus - The Flash

sitequeeste.bandcamp.com/album/the-flash
Available 24 January 2020 on LP and digital platforms.

Following 2019’s hibernation, Queeste reappears with the mnestic soundscapes of DJ Lostboi and Torus’ split album The Flash. Across eight gossamer evocations—four from each artist—the duo reflect on individual journeys from airport to sea during the blissful embers of fading summer. Their gaze expands and contracts naturally with passing locations but lingers on the titular flash, what the two artists describe as “the rare sight of the sun giving off a bright green lightburst into the horizon.”

Made up of sounds sourced and appropriated from these commutes—pop music heard on the radio, jumbled street recordings, and everyday technological objects—The Flash evokes the melancholic pull of such recollections without ever succumbing to nostalgia. The moments eked from these samples stretch into quiet eternity—still and suspended—while retaining their quotidian, terrestrial qualities.

DJ Lostboi successfully refines the warped atmospherics heard on his previous edits of pop, rap, and emo. First track ‘Open World’ welcomes listeners with lapping waves and plaintive wavering tones—like a glittering video game environment—until real life interrupts on ‘Ordinary People’ as an automated answer phone message: an unknown voice lets out a weary sigh. Its foggy pianos and soft vocals offer melody and buoyancy where ‘LB 100’ circles on moody, dream-like pads. We follow the artist’s oceanic voyage to its culminating trance-like shimmers which dissolve into cool water: reflective, endless, yet ultimately hopeful.

Netherlands-based Torus foregoes the dancefloor dynamics of 2016’s Engine Malfunction for a series of calmer, cloudless drifts. On ‘Enter The Sun’—a sparse, yearning composition—washes of noise and clipped auto-tuned vocals pulse over a haunting refrain until ‘Pier’ arrives with whirring engines, sweet birdsong, and decaying synths. The album’s lightest piece comes with the skipping ‘Radiate 540’—euphoric dance minus the kick—which rises from a muffled human interaction until slow motion cinematics signal the trip’s end: ‘Arrival’ collapses into the sea elegantly mirroring DJ Lostboi’s final track.

Despite its hushed ambience, The Flash is an album committed to forward momentum. Each composition reveals a discrete chapter of DJ Lostboi and Torus’ journey building to a moment of bittersweet ascension. The results of such heartfelt wandering recall the spatial dynamics of The KLF’s zoned post-rave landscapes but these works flicker with thoroughly modern paraphernalia and emotions.

The Flash

Torus - Pier

DJ LOSTBOI - JOIN ME (RAW)
MAJA RATJKE - BREATHE
PÉTRA - LANDES (NICO NIQUO REMIX)
WAVES AT ARALIA CHOCHLAKI, NISYROS, SEPTEMBER, 2018
ALEXI BARRIS - 6P77E8
LOVE SPIRALS DOWNWARDS - SUNSET BELL
HARON - CAVERNE
JU CA - BALLARD LAKE
GROUPER - HOLDING
PHILIP CORNER - THIRD GYMNOPEDIE (ERIK SATIE)
JOHANN JOHANNSSON - MANDY LOVE THEME
BURIAL - COME DOWN TO US INTRO / RIVAL DEALER OUTRO
MALIBU - CROSSES (JOSE GONZALES COVER)
ULLA - I THINK MY TEARS HAVE BECOME GOOD
HTRK - MORE TO ENJOY

LOS ANGELES, MARCH, 2020

53:09

Instructor

GEL DUST

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