Manual manipulation. Drawing the wavelet.

Continuous Mode (yellow LED in photo). Each voice modulated by individual & 90degrees shifted Zoe sine(ish) waves

Even higher RATE audio modulation. Depth is the same.

adding Studio H DPO to show in context and scaled

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Classic Remastered Jungle Breaks (FREE DOWNLOAD)

An entry in Modular Musical Moderator Modular Challenge: https://www.modwiggler.com/forum/viewtopic.php?p=3625723#p3625723

4xMCC

All three 291e channels fed back into themselves with audio rate modulation from cross mod Dual Programmable Oscillator. Prototype Control Voltage Slew Processor modulates freq and amp of each. 291e ALL output attenuated in 210e prior to 206e.

A - Bass A:16 B:99 F:52 M:81 (AM)
B - Tom A:0 B:99 F:98 M:61 (FM/AM)
C - Tom A:0 B:99 F:139 M:69 (FM/BM)

One take, no effects.

https://studiohsoftware.com/modular

291e Saturated Percussion

Destroyer Session - live modular +  drum machine .

This is a simple example of polyphonic use of the 268e Graphic Waveform Generator by Keen Association from Moscow, Russia.

If you like harsher sounds, go to the middle point and listen from there. Audio rate modulation makes for great noise.

See the tags within the playback stream for annotations regarding what is happening. However, the quick rundown is that:
•  I start in Motion Detector mode and use the "manual" knob to adjust the timbre. 
• Tape Speed is manipulated throughout the demo by an LFO and/or by hand.
• The track switches to Continuous Mode via the orange pulse input jack (thanks for including this feature, Alex)
• In Continuous Mode, I have each oscillator set to "INDIVIDUAL" in terms of their respective modulation sources.
• Modulation comes from the quadrature outputs of a MkII Cyndustries ZOe.
• The backing sequence is the other lovely Preset Management-capable non-Buchla oscillator, the Studio H Dual Programmable Oscillator.
• The VCAs are the Eardrill q.vca. No LPGs.

I believe this to be a lovely oscillator that allows for 4 unique sounding oscillators in a very compact form factor. It adheres to and leverages the Buchla USA Preset Management system as well as having a limited degree of onboard memory.

Early wishes? More CV inputs for use with the 223e. It would be nice to have discrete inputs for use with the discrete outputs of each 'voice' on the 223e. This is to say, the ability to leverage polyphonic "Location", "Pressure", etc.
With that stated, it is early days for this unit. Alex may well add more to the menu in terms of features. I just got this thing and it has been my case for about 4 days. I'm still figuring out where the beauty lies.

Keen Association 268e Graphic Waveform Generator

Buchla 200e, Metasonix Wretch Machine, KV-100 & TM-2, Quad 8 Spring Reverb, Electrix Mo-FX, Analogue Systems RS-290 & RS-295, MoogerFooger Ring Mod. 

The Arpeggiator on the 223e is driving the sequence. I change the notes periodically. This whole things was spontaneous and off the cuff besides pre-tuning the synths. 

SuperHighway1000

250eQuadrants2

This is a small tune I've knocked together using the EMS Buchla 200 modular system. All sounds are Buchla, sequenced, recorded and processed using Ableton Live and Silent Way.

A shockingly distasteful abuse...

Folktek Omnichord OM-84 with Moog MP-201, MF-108M and 3 AudioDamage Plug-ins.

Direct Contact

Tidal

Mostly Buchla augmented by Eurorack and Ableton.
Moderator at ModWiggler.com for all of your space rock needs.

Keen Association 268e Graphic Waveform Generator

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