@cwmbran-city: thank you! soon... :) http://www.dragonseyerecordings.com/catalogue/de6016.html

performed live 1/14/16
at VOLUME: South of Sunset
Los Angeles

scored for Johanna Breiding's video 'Swarm'
organized by Robert Crouch
http://www.volume.la/events/johanna-breiding-geneva-skeen-field-variations/

untitled (field variations: swarm) live

Taken from "Nordic Flora Pt. 2, En Ros Röd som Blod" 3 x cs 
Posh Isolation 183

Varg - Abiat

An excerpt from one of six compositions appearing in Antarctica, An Absent Presence (Thames and Hudson Australia) by Philip Samartzis

Antarctica, An Absent Presence

At the End of Night

Each installment of this ongoing portfolio series features an original audio recording by a musician, composer, or sound artist along with their commentary. Projects range from raw documentation of live performances to sound collage and experiments with aleatory music. Click here for more details: https://bombmagazine.org/articles/field-recording-3/

Lea Bertucci: Field Recording #8

Dragon’s Eye Recordings is pleased to announce it’s first release from Seattle artist Jake Muir. With 'Acclimation', Muir continues his focus on mood, texture, and place, by taking found sounds and presenting them in a new context. Muir began field recording with the mindset of a natural sound recordist, in that he was largely interested in environments “free” from man made noise. More recently, Muir began contemplating the perspective that man is part of the soundscape, and that there is beauty to be found in some of our machinations. This acceptance of the given state of things opened his ears to more sonic possibilities.

Last fall, Muir was invited to perform at Seattle’s Corridor Festival, which would take place at the Georgetown Steam Plant —  a historic landmark over a century old. Muir took this opportunity as an impetus to create a live set based solely on industrial and aqueous field recordings, given the context of the setting. This live set became the basis for 'Acclimation', where the goal was to exploit the harmonic elements in these man-made sounds and to largely deconstruct the source material. The album consists of a variety of recordings made in Los Angeles, Vancouver, Iceland, and Washington. In thinking of what content he might utilize, Muir gave a home to recordings he had forgotten about and had previously deemed not useful.

Acclimation

Jake Muir - Acclimation (Excerpts)

The Aeolian Harp (also called Wind Harp) is a string instrument that is played by natural wind. It sounds like layered feedback or drones with rich harmonic textures that will change continuously according to the wind direction, strength and consistency. One day, I bought the materials at the local DIY store and built a small Aeolian Harp. I brought the harp outside on windy days, but it made no sound at all. Through trial and error, by altering the string materials, tension, and the angle against the wind, it finally produced a sound.

The harp resonates with the surrounding environment, changing from place to place. I put two lavalier microphones into each of its two holes to clearly record the tiny resonant sounds, without too much wind interference. What is intriguing to me is that the recording will inevitably include environmental sounds from near and far which are condensed and slightly modulated by the harp. In a way, I use the harp as a kind of transducer as well as sounding body to interact with the environment through the forces of the wind. The recordings themselves are ecological, meteorological and geomorphological observations at a certain time and place.


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http://www.gruenrekorder.de/?page_id=16674
http://shop.gruenrekorder.de/?full#Gruen_182

Path of the Wind | Eisuke Yanagisawa

Originally broadcast on Ears Have Ears, FBi Radio Sydney. Listen back to the full program here: https://fbiradio.com/945fm/programs/ears-have-ears/2018-11-22/

An exclusive soundtrack by Los Angeles-based artist and composer Geneva Skeen. Influenced by écriture féminine, alchemical metaphors, and a range of musical traditions ranging from holy mysticism to industrial, Skeen works with with recordings, digital presets, voice, and mixed instrumentation. Her performances, publications, and installations focus on the contrast between facing the finite resources of our physical landscapes and their infinite digital representations. She is an MFA candidate in the Music/Sound program at Bard, a recipient of the Touch Mentorship program, and a member of VOLUME, a curatorial collective focused on sound-based practices. Her recent release A Parallel Array of Horses can be found on Australian label Room40.

Her soundtrack titled 'The Oval Window' is a stereo drone work composed strictly using recordings of voice and piano processed through digital and analog technologies. The sloping harmonics and peripheral speech affects highlighted in the composition were scraped from the original raw recordings, then reshaped in relation to each other’s’ line, pitch, and duration.

https://genevaskeen.bandcamp.com/

EHE 22.11.19 - Geneva Skeen - The Oval Window

https://soundcloud.com/iruuuu / https://soundcloud.com/cammack_lindsey - visible window
from "∫ ( { } )_ visible window" (QNR029)
released 2nd December 2019
DOWNLOAD: http://www.mediafire.com/file/8kp3nlku0sn5h8r/i.ruuu%252C_Cammack_Lindsey_-_%25E2%2588%25AB_%2528_%257B_%257D_%2529__visible_window_%2528QNR029%2529.zip/file
cover by Elin Gonzalez

∫ ( { } )_ visible window

QNR029 (↓↓↓)

i.ruuu / Cammack Lindsey - visible window

Chris Duncan's Album

ELAPSE

Spontaneous mix with different house styles.
I slowed down most of the tracks for the sexiness.

crazy to what people partied back then.

enjoy!

photo: https://www.instagram.com/leckeres_wasser/

untitled (field variations: swarm) live

Geneva Skeen

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Geneva Skeen

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