We return with Streamer and a Remix EP focusing on his “Walking with Camels” EP which we released last Christmas.  We loved that EP so much that we just needed a follow up and what better way than to get a bunch of our favourite producers to put a twist on the EP. 

The original Walking with Camels sounds like a precious, classic and unmissable (they don’t make it like they used to) 70s recording featuring some tracks in the tricky measures of 6/8 and 5/8.  

In parts, the EP sounded like the lost Middle Eastern Jazz recordings of Idris Mohammed, Byrd and M Jarre jamming together on a modern electronic Psychedelic Orchestral Dub tip… a sonic, cinematic Desert Wave soundtrack for an imaginary movie yet to be made – https://soundcloud.com/generation-bass-1/sets/streamer-walking-with-camels

For the Remixes EP, this world was turned upside down and inside out, deconstructed and reconstructed for the club environment. Most of the remixers opted for Last Sacrifice as the track to remix.  It is a track that gets under your skin and refuses to leave and there never seems to be enough of it, always leaving you yearning for more

The 12 tracks on the Ep/Album feature an array of genre styles from current hot fave Gqom (Gome) through to 80’s Synthwave, Grime, Tribal, Vogue/Ballroom, Techno, Wobble, Neuro Funk, DnB, Acid, Jungle and Skweee.

Track 1 
Streamer turns the EP Title track into a Vogue/Ballroom Bass blitz in the desert. Arab Ha! never sounded quite like this before demonstrating that Streamer is a true Master At Work!

Track 2
Bandish Projekt created a spine-tingling remix of The Last Sacrifice featuring Hindi vocals on a 5/8 Dubstep excursion.

Track 3
For his first remix of Searching for Ketama (there are 3 in all), Streamer looked to South African Gqom (Gome) for this remix. Commercial and accessible and already supported by BBC Radio 1 and Toddla T amongst others.

Track 4
Insane Fennel added to the ritual and gave The Last Sacrifice an Apocalyptic Wall of Bass Re-rub.

Track 5
Streamer, who it seems can turn his hand to almost any genre style and pull it off with aplomb, gave Midnight Express a Neuro-Funk, DnB, Jungle make-over turning it into something completely MAD!

Track 6
Sarantis turns The Last Sacrifice into a Grime epic

Track 7
Sanmon transformed the sacrificial ritual into a Techno behemoth

Track 8
Streamer’s 2nd remix of Searching for Ketama finds him giving it a Ketama Gold sheen with a harder hitting vibe, taking it way down to 80 BPM.

Track 9
Zhe Pechorin gives The Last Sacrifice a new deep-tribal, slow-grind make-over.

Track 10
Our friend Centre of the Universe was bold enough to tackle Bedouin producing an other-worldly remix that sounds like we could have landed on the moon, way before Neil Armstrong did!

Track 11
For streamer’s 3rd and final version of Ketama, he covered an idea I had in my mind for a Bladerunner version in the form of a DesertWave remix harking back to 80’s Synthwave sensibilities.  

Track 12
We close this Ep/Album with Drvg Cvltvre tapping into early Pink Floyd for inspiration combined with his affinity for Acid and he teases us with a slow bulding mellow monster.

ARTWORK:
Steve Green

STREAMER
https://soundcloud.com/streamer

BANDISH PROJEKT
https://soundcloud.com/bandishprojekt

INSANE FENNEL
https://soundcloud.com/insane_fennel

SARANTIS
https://soundcloud.com/sarantis1

SANMON
https://soundcloud.com/sanmon-23

ZHE PECHORIN
https://soundcloud.com/zhe-pechorin

CENTER OF THE UNIVERSE
https://soundcloud.com/sissyfus

DRVG CVLTVRE
https://soundcloud.com/drvgcvltvre

GBEP00071



12. Streamer- Midnight Express (Drvg Cvltvre's Acid Kool Aid Mix) (110 BPM) [Generation Bass]

Cracki Records 5th Years Birthday Party w/ Eliott Litrowsky, Voiron & Ian Tocor at REX CLUB (16.12.16)

Renart - Live @ Rex Club (16.12.16)

Free Download

Migos - Bad and Boujee (Acapella)

Rinse  FM Podcast

Download

Majia Radio w/ Santa Muerte, Zutzut & Rafa Maya - 7th June 2017

OutNow

Godwonder - Call Me Up Bae [Mastered by Munchi]

MUNCHI - BEK DEN BO BLOCK
SELEGNA RECORDS | [SELPR013]

░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░

Fuck bro, it's fucking amazing to see shit evolving once again. Got me feeling like a Pokemon master n shit. This variation of Moombahton / Afro that is really popular here in Holland (read; destroying clubs/charts the last 2 years) is interlinked with everything. Who would've thought that the tresillo rhythm would be accepted in this manner?! I mean nowadays even Enrique Iglesias on the radio getting pretty on Reggeton, still wanting to be a hero for the bb's and shit. But I ain't talking about that shit - it's what's happening here tho. When I made the Trap Bubbling mixtape a couple of years ago, this was exactly what I was hoping for. Trap vocals on top of them Bubbling beats. I'm smiling while fucking typing this, since on top of that rhythmwise what's "the beat" that is being used on every single one of these tracks, ain't even Bubbling. Matter of fact, this type of beat reminds me of the Reggeton beats of early 2000.

In Korsou you also had the Reggeton poppin, but the only difference was that they also had the heavy influence of Bubbling. I never really considered it to be Reggeton, since it was in it's own league. I mean, they followed the Reggeton trends and all of that, but always with their own melaza added to this rhythm. Fast forward to today and you got the Afro shit poppin. So you got those 2 sides being merged and create what is the sound that is destroying the lyfe over here. It's straight up the same shit you hear in the clubs as an actual track, defining it without overpolishing and fu-pop-cking it up.

YESSSSSSS. #thatwhisperedreallyheartfeltYESwhenyoujustgotagoodgrade 


Finally rappers seem to get the sound, skipping the entire hands-high-super-glittery-buildup-with-pretty-chords-while-in-jesus-pose bullshit. Life's good. Man I remember that I was being told this bullshit years ago; "Yeah this is great - but you need to add some chords and pop vocals". For the ones who know my unreleased shit - he was talking about "Tempo Got My Back". Bro that sample was by a dude that was in jail like 10 years for the shit he rapped. You had to see the look on my face yo lol!

So in a sense this lineage has Bubbling written all over it, so what is cooler than - adding even more Bubbling to it lol! The thing is that I made this shit in a Trap Bubbling context with Antillean Reggeton and Papiamentu Rap in mind. Then in some weird turn of events recently the Moombahton / Afro rhythm popped off. Beautiful shit man. So I got the fam on the vocals to top it off and add to the lyfe.  So s/o to the old, s/o to the new, s/o to Korsou producers, s/o to the Afro producers, s/o to the newskool Moombahton producers, s/o to the Korsou influences, s/o the fam. You know all is included in the track, so hope you like it! We out here <3

16/6

Bek Den Bo Block

Munchi - Bek Den Bo Block

Rinse FM Podcast

8ULENTINA - 17th June 2017

Thanks for the love fam!

<a href='https://theartistunion.com/tracks/9483aa'>Download for free on The Artist Union</a>

22/6

Godwonder - Asesina [Mastered by Munchi]

My lil set for Papi Juice's 4th Anniversary! hope u dig it xo

ITS OKAY SQUIRREL [HBD PAPI JUICE!]

Godwonder - Vamos A Pasar La Noche [Mastered by Munchi]

Godwonder - Aplatala  [Mastered by Munchi]

The Generation Bass Digital Label is all about the music ...from wherever!

Don't send music to us for release. we'll find YOU!
Run by http://soundcloud.com/djumb & Vince The Prince aka http://soundcloud.com/cumbia4life & http://soundcloud.com/drvgcvltvre



12. Streamer- Midnight Express (Drvg Cvltvre's Acid Kool Aid Mix) (110 BPM) [Generation Bass]

Generation Bass

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