great intro great tune great beat great atmo 🔥💀🖤

B6's pleasure 2020

We’ve got one last banger before the rekkid drops this Friday. In case you still haven’t been acquainted yet, the cowboy futurist of Oz, Cong Josie, is back to make darn sure you know his name and his game with ‘Cong the Singer’ the final single from his eponymous album Cong! It’s 4 minutes of Cong madness and malarky after which we think you’ll count yourself a co-conspirator, partner in crime or just need a cold shower. 

This thrusting synth-punk stomper is a timely manifesto announcing the imminent release of his debut LP, Cong!  Crooning, yelping and cooly fantasising in spoken word, Cong serves up his most blistering joy-ride yet. Imagery is invoked of a speeding Eastern Freeway drive in a crowded clown-car/Ford Laser with Giorgio Moroder in the back seat squeezed in with a strong-man chanting choir and a lush disco chanteuse whose voice floats crystal clear with hope. Cong is at the wheel of course, all hopped up on 7/11 one dollar coffees singing Roy Orbison too fast at 78rpm while Johnny Cayn is the front passenger playing a hillbilly slide guitar with complete abandon - wind flowing through his curly locks.

The origin story told in ‘Cong The Singer’ of Cong coming good as a gun-for-hire singer who becomes infamous at the parma-night mega pubs of the suburban sprawl doing a sort of Elvis-does-pub-rock karaoke show may have only a thin veneer of irony about it though. Cong’s daylighting alter-ego Nic Oogjes (NO ZU) grew up driving daily on the freeway mentioned, and it could be said that his own insecurities as a singer, and that of perpetually feeling like an outsider who (fruitlessly) seeks acceptance via creative output, of which will never actually align with broad definitions of 'good' in the ‘burbs, could be fuelling this trip. This is just a theory though. For now, let’s just thrust along to Cong, the “stiletto singer, moonlighting in the dead of night”.

GENRE : No Wave, New Wave, Post-Punk, Synthwave, 
RIYL: Alan Vega, The Cramps, Chrome, The Birthday Party 

‘Cong the Singer’ single releases October 15th on all digital platforms. Cong!  the debut LP is out October 22nd 2021. On digital CD and ultra-limited hot pink vinyl through It Records
Contact: Kate Reid itrekkids@gmail.com

Pre-order now at itrecordsmelb@bandcamp.com

Cong Josie -  Cong The Singer

Album Pandecidio (31. 12. 2018)
Free Download https://genocidio1968.bandcamp.com/
Una canción para mi gata Nancy quién ya no ha vuelto, tal vez alguna vez lo haga cuando regresé de la Luna.  En coros participación de Markos a quien le agradezco a horrores por formar parte de este bonito honor a Nancy...

Letra

En las horas más solitarias
intento escuchar tus pasos
intento encontrar rastros
Nadie sabía que tú te irías

Nadie sabía, nadie sabía
que nunca más volverías

La distancia y la soledad
bajo la luz de la Luna
Emerge tristeza y ansiedad
mientras susurro tu nombre en la
oscuridad

Coro:
Ya no soporto esta soledad
quisiera volverte a ver, a sonreír
quisiera que estuvieras aquí
para que pudieramos jugar y sonreír
Y aunque la Luna quisiera estar
Tú debes volver a aquí
Porque no quiero volver a sonreír
si tú no estás aquí
Quisiera que tú estuvieras aquí...

Sería un viaje especial...
Y si estás en la Luna debes brillar
y tú sombra danzará y girará
mientras la Luna brillará

Sería íncreible y agradable
Si tu viaje fue a la Luna 
Sería íncreible y agradable
Si tú estás en la Luna

Coro:
Ya no soporto esta soledad
quisiera volverte a ver, a sonreír
quisiera que estuvieras aquí
para que pudieramos jugar y sonreír
Y aunque la Luna quisiera estar
Tú debes volver a aquí
Porque no quiero volver a sonreír
si tú no estás aquí
Quisiera que tú estuvieras aquí...

Se Fue A La Luna

Album Pandecidio (31.12.2018)
Free Download
https://genocidio1968.bandcamp.com/

Hipocresía

Adieu World (Original Mix)

We feat. Moa

Thanks for Ace Mix and Mastering from @p1nkf1re and https://p1nkf1re.bandcamp.com/music

Freeze Ray P - P1nkmicks1

This is a great first release from talented guys.

Vocals by Beverly Matujal. 
Lyrics were written by Ashish Khilnani & Beverly Matujal. 
Saxophone by Sizario Sax.
----------------------------------------------------------------------------------
Spotify & Beatport
https://open.spotify.com/album/1KeLZoIYWGLDpD5ealBCZ4
https://www.beatport.com/track/blue-eyes-original-mix/12860177
----------------------------------------------------------------------------------
Support The Artists
https://soundcloud.com/anrk-official
https://soundcloud.com/beverlymatujal

Blue Eyes (Single)

ANRK feat. Sizario & Beverly Matujal - Blue Eyes (Original Mix)

🎧 Spotify Playlists: spotify.aia.ag/AIA_Spotify 🎧

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Retrolux

Stream or Download

Bluze - Retrolux

Mainstream Insomnia

"The Wish Someone Made In The Dark" is the ninth track of @amekcollective's 39th release - a compilation called "Vanishing Standards" (tape & digital).

All tracks are now available on Bandcamp:
https://amekcollective.bandcamp.com/album/vanishing-standards

Mastering: Ivan Shopov (Etheraudio Studio)
Artwork by Nikola Kostov

Video visuals: 
https://www.youtube.com/watch?v=LpBpDhvL2Z4

Vanishing Standards

The Wish Someone Made In The Dark

Безумный страх

Polycythemia - Забытое Имя

The human brain processes emotion by categorizing all input according to two responses: sympathetic and parasympathetic (i.e. “fight or flight”). Imagine a graph with two axes: one axis representing a state of stimulation (from excited to calm), the other depicting stimuli as being negative or positive.

In his book The Man Who Lied to His Laptop, the late Clifford Nass refers to these two plots respectively as “arousal” and “valence.” Whether an emotion makes us feel angry, humiliated, serene, jubilant, frightened or something else, the brain’s job is to determine what level of valence or arousal is appropriate for a given situation. Although Nass’s book doesn’t go into the Goldilocks Zone as such, the author does explore how the brain constantly resets itself chemically in an attempt to keep us “just right.”

For this weirdly industrial-sounding piece, Suss Müsik attempted to capture the polarities and nuances between valence and arousal. The main pounding riff (the “arousal” side) was created with a pitch-shifter applied to acoustic guitar. The “valence” side is an analog synth wash combined with audio scans of two-dimensional artwork. The two sides meet somewhere in the middle, thanks to some liberal digital-delay phasing and a Ditto looping pedal.

The piece, entitled Nass, was recorded live to 8-track with no overdubs. The image was created by visual artist B.G. Madden.

More on this 461st weekly Disquiet Junto project, Goldilocks Zone (The Assignment: Navigate a sonic space between the hospitable and the inhospitable), at:

https://disquiet.com/0461/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0461-goldilocks-zone/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Nass [Disquiet0461]

The Death Room

Sometimes we fall
We lose it all
Feels like we're dying
No use in trying

We're in the throes again
New all-time lows again
Will we wake up again?
Will we break up again?

We'll find a way
To get through these days
We'll keep on trying
We'll stop the crying

We're on the rise again
New all-time highs again
We're wide awake again
We will not break again

The Throes - Single

The Throes

Electric Cauldron

As an artist; although hard to define, my style of music and imagery has a dark irreverence and spiritual sensibility. I like to express the abstract over calculated reason. I am drawn to the dark recesses of human consciousness where exotic thoughts run unbridled and emotional confusion is a welcomed certainty. Blix also provides a remix service.

Hipocresía

Genocidio 1968

Recent comments

Christian Rosen Kretuz

幸せな小さな猫

BlixSix

Betancourt Noyzel

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