minimalist ambient

Title track off of Deru's upcoming "1979" album, being released on digital, vinyl, and handheld projector. June 17th on Friends of Friends. 

http://shop.1979.la <---- To pre-order the projector
www.1979.la <---- To submit a memory for the gallery
http://fofmusic.bandcamp.com/album/1979 <---- For vinyl

---------------------

Memory is one of our greatest gifts; it gives us access to time, to identity, to dreams. Guided by the wisdom of Jackson Sonnanfeld-Arden, discoverer of the Nine Pure Tones, I created 1979 as a concept album through which I could share his brilliant theory, and my life-long infatuation with memory. 
        
Before music was such an easily traded commodity, it was often an experience to which people gave their full attention. Let’s bring that experience back. Let’s respect what music is worth. 

Yours in the waves,
- Deru

1979

4th track off of "1979", released on digital, vinyl, and handheld projector on Friends of Friends Records.

fofmusic.bandcamp.com/album/1979 <---- To buy digital/vinyl
shop.1979.la <---- To order the projector
www.1979.la <---- To submit a memory for the gallery

---------------------

Memory is one of our greatest gifts; it gives us access to time, to identity, to dreams. Guided by the wisdom of Jackson Sonnanfeld-Arden, discoverer of the Nine Pure Tones, I created 1979 as a concept album through which I could share his brilliant theory, and my life-long infatuation with memory.

Before music was such an easily traded commodity, it was often an experience to which people gave their full attention. Let’s bring that experience back. Let’s respect what music is worth.

Yours in the waves,
- Deru

Three Cheers For Existence

Coleus

7 June 2016

stream/buy

meaningless

2 October 2016

Cacti Juniper

matrix mixer feeback, first impression

Flap Jack's Revenge

Clouds7

Cemetery 'Vessels' (cs/dl)out on Sacred Phrases, May 2017

Cemetery - "Riffs"

Performance
Saturday, March 11th, 2017 

ISSUE Project Room
22 Boerum Place, Brooklyn

Saturday, March 11th, ISSUE presents two generations of artists working in the medium of computational music: pioneering computer musician and scholar Curtis Roads and composer, artist and curator Eric Frye performing work in 4-channel sound.

Curtis Roads’ contributions to electronic music and computer music composition are vast. Roads was Editor and Associate Editor of Computer Music Journal from 1978 to 2000, and cofounded the International Computer Music Association in 1979. In addition, he has written books and anthologies including Foundations of Computer Music, The Music Machine, the textbook The Computer Music Tutorial, and Microsound, which presents the techniques and aesthetics of composition with sound particles.

For his ISSUE debut, Roads performs Flicker Tone Pulse, a dynamic audiovisual experience of finely tuned electronic and cinematic pieces he has composed since 2009 with long-time collaborator and video artist Brian O'Reilly. Roads will be showing O’Reilly’s visuals as he cultivates his purely computer generated tonalities from the “…realm of microsound, [from] sound grains first predicted in the acoustical theories of the physicist Dennis Gabor and the polymath Iannis Xenakis.”

In addition, Eric Frye performs his erudite style of uncompromising, fractured electronics that at once recall the spattered tangle of Keith Fullerton Whitman's recent generations, the digital subversions of Jeff Witscher and the incisive chimerizations of Florian Hecker. Andrée Ehresmann, Professor Émérite at Université de Picardie Jules Verne, describes Frye's work as “challenging the perception of an auditor by the dissociations of the sonic environment, the heterogeneity of the successive motives, often separated by sharp fractures and repetitions with slight modifications of multifaceted sounds, recalling ‘real-world’ sounds, but with a variance.”

Eric Frye is a composer, artist, and curator. Exploring non-orientable sonic surfaces, Frye operates between the disciplinary boundaries of sound, philosophy, linguistics, and mathematics. His live performances and installations are focused towards a recalibrated layering of multi-channel diffusions. Simultaneously dissociative and palpable, Frye’s compositions activate an interplay between material and immaterial. His latest recording, On Small Differences in Sensation, which includes texts by Fernando Zalamea, Inigo Wilkins, Andrée Ehresmann and Mathias Béjean, was released by Copenhagen-based imprint, Cejero. His most recent curatorial endeavor, Exploring Compositional Epistemologies, a series of performances, lectures, and installations that took place at Midway Contemporary Art in Minneapolis was called "an erudite survey of the fusion of technology, composition and performance exploring the intersections of time, knowledge, self-hood and sonic space" by Mn Artists. In October 2016 Frye was artist in residence at EMS Elektronmusikstudion Stockholm. Currently, he is developing a multi-sensory performance with researcher Simone Niquille, in addition to preparing material for a solo exhibition and continuing his research at Orfield Laboratories Minneapolis. He has forthcoming releases on Anòmia, and Further Records.

Eric Frye - LIVE at ISSUE / March 11th, 2017

A mashup/breakdown of Daniel Rossen and Dr. Dog.

Miscible Cosmos

6 December 2016

shout out to @oofoe , @chrisrayisbored , @dawwwl for the collabs <3

purchase: https://soundsbysoho.bandcamp.com/album/calma

tracklist:
01. inizio 
02. calma
03. cielo w/dingus
04. autunno w/dawl
05. inverno
06. semplice
07. oceano
08. respirare 
09. sorella
10. continua w/oofoe

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