 Russians says "There' s no Ukraine, it shouldn't exist"...  I'm Ukrainian and I'm proud of it. My country do exists as well as my music. No one in the world has no right and power to make such statements about any nation. They drew their fascist sign "Z" with blood of Ukrainian children. If you support Russian aggression against Ukraine you've got that bloody sign on your forehead. The God is to judge you...
This track is remastered by Houman (https://soundcloud.com/houmans)

Falling Slowly

A love song with the words of your own choosing.

An especial thank you to David Dunham  @david-dunhamuser589535203  for his generous help in mastering my track.

Where Are You Now?

Sensibilität

Sensibilität (Sensibility)

Experimenting again here with different divisions of strings. Why is getting the balance right so difficult? Part of the answer is that conductors (not composers) are the experts. They ensure, for example, that large numbers of divisions of second violins, avoid blasting smaller numbers of viola divisions into acoustic oblivion.

Small, medium or large orchestras plainly have very different numbers of divisions of the different string instruments. It is very complicated to get the balance right, to say the least. Conductors know how to handle all sorts of different orchestras (small, medium and large)...and therefore all sorts of different divisions, of all sorts of instruments.

The best way for composers to learn (from conductors) is to attend rehearsals of pieces made by famous composers. Making notes of everything the conductor says to the orchestra during rehearsals.

Gustav Mahler was a conductor who happened to compose in his spare time. Being a good conductor, in my opinion, is orders of magnitude more difficult than being a good composer. Controversially, I suggest good conductors should not be required (by the performance notes of a score), to adhere strictly to performance notes. Good conductors should be positively encouraged to interpret scores ad libitum.

Efforts were made in the above study to think about string divisions, in relation to other string divisions and piano. A technical study. Which became the first movement of my first piano concerto.

Piano Concerto No.1 (1st movement) Op.22

Situation Zero

This piece has an asian influenced theme. Having a peaceful theme, yet also portraying a certain restlessnes, to return to the peaceful theme. Hope you like it.... Do you like the sheets?  The sheet music (piano) is available for € 2,99. Send me a message for the purchase. Or see serge4music.nl  It's part of the album "Sweet and Sour"

Yasu

https://soundcloud.com/user-234910439/trio-in-bb-for-two-flutes-and-piano-work-in-progress

Link to Flutes and Piano arrangement

String Arrangement (Trio In Bb For Two Flutes And Piano)

L.v.Beethoven Trio op.3-II.Andante.Transcribed, reproduced & rendered for two pianos  by VV Dec 28, 2024, and again Jan 14, 2025,
after a careful reading, review, and re-writing of the articulations (...'ad libitum by ear'...) of its original score, and, and of its now re-read, previously generated reading/sequence, , produced for the original string trio setup in ca 2010's by H.Fesefeldt (1942-2019, a German nuclear physics researcher, and music software developer). - Now, the instruments were revoiced & reconfigured, as well as the rec. setup, were set by VV. -
ANY KIND OF COMMERCIAL USE OF THIS TRACK IS PROHIBITED.

L.v.Beethoven Trio op.3-II.Andante.Transcribed for two pianos

L.v.Beethoven: II.Andante. of Trio op.3. Transcribed for two pianos

Nocturne No. 3

“Harmony of Silent Glow” is a short, poignant strings quartet piece that transitions from somber tones to a hopeful resolution. While all parts harmonize seamlessly, the 1st violin gently leads with a melodic touch. At just 1:50, it serves as a continuation of my previous cello & piano tracks, “Where Shadows Rest” and “Beneath Unspoken Words,” which are part of the same single. With Spitfire reverb enhancing the ambient texture, it’s a brief, emotive journey.

Echoes of Stillness

Harmony of Silent Glow

The Feather Lamp Symphony for Piano & Violin - Collaboration with Rosin Dust (Violin Solo)
Music, orchestration and production by Syrel https://soundcloud.com/user-461764443
Violin Solo by Rosin Dust (Tatiana Makarova) https://soundcloud.com/rosindust
Picture of Ingo Maurer Bibibibi lamp by Syrel for the Decormag Magazine in 1985


Thank you so much Tatiana for this inspiring performance.

Syrel Classical Work

The Feather Lamp Symphony for Piano & Violin - Collaboration with Rosin Dust (Violin Solo)

Maine jazz, classical, roots, rhythm & blues pianist. Accompanist, keyboards, special band projects, musical theater, composer, & teacher. Let's talk music.

Situation Zero

Geoffrey Ives - Piano Music from Maine

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