sets mp3 dj les meilleurs Mix !

To celebrate its release we here at Data Transmission have been lucky enough to be given an excellent and exclusive 53 minute mix by Lee Van Dowski.

For more info on the release: http://www.datatransmission.co.uk/news/rebelski-rift-valley-incl-lucianolee-van-dowski-remixes/

Exclusive: Lee Van Dowski

Daniele Travali Live @ Fuck Commercial Disco Xmas Edition - thanks to Borgo33.com

Freshly squeezed on Leena Music. Lee Van Dowski & Dean Demanuele:
http://www.beatport.com/release/branding-you-damned/1267148

http://www.mobilee-records.de/artists/lee-van-dowski

Lee Van Dowski: The very name exudes style and intrigue—a country lord, perhaps, who at night throws open the manor gates to host all-night bacchanals legendary for their wine and song.

And though the French-born, Geneva-based artist may not have a manor to his name, the rest isn't far off the mark. Born Renaud Lewandowski, Lee has earned a reputation as a kind of dark prince of uplifting electronic music—a trickster who spreads his mischief via long, undulating DJ sets and bewilderingly funky releases. And he's done this in a remarkably short span of time. In 2004, he and Philippe Quenum released the well-received "Extension"/"Oregon" single for Luciano's Cadenza label; since then Lee has gone on to unleash a deluge of material on labels like Mental Groove, Bpitch Control, Dumb Unit, Einmaleins, Memo, Plak, Defrag Sound Processing, Mobilee, Leena, Wagon Repair, Soma (where Lee and Quenum also released their collaborative album, As Told On The Eve Of…) and still more. He's a regular fixture at some of the world's most celebrated nightclubs— Panorama Bar, Weetamix, Goa, Rex Club, D edge, The Arches etc…and even more celebrated afters. And as the director of two labels—Num, alongside Quenum, and 60Sec, with Agnès—he's released dozens of records from the likes of Butane, Mike Shannon, Alex Attias, Exercise one, Pan Pot, Dario Zenker and many more.

But while it's been a comparatively rapid ascent, Lee's roots go deep. His musical prehistory may be similar to many of his generation: raised on rock and hip-hop, complete with the obligatory attempt to learn to play guitar followed by short-lived bands with schoolmates. But Lee was the beneficiary of his stepfather's eclectic musical tastes, which spanned classical, jazz, funk, rock and even musique concrete and academic electronic music. "I was fascinated by the metallic sleeves and their geometrical designs," he remembers, suggesting a possible source for the shimmering timbres and clever vectors of his own music.

The pieces first fell together in 1993, when a friend invited Lee to attend a rave in southern France, near where he lived. "That was the shock of my life," says Lee, echoing a sentiment that will be familiar to many. "That was what I was looking for, without really knowing it—thousands of people dancing and sweating in the open air. An amazing soundsystem. And this never-ending kick that drives you to madness… Since that day, I've devoted my life entirely to being a part of this."

Lee got involved with the infamous Dragon Bal raves, where Miss Kittin got her start; he worked mundane jobs, saved money, bought decks and a mixer and taught himself to spin. He came to production the same way, beginning with an MPC2000, but translating the sounds in his head into its fat, blocky pads wasn't as easy as it seemed. His ambitions took Lee to Geneva, where he earned a degree in music engineering, but it may have been his next job, working in a Lausanne music shop, that really signaled his entry into the world of electronic music. "Even if the boss was a crazy guy, the shop was like a goldmine, full of gear and old analog synths, drum machines, all the recording and mixing tools you could dream of," he recalls with awe. He took advantage of his employee discount to build out his studio, and just as importantly, the shop served as a focal point for all the area's musicians. It was here that Lee would meet both Quenum and Luciano—and from there, as they say, the rest is history…

There's no single description for Lee's productions, which have proved unusually malleable in his half-decade of releases; an early interest in the skittish rhythms of labels like Warp and Skam remains evident, but reformatted for the supple grooves of deep house and classic minimal techno. His time in the Lausanne music shop clearly served him well; Lee's tracks immediately stand out for their fine sense of detail, an almost intangible shimmer. Utilizing samples, drum machines and all manner of synthesizer, Lee's music remains open to every possibility. "It's an empirical process," he says of his method. "Each sound or loop brings me to the next one, and so on, until the moment that I feel I have all the elements I need to finish the track. Of course, there are always surprises and accidents—that's what makes the magic in writing music."

Lee's DJ sets are similarly spirited. "Technically, I like to surprise myself," he says. "I like to do a long, smooth mix, and then a radical one… It's important for me to try telling a story, so of course your technique is another way of doing that, along with the music itself. With time and with age, maybe, the tempo really decreased—I think I play a bit deeper now than five or six years ago. But I still love a good, bouncy track if it's not too aggressive, and if the energy serves the groove instead of breaking it." Slowing down also means stretching out. "I like to play long sets," he continues, "when you don't have to rush, and you can really forget yourself and build something different."

2009 finds Lee stretching out as never before. The year began with his Free For All Crash Endeavors, released on his and Quenum's Num label, and The Variable Man (Leena), with one track featuring Lee's longtime colleague Agnes; Lee also collaborated with Anja Schneider for Mobilee's 50th release, "Deseo"/"La Roulette." Further releases are out now, or due soon, on Saf Series, Material Series and Curle Recordings. But the year's biggest development may be Lee's return to Cadenza, the label that helped launch his career five years ago. In May, Lee will appear alongside Luciano, Glimpse and Guy Gerber on a split EP; he also joins Cadenza Booking, joining a family-style roster that includes Luciano, Thomas Melchior, Petre Inspirescu, Rhadoo, Mirko Loko and many more of electronic dance music's most innovative players. Count Lee has returned to his Swiss manor, the gates are wide open, and the beat is beckoning.

Get the music!

Lee Van Dowski - mobilee promo mix - April 2014

Recorded by BE-AT.TV, watch the full set here:http://www.be-at.tv/brands/maimarkthall/time-warp-mannheim-2014-floor-4/tale-of-us

Tale Of Us @ Time Warp 2014

Live recording of our set on May 3rd 2014 for Miese Musik Rooftop Summer Opening @ Deck 7, Kassel

Marc Keen b2b Daniel Shepherd @ Miese Musik Rooftop Summer Opening, Deck7 - Kassel - 03.05.2014

Daniele Travali Live @ MOB The Big RE - Opening

Daniele Travali Unlocked NYE 015 At MOb

LIVE-podcast at Weinerei Nürnberg – 17.01.2015

doob // digestif
soundcloud --- https://soundcloud.com/doobdoob
facebook --- www.facebook.com/doobistdoof

Janoma
soundcloud --- https://soundcloud.com/janoma
facebook --- www.facebook.com/janomamusic

Weinerei
www.weinerei.de


<a href='https://theartistunion.com/tracks/1b8684'>Download for free on The Artist Union</a>

Download

sound (ge) cloud 001 | Doob & Janoma

Coming up:
15/10 - 17/10: DGTL during ADE 

15/10: DGTL presents Maya Jane Cole and friends - http://on.fb.me/1SOFv1O
Maya Jane Coles - Bonobo (DJ-Set) - Dusky - Mount Kimbie (DJ-Set) - Heidi - Cinnaman

16/10: DGTL presents Paradise - http://on.fb.me/1LZpVSk
Jamie Jones - Eats Everything - Davide Squillace - Jackmaster - Richy Ahmed - Patrick Topping - wAFF - Denney - Russ Yallop

17/10: DGTL presents Kompakt - http://on.fb.me/1MzzRSw
Maceo Plex - Kölsch (Live) - Michael Mayer - Barnt - Hunter/Game (Live) - Weval (Live) - Coma (Live) - Patrice Bäumel - Fango
 
ww.dgtl.nl

DGTL

Finnebassen @ DGTL Festival 2015 - Amsterdam - 04.04.2015

For the first time ever, we played at legendary Time Warp Germany this year. Here's an exclusive 90 minutes excerpt of our set.

Monkey Safari - live at Time Warp 2015

Hot Since 82 @ DGTL Festival 2015 - Amsterdam - 04.04.2015

Espais is John Beltran's (solo) follow up to his compilation Music for Machines. 
Inspired by film score composers Atticus Ross & Trent Reznor, Vangelis, Max Richter, Daniel Lanois and Hans Zimmer. John brings you his take on the genre. 
Coming to you on Delsin Records June 2015.

Espais (Officlal Preview)

[Suara PodCats 068] Lee Van Dowski (Studio Mix)
Today we have with us Lee Van Dowski. This amazing Dj and producer has earned a good reputation on the electronic music scene because of his unique sense of music. You better check this fantastic set he has prepared for us!

[Suara PodCats 068] Lee Van Dowski

Circoloco
www.facebook.com/circolocoibiza
twitter.com/circolocoibiza
instagram.com/circolocoatdc10official

D'julz
https://www.facebook.com/djulz
https://twitter.com/djulz_dj

D'julz - The Terrace - Circoloco Opening Party @ DC10

The techno kingpin delivers an hour of fury

In Session: Chris Liebing

Circoloco
www.facebook.com/circolocoibiza
twitter.com/circolocoibiza
instagram.com/circolocoatdc10official

Tale of Us
https://www.facebook.com/TaleOfUs
https://twitter.com/taleofus
https://soundcloud.com/taleofus

Tale Of Us  - The Terrace - June 22nd @ DC10

The Diynamic Radio Show is a podcast presented by artists of Diynamic Music.
This week's host is Roberto Calzetta & Twin Soul bringing you their latest mix with some fresh material.

Diynamic Radio Show August 2015 by Roberto Calzetta & Twin Soul

LEE VAN DOWSKI CHRISTMAS 2012 PODCAST

Lee Van Dowski Mix for RTL102.5 Groove/Italy

THIS IS A GIFT FOR YOU PEOPLE....THANKS TO EVERYBODY!!!!
LISTEN,COMMENTS,SHARE,DOWNLOAD AND ENJOY THE MUSIC <3 !!!!!

sets mp3 dj les meilleurs Mix !

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