As a big Kate fan I just loved your version.

Rad cover.  As great as their records are, Geographer is even better live -- seen them 4 times now.  A favorite band of mine.

some songs make me want to say 'thankyou' this is one

great version! it'd be so excellent to hear more Kate! This Woman's Work?

fantastic cover! You have an extordinary voice :)

chill

Seabear - Arms - 2007 - The Ghost That Carried Us Away

https://www.youtube.com/watch?v=Gsbd9j20JOs&list=PL5YH9ENcc7Y-B698dxK7njhkooBuoor6B

Legends

Please disregard
My naked faith
I just realized
It takes two too late
Can we dish it out in daylight? 
Can we stare ourselves down?
Can we maneuver honesty when it comes swinging back around?

Oh why, oh why, oh why, oh 
Now we’ll never know what legends we could be
Just me and you and you and me
Why, oh why, oh why, oh 
Now we’ll never know what legends we were meant to be

Please disregard
My endless hope
It just paved the way 
For the end of our rope
I sometimes called your bluff in secret
You sometimes wrestled with my nerves
Can you imagine anybody else so close to you it hurts?

Oh why, oh why, oh why, oh 
Now we’ll never know what legends we could be
Just me and you and you and me
Why, oh why, oh why, oh 
Now we’ll never know what legends we were meant to be

Please disregard
As I have done
Our civilized tone
Is not fooling none

Oh why, oh why, oh why, oh 
Now we’ll never know what legends we could be
Just me and you and you and me
Why, oh why, oh why, oh 
Now we’ll never know what legends we could be
Just dumb-ass-you and dumb-ass-me
Why, oh why, oh why, oh 
Now we’ll never know what legends we could be
Oooooooooohhhhhh, oh why, oh why, oh why, oh 
Now we’ll never know what legends we were meant to be
The legends we set out to be

Words & music by Sondre Lerche
Recorded, mixed and produced by Kato Ådland at Studio 5071, Bergen Feb 2014. 
Sondre Lerche: vocals, guitars, drums.
Kato Ådland: bass, keyboards, drums, vocals.

Sondre Lerche - Legends

Produced by Michael Keire and Timothy Mann 
Engineered by Michael Keire 
Additional Engineering by Timothy Mann 
Mixed by Michael Keire 
Mastered by Brian Lucey 

Artwork by Cody Eich 

Synths / Guitar / Bass / Vocals / Programming - Timothy Mann 
Drums - Tom Lang 
Guitar - Jamie Ball 
Synths and Pianete - Justin Brix 

Mariner's Cross

Join the official newsletter for your free download: http://po.st/EinSoundCFD

Islands: Essential Einaudi is the first time that all of Einaudi's best known music appears in a single collection. It’s available as both a single disc and special double disc version. Islands also includes new tracks The Earth Prelude and High Heels as well as two new remixes of Lady Labyrinth and Eros.

Available to order now:
iTunes: http://po.st/EinSoundCIiT
Google Play: http://po.st/EinSoundCIGP
Spotify: http://po.st/EinSoundCISpot

Divenire

New single "Gloria" out now!

iTunes: http://smarturl.it/Gloria_iTu
Amazon: http://smarturl.it/Gloria_Amz
Spotify: http://smarturl.it/Gloria_Spo

Were unfurling history just giving up
flooding up to my knees
I'd call upon ishmael just to talk
he'd pour all it in a sink

I was told your body's buried in some ice cove
but I can see you swimming, swimming
Had always hoped to have you near me in some nice home
you said only monsters stay the same

Skip stones, skip stones while I'm battling it
I'm watching my friends go white from feeding a burn
and I know the kids work from worry I'm watching them here
How long can we fuck it up
How far here we are now

I hope to god the harvest's out
cause I spent the evening trolling the abyss
and I'm not better than the place I'm from
I got clever not to proselytize in it
but you know it's not so hard to talk about the violent universe
I felt it's fingertips rake inside my skin all for a mouth to mouth kiss

Skip stones, skip stones while I'm battling it
I'm watching my friends go white from feeding a burn
and I know the kids work from worry I'm watching them here
How long can we fuck it up
How far here we are now
Skip stones, while I'm battling it
my common sense goes while I'm sipping the curse
and I know the kids work from worry I'm watching them here
How long can we fuck it up
How far here we are now

I caught you undressed in the moss
with your eyes rolled back
take your mothers love and all

Gloria

The song Save Me, from the Gotye album Making Mirrors

Produced by Wally De Backer
Additional vocal and drum production by Francois Tetaz
Mixed by Francois Tetaz, assisted by Andy Stewart and
Wally at The Mill, Gippsland, VIC

Bass guitar: Lucas Taranto
Drums, percussion, virtual mandolin, autoharp, metronome,
piano, guitar samples, synths, lead and backing vocals: Wally

******************
In the mornings
I was anxious
Better just to stay in bed
Didn't want to fail myself again

Running through all the options
And the endings
Were rolling out in front of me
But I couldn't choose a thread to begin

And I could not love
Cause I could not love myself
Never good enough, no
That was all I'd tell myself
And I was not well
But I could not help myself
I was giving up on living

In the morning
You were leaving
Traveling south again
And you said you were not unprepared

And all the dead ends
And disappointments
Were fading from your memory
Ready for that lonely life to end

And you gave me love
When I could not love myself
And you made me turn
From the way I saw myself
And you're patient, love
And you help me help myself
And you save me
You save me


Making Mirrors

Save Me

Hearts A Mess is from the Gotye album Like Drawing Blood

Produced by Wally De Backer, in bedrooms around Melbourne, VIC, Australia between 2004 and 2006

(Walter De Backer/Irving Burgie/William Attaway), © 2008 Copyright Control (APRA)/Lord Burgess Music, administered by Cherry Lane Music Publishing Company (ASCAP).   
Hearts A Mess contains adapted elements of Day-O (Irving Burgie/William Attaway), Cherry Lane Music Publishing Company, Inc. (ASCAP)/Lord Burgess Music Publishing Company (ASCAP), Administered by Cherry Lane Music Publishing Company, Inc. (ASCAP). All Rights Reserved.
Strings, harp, guitar, double bass and drum sample recreations on Hearts A Mess produced by Hal Ritson and Richard Adlam for ReplayHeaven.com with Guthrie Govan on guitar, Richard Adlam on percussion and programming, Hal Ritson on keyboards and Cerys Jones and Laurine Rochut on violin

*******************************
Pick apart 
The pieces of your heart 
And let me peer inside
 Let me in
Where only your thoughts have been 
Let me occupy your mind
As you do mine

You have lost
 Too much love
To fear, doubt and distrust
 (It’s not enough)
You just threw away the key 
To your heart
You don’t get burned
 (’Cause nothing gets through)
It makes it easier
(Easier on you)
But that much more difficult for me
To make you see…

Love ain’t fair
So there you are
My love

Your heart’s a mess
You won’t admit to it
It makes no sense 
But I’m desperate to connect 
And you, you can’t live like this


Love ain’t safe
You won’t get hurt if you stay chaste
So you can wait
But I don’t wanna waste my love

Like Drawing Blood

Hearts A Mess

Cover of Higher Love by Steve Winwood, recorded live for "Silver Lining' Charity album, recorded by students at the Sound Training College in Dublin. http://www.facebook.com/soundtrainingrecords

Early In The Morning

Higher Love

Buy on iTunes

We Get Back

Passenger

10 Nowhere to Go

Blackwater
Dark Shades of Blue
Secrets
GUKU
Edge of the Moon
This World As We Know It
Shiver
Uncle
Up In Flames
Hope That You'll Stay
Home

04 GUKU

Ash Set to Release Special Edition Triple-Vinyl Package in the US this November Featuring 26 Singles From Their Famous A-Z Series

Band Announces US Tour Dates to Coincide with A-Z Release;
Kicking Things off with Weezer in Florida Before Heading up the East Coast for Headlining Dates

New York, NY – Ash ring in their 20th anniversary as a band this year with a Special Edition Colored Triple-Vinyl US release of their famous A-Z Series this November through Noyes Records. The A-Z vinyl edition will include a card to download the digital version with bonus content and the entire A-Z Series will be made available via all Digital Service Providers for the first time in the US. Just watching them on stage, it’s hard to believe Tim Wheeler, Mark Hamilton and Rick McMurray have been making music together as Ash since 1992. “We were all 15 when we started, so we still feel like a very young band,” Wheeler marvels today. “It almost doesn’t make sense that we’ve been around for so long!” The original three piece will also hit the road in the US to coincide with the A-Z release, kicking things off with Weezer in Florida for several dates before heading up the East Coast for several headlining dates. This will be the band’s first US tour in more than five years.

From their earliest gigs on the Belfast club scene, Ash built a rep for churning out punk-fueled power pop with a harder edge than the ubiquitous Britpop of the day. Their first official single, “Jack Names the Planets,” won them quick recognition in the UK; two years later, the British press was near-unanimous in its praise for the platinum-selling 1977, which led to a supporting slot with Weezer and their first trip to the states. (The self-funded film Teenage Wildlife, narrated by actor Ewan McGregor, documents the riotous escapades of that insane year on the road.)

By the end of the ’90s, guitarist Charlotte Hatherley had joined the band, and in 2001, they had another UK hit on their hands with “Shining Light,” from the number one album Free All Angels. After 2004’s moody Meltdown, Ash stripped down to a trio again and took up residence in Manhattan at their newly minted Atomic Heart Studios. Twilight of the Innocents, the band’s fifth full-length studio album and last for a major, really made Ash rethink the way they were releasing music and found them wanting to break away from the album-tour-album cycle they’d been in with their recording contract.

“That’s where the idea for A-Z came from,” Wheeler says, describing the band’s daunting mission to record and release a new song every two weeks for a year. Starting in May 2009, Ash delivered “Return of White Rabbit”— the precursor to what was to follow, 26 straight singles, now collected for the first time in this special edition triple-vinyl package being released in November. “We needed to find a challenge, so this was it,” Wheeler observes. “It’s almost like being an athlete in training. We got into a good flow, and it was a really creative time because of that. We never ran out of ideas. They just kept coming.”

Bloc Party guitarist (and longtime Ash fan) Russell Lissack joined Ash on tour in 2010—one of several lineup changes that has kept things exciting for Wheeler, but now that the original trio is back in form, he’s looking forward to playing their first high-profile US dates in seven years. Fittingly, they’re kicking off with a short string of shows opening for Weezer, followed by a headlining stand at New York’s Bowery Ballroom.


Purchase "Arcadia" as 

Ash - Arcadia

Geographer cover of 'Cloudbusting' by Kate Bush
from her 1985 album "Hounds of Love"

http://www.geographermusic.com/


Endless Motion vol. 1

Cloudbusting (Kate Bush Cover)

Here is our official remix of "Baby Blue" by the French band We Were Evergreen, to be released on the 25th of February.
Pre-order the EP on iTunes: https://itunes.apple.com/fr/album/leeway-ep/id588692375

Step in We Were Evergreen's colorful popequatronical world:
To buy their music: https://itunes.apple.com/fr/artist/we-were-evergreen/id374102234
To support them: www.facebook.com/wewereevergreen
To get more info: www.wewereevergreen.com/

And don't forget to check out the Soundcloud of our partner in crime @Creange

Cloudbusting (Kate Bush Cover)

Geographer

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