Name: Tension by geometric delay in geometric delay - 10
Duration: 9 min 38 s
Description: 8 synth sound sources: Behringer TD-3, Behringer Crave, Korg Kaossilator, Roland JV-2080, Korg ER-1, Elektron Cycles, Clavia micro modular, E-MU Mophatt (+ vox samples mixed with Traktor Pro3 on Kontrol S8). Buy 2 track release here : https://ditto.fm/hyperactive-geometric-delay

geometric delay - 10

SPACE

3 synth sound sources: Elektron Cycles, Clavia micro modular, E-MU Mophatt (+ vox sample).

No Control

1 synth sound source: Elektron Cyles (+ vox sample).

Information

2 synth sources: Cycles + Mophatt (vox SP404A)

Overload

4 synth sound sources: Korg ER-1, Elektron Cycles, Clavia micro modular, E-MU Mophatt (+ vox sample). Buy 2 track release here : https://ditto.fm/hyperactive-geometric-delay

10 + 1 

Hyperactive

5 synth sound sources: Roland JV-2080, Korg ER-1, Elektron Cycles, Clavia micro modular, E-MU Mophatt (+ vox sample on Roland SP404A)

10 + 1

Insomniac

8 synth sound sources: Behringer TD-3, Behringer Crave, Korg Kaossilator, Roland JV-2080, Korg ER-1, Elektron Cycles, Clavia micro modular, E-MU Mophatt (+ vox samples mixed with Traktor Pro3 on Kontrol S8). Buy 2 track release here : https://ditto.fm/hyperactive-geometric-delay

Tension

Redrum

Just finished that pattern on Roland MC-505 https://www.youtube.com/watch?v=o7_MLCxT4Fs

The Jungle

Making Napalm

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Strum - Modular Patch

HYPERCUBE - Artifacts (Album)

Out on Ressonus Label http://ressonus.bandcamp.com/album/artifacts

Music by Rodrigo Passannanti / Cover art by David Rambousek

HYPERCUBE - Constant Discomfort

Reissue of rare UK ambient techno from ’93-‘94

Cold Blow and AVA. Records are bringing you fire in the form of a compilation of the essential cuts from the back catalog of J. M. Adkins aka Electro Music Union aka Sinoesin aka Xonox.

Originally released on the short-lived but sought after Metatone Recordings, founded in 1993 by Adkins and Damon D’cruz from the Jack Trax fame. The compilation includes music from four EPs with two tracks available on vinyl for the very first time, Transmission and Descent. The originals today are a cratediggers daydream. 

This beautiful reissue is compiled from the original DAT tapes and remastered by Andreas “Lupo” Lubich at Calyx Mastering with design by Damiano Von Erckert. 

2x12" + digital 13th June 2019. Worldwide distribution by Rubadub. 

Order yours directly from Ava. 
http://www.avarecords.de/product/emu 

DM @cold-blow-records / @janne_j for a local pickup in Helsinki or for a shipping in Finland

Or order online from these fine places:
https://clone.nl/item56092.html "A must-have reissue for the fans of early B12, AFX, The Black Dog, Kirk Degiorgio, et al." 

https://www.juno.co.uk/products/electro-music-electro-music-union-sinoesin-xonox/730031-01/ "...fine compilation from Cold Blow and AVA. Records..."

Electro Music Union, Sinoesin & Xonox Works 1993-1994

The long ask for dub is now available fore free download! Thanks to everyone who was feeling it! This ones for you!

Dance Conspiracy - Dub War (Myth's Rolly Mix)

Been making music for some time now; using different sounds .....different shapes.... & different colours, moving from Electronica to Techno; devoted to the soundscapes of synthesizers vs. rythms:) Mainly creating original sounds from hardware synths but occasionally using samplers, vocals or even poetry. Primarily utilizing a 4 to the floor approach while simultaneously trying to diversify the end result so as not to completely repeat what´s already been done before. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

Tension

geometric delay

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