Xmas trees and windshield wipers

Closet Peace (Demo)

Lemon Curse (Demo)

Stage Costumes for Girls

about the casanova boats

master @valentin fleury

@cimetieres_de_france

red faces

spectrababy

Perfectly Blue

Sundown

Track from album: Gary Gwadera - "Far, far in Chicago. Footberk Suite"
POINTLESS GEOMETRY 2024 / POINT#60
Pre-order date: 11.11.2024 / Release date: 21.11.2024

https://pointless-geometry.bandcamp.com
Limited edition of 100 copies / C-43 cassette
The material is also released in an audio-video version on VHS cassette. The visual side was created by Darek Pietraszewski (Copy Corpo).

Music composed, performed, recorded, edited and mixed by Piotr Gwadera
Recorded in Łódź, August/September 2024
https://www.instagram.com/gary_gwadera
@gary-gwadera

Mastered by Paweł Cieślak (Hasselhoff Studio) 
Artwork and design by Jakub „ Hakobo” Stępień
https://www.instagram.com/hakobo
Conceptual collaboration – Hanna Szczęśniak (Polish Radio Folk Centre)

The publishing partners are:    
KODY Festival of Traditional and Avant-garde Music
ROZDROŻA Centre for Intercultural Creative Initiatives
Polish Radio Folk Centre

Media patron:  
Dwójka – Polish Radio
℗ 2024 Polish Radio
© all right reserved

“It’s nothing else but a Chicago-style oberek!’ – that was my first thought when I heard the compilation ‘Bangs & Works’, an album that introduced the footwork style to a global audience. At first I was drawn by the triple, syncopated rhythm, based on the iconic sounds of the Roland TR-808 drum machine. My musical explorations have long been centering around triple rhythms of rural Poland. The clash of this archaic, distinctly Polish form with the freedom of the underground, electronic sound from the Black suburbs of Chicago seemed to aesthetically hit the perfect spot. As an anthropologist - dreamer, I also imagined that the presence of a triple rhythm in Chicago – the largest hub of the Polish diaspora in the USA – was not a coincidence. It was a result of a meeting between our native musical tradition and the musical sensitivity of the Black community in the United States. I must admit that this hypothesis was, and still is, purely my musical dream, unsupported by any scientific evidence. However, regardless of the actual roots of this fascinating phenomenon known as footwork, it is hard not to notice certain correlations between footwork and the Polish oberek tradition. This is in both cases music rather meant for dancing than for listening. It’s supposed to present a certain musical and rhythmic challenge to dancers, who can test themselves in a fun-oriented setting, where competition is an integral part. In Polish villages, these are traditional battles of village bands, while in Chicago, they are footwork battles in underground clubs. Both in the oberek and footwork, the most important are a sense of community, energy, and excitement built around dance, accompanied by a characteristic triple pulse.
Therefore, the footberk suite “Far, far in Chicago”, is intended as an imagined musical journey through time and space, where the Polish oberek and Chicago footwork find a common ground in dynamic, triple rhythms. I aim to show that the syncopated rhythm of the mazurka (or of the oberek) can sound just as contemporary and bold as the beats created for Chicago dancers. The composition is meant to be an auditory tribute to both cultures’ dance spirit and their sense of community. It is an attempt to capture the emotions that accompany both footwork dancers and participants of rural dance parties – spaces where music and dance become tools of self-expression.
To connect these two seemingly distant worlds I use a specially designed rhythmic machine. At its heart lies a rural jaz, with build-on Lem-esque pads packed with samples from the TR-808 and TR-909, as well as other electronic sounds."

Far, far in Chicago. Footberk Suite

Gary Gwadera - II. Battle („kasowanie”) / POINT#60

SCHEINTOT is a new trio consisting of Mats Gustafsson (sax, flute), Henrik Rylander (no input mixing desk) and Joachim Nordwall (Korg MS20) and this is a track off their new split LP with JOHN DUNCAN. 200 copies made. Head over to Sound OHM, Rumpsti Pumsti, Boomkat, Discreet Music or something, will you? They will hit you up.

SCHEINTOT - ERWEITERUNG

cover of Rexy 'Running Out Of Time' by Connan Mockasin. original version can be found on the 1981 album 'Running Out Of Time' to be re-issued on URU/Lucky Number on March 18th, 2016.

Pre-order:
smarturl.it/rexy
www.roughtrade.com/albums/100400
http://www.piccadillyrecords.com/prod/REXY-RunningOutOfTimeBonusDiscEdition-LuckyNumber-107723.html

http://uru.world
www.luckynumbermusic.com

Connan Mockasin - Running Out Of Time (Rexy Cover)

Taken from the self titled record on ALTER, released on the 23rd of June.

Order: https://lovetheme-alter.bandcamp.com/album/love-theme

Love Theme - Desert Exile (ALT34)

Physical: geographic-north.com/cassette/even/
Digital: geographicnorth.bandcamp.com/album/even
Catalog #: GN47
Cassette, limited to 100
Mastered by Sean McCann

Night Cleaner first surfaced early 2015 with ‘Sketch for Winter III: Green Sleeves,’ a hermetic dose of bedroom psych-music that saw Atlanta guitarist and songwriter Matthew Lambert diverting away from the sprawling squall of his main band All the Saints. Now, Night Cleaner reinvents itself with ‘Even,’ a new set of six songs written, performed, produced, and recorded solely by Lambert.

Using a mix of MPC, guitar, Juno, Casio, and Rhodes, ‘Even’ wafts in a woozy cloud of sounds from the underbelly. It’s a dizzying and mystifying run of bizarre resonance, seemingly run through some disfigured diesel engine. In fact, the album was largely inspired by continuous drives around the city of Atlanta–downtown, East Point, College Park, and Decatur, to be exact.

Opener “Forty” sets the stage with an eerie mix of heaving, vaguely disgruntled guitar and slurred chants, all shepherded along by some autonomous and chugging vehicle. “Privacy Light” kicks into a slightly higher gear, stomping through its shambling beat culled from a drum machine and a slew of hand percussion. “Tight Nights” closes out the A-side with a blitz of isolated post-punk and a tonal symphony of feedback and noise.

“WDE” recalls Night Cleaner’s early meditations on stoned and blissed-out psych-pop while “Solids (No Tint)” is a modern kraut-pop masterpiece, riding a muted but brilliant riff and pushed along by a perfectly monotonous beat. Closer “Even” strips everything back for a more austere, altogether haunting drift of rural psychedelia that burrows deep into the subconscious.

Night Cleaner - "Even"

Artist: Public Memory
Album: Demolition
Label: felte 

https://publicmemory.bandcamp.com
https://www.instagram.com/public.memory 
https://www.facebook.com/thepublicmemory
https://twitter.com/public__memory
https://soundcloud.com/publicmemory

Demolition

Public Memory - The Line

Pre Order Vinyl ~ http://bit.ly/ordercyanide
Pre Order Digital ~ https://cyanidethornton.lnk.to/album

'Cyanide Thornton' is a record wreathed in tenderness, honesty and intimacy, and will guide you from the dark corners of your mind to somewhere unearthly and supernatural.

Cyanide Thornton acknowledge that this recording was made on the stolen land of the Wurundjeri people of the Kulin Nation. We pay our respects to their elders past, present and emerging. Sovereignty has never been ceded. 

Available November 9, 2018 via Bedroom Suck / Remote Control Records (AU/NZ), Omnian Music Group (USA/CAN) and Cargo Records (UK.EU).

http://bedroomsuckrecords.com

Cyanide Thornton - Weight

Cute Aggression

Moriyama

Mizuburo

CP/BW LP2

A1. Nightclub Foot
A2. The Plop Shop
A3. Stammer Time
A4. Symbionese Take Out 
A5. Aylmer's Glue
B1. Sewer Sex
B2. Henry The Huffer
B3. Vertical Probation
B4. A Thing That Thinks
B5. Rodzina Manekinow

Collaboration between Corporate Park and Beau Wanzer.
Recorded in Denton, TX.

Night Cleaner - "Even"

GeoNorth

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