Macarena Rosmanich
el vacio es un lugar lleno de nombres (2021)
for amplified string trio

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premiered by
AMAYA BARRACHINA, Violin
EVA MARTIN, Viola
ÁNGEL GARCÍA JERMANN, Cello

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Teatro de la Zarzuela, Madrid
Live Recording, 06.06.2021

el vacio es un lugar lleno de nombres (2021)

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Yell Welts Elfie Light

Voici un blues dans ma série de compositions ayant pour titre un nom de fleur.
Entièrement en MAO.
Cubase avec les sons d'East West et de Steinberg.
Image par Pixabay.

Here is a blues in my series of compositions entitled a flower name.
Entirely in computer music.
Cubase with East West and Steinberg sounds.
Image by Pixabay

Dahlia

hand pan,guitare et cymbale
musique; deep man
photo: thomas bosman,,https://soundcloud.com/user-640493364-116410684

Senteur

My contribution to Naviar Records Haiku Challenge 508.

Haiku by John Hinks
Deep, dark summer night
A Sudden shatt of moonlight 
Blesses the temple
stepping stones

::::>>>>::Moonlight Discord::::::Naviar Haiku 508

V1
No time left to let the penny drop
I'm just surrounded by a sense of shock
Time moving backwards as I watch the clock
Deep distance rumblings of the aftershock

A sense of terror in the blackened skies
A fatal error as the daylight dies
Someone is calling will it ever end ?
A blunt attack on a so called friend

Ch
Falling – Everything is falling
Everyone is stalling
To the bitter end

Will we ever live in peace ?
Can we ever shake this disease ?
The ghosts and demons keep on calling

V2
I watched the tracers lighting up the sky
I heard the children scream and die
Saw a city turning into dust
The seed of hatred where there's no more trust

Now we're surrounded by a primitive scream
The land is barren and the broken dream
You had to suffer such a terrible fate
The world was watching but it left it too late

(c) Bradley - 2023

Shock

Johnny’s on the Water was learned from the singing of Appalachian folk singer Jean Ritchie (1922 - 2015). It twists the archetypal story of a woman left behind by a sailor, the singer rejecting grief and finding empowerment: ‘if he can live without me, I can live without him’. This line became the heart of our arrangement. 

We created this arrangement in residence at Snape Maltings in 2022. In slowing down the tempo, destabilising the rhythm, and replacing Ritchie’s sparse dulcimer accompaniment with an ensemble of modular synths, guitars and affected strings, we explore the way that the open sea warps our understanding of time and distance. The trumpet solo was played by Lissie Daly, a tireless campaigner for women in brass.

Musicians:
Lauren Spiceley - fiddle and vocals 
Joseph Woods - guitar and vocals
Martha Wiltshire - cello and vocals
Denis Wouters - electronics and vocals
Lissie Daly - trumpet
Tom O’Connor - fretless bass
Florence Brady - vocals 

Trad. arr. by Lauren Spiceley, Martha Wiltshire, Joe Woods, Denis Wouters, Lissie Daly, Tom O’Connor and Hannah Jacobs
Recorded at Pony Studios by Upcycled Sounds
Mixed by Denis Wouters
Mastered by Felix Davis
Artwork by Floortje Kattemölle, photographed by Martijn Petrus

Johnny's On The Water

Shapes

New single - available on all platforms on the 3rd of May

Watch Me Drown

On The Same Planet

Scientist Denis Rancourt says there effectually is no pandemic as all-cause mortality in 2020 has not been different from that of the last decade. Excess deaths we are seeing now are caused by government policies and measures such as lockdowns, psychological terror campaigns, and erroneous hospital protocols and medical treatments. He delves into his 2019 report on geoeconomics and geopolitics which eerily foreshadowed the "pandemic" situation and explains what is REALLY going on. 

He points out that all of a sudden in 2000 we witnessed the contrived media explosion of the theory of "global warming", which is nothing more than a ruse and pretext for the elite to switch to a technocratic carbon economy. The "pandemic" has served as a further pretext for the declining Western or U.S. empire to attempt to accelerate globalization and its global domination via "The Great Reset" (technocratic carbon economy). The highest-level pressure and problem has become the two independent sovereign blocs of Eurasia, Russia and China.

*Support/Donate to Geopolitics & Empire:
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Show Notes
GEO-ECONOMICS & GEO-POLITICS DRIVE SUCCESSIVE ERAS OF PREDATORY GLOBALIZATION https://www.researchgate.net/publication/332182416_GEO-ECONOMICS_AND_GEO-POLITICS_DRIVE_SUCCESSIVE_ERAS_OF_PREDATORY_GLOBALIZATION_AND_SOCIAL_ENGINEERING_Historical_emergence_of_climate_change_gender_equity_and_anti-racism_as_State_doctrines

Websites
Twitter https://www.twitter.com/denisrancourt
Ontario Civil Liberties Assocation https://ocla.ca/about/executive-members
Denis Rancourt @ ResearchGate https://www.researchgate.net/profile/D_Rancourt
Activist Teacher https://activistteacher.blogspot.com
Telegram https://t.me/drdenies

About Denis Rancourt
Denis G. Rancourt is a former tenured full professor of physics at the University of Ottawa, Canada. He is a researcher for the Ontario Civil Liberties Association and a social theorist. He has published more than 100 articles in leading scientific journals, on physics and environmental science. He is the author of the book Hierarchy and Free Expression in the Fight Against Racism.

*Podcast intro music is from the song "The Queens Jig" by "Musicke & Mirth" from their album "Music for Two Lyra Viols": http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Denis Rancourt: "Pandemic" Being Used to Accelerate US-led Globalization vs Sovereign Eurasia #189

The Geopolitics & Empire Podcast conducts interviews with prominent international experts on a wide-range of topics.

Past guests have included diplomats, government officials, whistleblowers, soldiers, spies, economists, academics, scientists, wealthy investors, dissidents, journalists, and musicians.

The broadcast seeks to gain insight from guests who come from the left, right, and beyond. It should go without saying that the host does not always agree with beliefs espoused by podcast invitees, but maintains an open mind, and believes it important to respectfully listen to a multitude of voices and let listeners come to their own conclusions.

*Music used in podcast intro is from the song "The Queens Jig" by "Musicke & Mirth" from their album "Music for Two Lyra Viols": http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Denis Rancourt: "Pandemic" Being Used to Accelerate US-led Globalization vs Sovereign Eurasia #189

Geopolitics & Empire

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