Name: Gärten + Wege #4: Richtungen by Georg Boehme
Duration: 7 min 17 s
Description: Fusionnummer, die zur Halbzeit durch deutlich unwegsameres Gelände führt.

A superb track and composition Georg.....Wonderful playing and voicings.

Great stuff. Well written, played and arranged. Most enjoyable...

Das ist die Musik, die ich selbst gerne hören möchte, aber die niemand anderes für mich macht. Ich höre natürlich nicht nur meine eigene Musik gerne. Das wäre ja furchtbar. Beeinflusst hat mich alles, was mir je in die Ohren gekommen ist.

Fred Gerät Ins Schwimmen

UNKNOWN

This final track of the album acts as a bookend to the project, departing via the causeway after arriving over the sands in the first track, 'The Pilgrim's Way'.

The idea behind this piece is exploring the duality of the causeway and of Lindisfarne itself. Sometimes the causeway is below the water and sometimes above. Lindisfarne is in turn an island cut off from the modern world, then reconnected for a while before the cycle repeats itself.

Connection versus isolation, spiritual versus material, water and dry land in balance, governed by the ever changing tides. Even the concept of the water itself somehow holding echoes of past times and the call of of the natural world. This last idea is also a convenient way to reprise some of the 'Foley' sounds from the rest of the album, a worthy goal for the last track of this project. This piece is truly eclectic in nature so please enjoy the journey.

This track is now part of "The Pilgrims Way Project" exploring the history and natural world of Lindisfarne.

Project Playlist

soundcloud.com/mrbouzouki/sets/the-pilgrims-way-project

Project Website

www.pilgrims-way.co.uk

Photo by Paul Everitt ... "an early morning golden hour" of the Causeway. (used with permission). As I said to Paul "This picture of yours just seems to capture the spirit of the piece I'm creating".

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Instrumentation

Causeway Dreams features strings, cello, alto flute, C flute, French horn, English horn, alto F whistle, harp, DADGAD acoustic guitar, piano, St Peter's choir, Shevvanai, timpani, Northumbrian smallpipes, bodhrán and water pumpkins. Also including vocal phrases from Shevannai and Voices of Gaia (Linda Strawberry).

Additionally, various 'Foley' sounds including featuring ones from other tracks of the project.
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Background

When composing instrumental music you can often find yourself separating a piece into various thematic sections to create a journey for the listener. 'Causeway Dreams' breaks down into six sections. One of them is very short, (A Meeting of Worlds) but this crucially acts as a musical nexus or balance point in the music,

1) Into the Depths
The journey begins by plunging the listener below the water of the covered causeway, an alien world where the natural world, history and spiritual feelings all fuse together in the restless sea. The power of the sea is very much a feature in this first section. There is peril for the unwary, man cannot control this element of nature, only react to it's moods.

2) In a Place of Wonder
This lighter section featuring harp and flute introduces a feeling of wonder as you remain below the water with the creatures that call the sea their home.

3) Island Echoes
Still below the water you begin to hear echoes of 'Foley' sounds from previous tracks in the project brought together in this underwater realm, suggesting a merging of history and nature, an 'island memory', captured in the surrounding water of the island. At the end of this section you begin to ascend back towards the emerging causeway.

4) A Meeting of Worlds
As you emerge from the water you are in that moment of balance between the two worlds. The voice you first heard in 'The Pilgrims Way' is ready to lead you home.

5) Travelling Home
As the sea finally recedes, the rolling feel of acoustic DADGAD guitar and low whistle feature to lead the listener as you travel across the now fully uncovered causeway back towards the Northumbrian mainland.

6) The Call of the Coast
As you travel further along the causeway, you hear the sound of Northumbrian pipes over a boisterous bodhrán backing. The mainland is calling to you but the voice you first heard in the Pilgrims Way soars as a final reminder of this special place.

Causeway Dreams

Boxing Day

The great Elvin Jones use to drive music with his cymbals and power behind John Coltrane and McCoy Tyler.   Joining me here again on a 12/8 modal groove to celebrate the sound of Trane is Cologne's Georg Boehme, a superb Bari Sax and woodwind player.   https://soundcloud.com/georg-boehme. Together we remember these great moments from the 60s

Here's a playlist of our recordings together:  https://soundcloud.com/jamie-rhind/sets/grooving-with-georg-boehme

Thanks as always for your generous time listening, for your comments and for your shares

Step Out - Georg Boehme / Jamie Rhind

Having some fun again with the wonderful Andy McLean on saxes - such sweet lines, harmonies and sound 

Check out more of Andy's great playing here:  https://soundcloud.com/mcleanaf

Thanks for your generous time listening, for your comments and your shares

Wah Tz Up?   -   Andy McLean & Jamie Rhind

About time Lou and I turned it up a little bit.  Such a tremendous musician in every way - listen to Lou's deep appreciation for the blues - tasty fire.  Always laying it down so well.   Check out and follow Lou's wonderful music, albums and releases:  

https://soundcloud.com/louis-taverna



Thanks as always for your generous time listening, for your  likes, comments and shares

Inner City Jive -- Lou Taverna / Jamie Rhind

'Memories Of The East' A World Music Piece, with thoughts of China in particular.

A Cupboardful Of Hats

Memories Of The East

Original Composition: Jean-Pierre DUBOIS
Arrangement and piano performance: Debra Buesking

Thank you to Jean-Pierre Dubois for allowing me to play his pieces in my own fashion.  It's a great pleasure for me.

Also thank you to David Dunham for mastering my piano tracks.
 Listen to David's beautiful music here: @david-dunhamuser589535203

Chansonnette Matinale (Arrangement on original music by Jean-Pierre DUBOIS)

Qu'y a t'il entre nous ? (What is it between us ? )

Fusionnummer, die zur Halbzeit durch deutlich unwegsameres Gelände führt.

Gärten + Wege #4: Richtungen

I'm a baritone sax player & composer in a contemporary jazz genre from Cologne, Germany (and play clarinet and flute, and the other saxes as well). All woodwind parts on these tracks are played by me (multitrack rec.), all other instruments by virtousi virtuali (with three or four exceptions). All arrangements and by far most compositions are by me.
I very much appreciate every kind of collaboration.

Gärten + Wege #4: Richtungen

Georg Boehme

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