That's my mix of "Oh Baby" by Liza Colby Sound. I had tons of fun mixing this live recording.
My intention was to maintain the raw and powerful feeling, as well as the dynamics of this performance and also create  a modern vintage kind of sound, a link between the late 60's- early 70's great sounding rock songs and today's indie rock tracks.(kind of natural sounding, intimate and not obviously processed). 
Listening to the recording quite a few times, before getting my hands on the knobs and faders, I noticed that in this particular day of the recording, Liza gave the most energy out, followed by the drummer, while the bass player and guitarist kept it cool, more introverted with some kind of internal power , still very precious. So my mixing levels had to adjust to the mood of that day and go along with the energy flow.
I visualized the band as being an old van, stylish and sexy, travelling through time, leaving a cloud of heat and dust on it's way. The drums are the wheels of this van, the bass is the gear box (only 3 gears available), and the guitar is the small but screaming engine. Liza seating on the driving seat is stepping on the gas whenever she feels like and cares not about the brakes.
My final goal was to get up and dance listening to my final mix. I have to admit that I was moving up and down almost from the moment I imported the stems. :) (Great track, great band, great recording)
Software used: Samplitude 10 pro DAW, UAD pugins(LA2A, Realverb, PultecSE, Harrison eq), Sonnox Oxford Eq , compressor and limiter, Soundoys Echoboy and Crystalizer, Lexicon Plate verb and Samplitude native eq and delay.
Hardware used: My master bus outputs were connected to an Avalon 2055 eq, a pair of Cranesong trakkers and an EmpiricalLabs/Kush audio Fatso UBK tape saturator.
DA and AD converters used: Mytek digital.
Thanks  everybody (especially Fab) for giving me the opportunity to be a part of this.
I hope you guys get some time to listen to my mix too :)
Cheers, George


George Boussounis