Drawing

I Love You So

I Feel Fantastic

Bleepmachine reissues Readymade FC's folktronica classic album "Babilonia" in an updated version including a bonus track and a digital booklet. Originally released in 2005 the Bleepmachine label under exclusive licence to Peacefrog.
(P) & (C) 2014 Bleepmachine

A Fire in the Forest (feat. David Sylvian)

Alabaster DePlume 
“Peach”
Debt Records
2nd Oct 2015

A peach is a sweet and soft and good thing with a stone in the middle, and this is an album about being a person. Smartphones, analogue tape, valve microphones, computers, group games and a grand banquet were used to create this collection of songs, tunes and monologues, that use a series of contradictions to talk about being alive. 

Long-term collaborators John Ellis (piano) and Paddy Steer (percussion, bass, lapsteel, synth) join Angus Fairbairn (vocal, tenor sax) along with eleven other musicians and nearly a hundred other voices in presenting sounds likened to Ethiopian jazz and Japanese folk music. Scripts and vocal delivery evoke Ivor Cutler, Emo Philips and Leonard Cohen, for this combination of theatre, live-captured music, songs, humour and philosophy.

It is a unique collection, made by unusual means designed around the artistry and conveyance of its many contributors. Created over three years in London and Manchester, it’ll be celebrated in those two towns on the dates below, following its vinyl and digital release on Manchester label Debt Records, on 28th September 2015.

A composer, musician and performer, Alabaster DePlume (Angus Fairbairn) has toured northern Europe, appeared on UK national radio and developed theatre for Bram Stoker Festival in Dublin. His many combined arts projects are based around music, and personal inclusion. In this, his third album, he has employed as many voices as he can, in conveying a method of survival he’s been taught, he says, by everyone he’s met.

Hope grows naturally, like a
dandelion between the bricks.
I feel good…

Manchester launch: 4th October at The Wonder Inn 
London launch: 31st October at The Total Refreshment Centre, Dalston

Personnel:
Will Calderbank – cello
Rioghnach Connolly – flute 
Ellis Davies – electric guitar
Lorien Edwards – bass guitar
John Ellis – pianette, clavinette, piano
Leonie Evans – backing
Angus Fairbairn – vocal, tenor sax, acoustic guitar, yanquin dulcimer, synths
Dominie Hooper – backing 
Philip Howley – drums, percussion
Mikey Kenney – violin 
Pascal Makonese – m’bira
Kirsty McGee – bass flute
Tim Vincent Smith – violin
Paddy Steer – drums, percussion, bass guitar, double bass, synths
Rick Weedon – drums, percussion 
With selected vocal delivery from – Rioghnagh Connolly, Ellis Davies, Julia Foster, Katarzina Jablonska, Sally Jenkinson, Kasia Wlaszczyk, Oliver Conway. 
And with a chorus of attendees of the ‘Excuse Me’ studio feast, 9th September 2014, Antwerp Mansion. Meal by Samuel Buckley.

Engineered by Paddy Steer, John Ellis and Karl Sveinsson. Recorded at Limefield Studios Middleton, Madwaltz Levenshulme, Antwerp Mansion Rusholme and the Total Refreshment Centre Dalston, with additional field recordings at various locations. 
Mastered by George Atkins at 80 Hertz.
Artwork by Liz Greenfield
All songs and scripts written by A. Fairbairn. 

14 - Strange

New Recording 88

Recorded live at the 55 Bar, NYC.
Bob Reynolds - saxophone/composer
Nir Felder - guitar
Vicente Archer - acoustic bass
Nate Smith - drums
Sean Hurley - electric bass
http://bobreynoldsmusic.com

<a href="https://theartistunion.com/tracks/dce5dc" rel="nofollow" target="_blank">Download for free on The Artist Union</a>

Download

Crush - Bob Reynolds (with Nir Felder, Nate Smith, Vicente Archer)

Yes, Virginia

My Alcoholic Friends

Upside Down

YMCA

Make Believe

TOTEP

Cinema

Released by Savoy Jazz in 2011 - Bill Frisell's "All We Are Saying" 

You've Got to Hide Your Love Away

Wu Fei & Abigail Washburn 'Wu Fei & Abigail Washburn' available 4/3/2020 on CD, and Digital, 5/29/2020 for LP.

Stream/download: orcd.co/wufeiabigailwashburn

Wu Fei and Abigail Washburn’s debut collaborative release is a testament to the connective power of music across seemingly disparate cultures. Merging American old-time music and Chinese folksong, Wu Fei & Abigail Washburn features gorgeous, impressionistic renditions of traditional material from the hills of Appalachia to the prairies of Xinjian province, each tune flowing seamlessly into the next. The effervescent resonances of Wu’s guzheng zither dance around Washburn’s expressive banjo playing, their voices intertwining English and various Chinese dialects. This album recasts “world music” as music of our shared world, highlighting our shared humanity and the transformative power of song.

Wu Fei & Abigail Washburn

Wu Fei & Abigail Washburn - The Roving Cowboy / Avarguli (阿瓦尔古丽)

Sadako and the Thousand Paper Cranes

Going Home (Instrumental)

Charlie Parker in Sweden November 22, 1950

Anthropology (feat. Gösta Theselius, Jack Noren, Rolf Ericson & Thore Jederby)

Poem text and context: https://www.brainpickings.org/2020/12/31/new-years-eve-rebecca-elson/

POEM TEXT / CONTEXT

"Futura Vecchia, New Year's Eve" by Rebecca Elson (read by Maria Popova)

George Winston grew up mainly in Montana, and also spent his later formative years in Mississippi and Florida. During this time, his favorite music was instrumental rock and instrumental R&B, including Floyd Cramer, the Ventures, Booker T & The MG’s, Jimmy Smith, and many more. Inspired by R&B, jazz, Blues and rock (especially the Doors), George began playing organ in 1967. In 1971 he switched to the acoustic piano after hearing recordings from the 1920s and the 1930s by the legendary stride pianists Thomas “Fats” Waller and the late Teddy Wilson. In addition to working on stride piano, he also at this time came up with his own style of melodic instrumental music on solo piano, called folk piano. 

Since 1972 George has released thirteen solo piano albums: AUTUMN (1980), WINTER INTO SPRING (1982), DECEMBER (1982), SUMMER (1991), FOREST (1994), LINUS & LUCY-THE MUSIC OF VINCE GUARALDI (1996), PLAINS (1999), which was inspired by his Eastern Montana upbringing, NIGHT DIVIDES THE DAY - THE MUSIC OF THE DOORS (2002), MONTANA-A LOVE STORY (2004) and GULF COAST BLUES & IMPRESSIONS-A HURRICANE RELIEF BENEFIT (2006). His most recent recording are LOVE WILL COME - THE MUSIC OF VINCE GUARALDI VOL 2 (2010), and GULF COAST BLUES & IMPRESSIONS 2-A LOUISIANA WETLANDS BENEFIT (2012).
In 2001 George released REMEMBRANCE - A MEMORIAL BENEFIT, a seven song EP of piano, guitar and harmonica solos, to benefit those affected by 9/11.  He has also worked with the late George Levenson of Informed Democracy (www.informeddemocracy.com) on three projects: a solo guitar soundtrack for SADAKO AND THE THOUSAND PAPER CRANES, and soundtracks of piano, guitar and, harmonica solos for PUMPKIN CIRCLE, and BREAD COMES TO LIFE. In addition, he has recorded the solo piano soundtrack for the children’s story THE VELVETEEN RABBIT for Rabbit Ears Productions. 	

George is presently concentrating mainly on live performances, and most of the time he is touring playing solo piano concerts (the Summer Show or the Winter Show), solo guitar concerts, solo harmonica concerts, and solo piano dances (with R&B and slow dance songs). 

He is currently most inspired by the great New Orleans R&B pianists Henry Butler, James Booker, Professor Longhair, Dr. John, and Jon Cleary, and he is also working on interpreting pieces on solo piano by his favorite composers, including Vince Guaraldi, Professor Longhair, and the Doors, as well as Sam Cooke, Dr. John, Allen Toussaint, Randy Newman, Curtis Mayfield, Laura Nyro, Al Kooper, Jimmy Wisner, Arthur Lee, Frank Zappa, Ralph Towner, Rahsaan Roland Kirk, John Coltrane, Milt Jackson, John Hartford, Oliver Schroer, Taj Mahal, Henry Butler, James Booker, Jon Cleary, Philip Aaberg and others, to play at concerts, and at his solo piano dances.

George is also working on solo guitar and is recording the masters of the Hawaiian Slack Key guitar for an extensive series of albums for Dancing Cat Records (www.dancingcat.com). Slack Key is the name for the beautiful solo fingerstyle guitar tradition, unique to Hawaii, which began in the early 1800s and predated the steel guitar by over half a century. 

He is also recording his main inspirations for his harmonica playing: Sam Hinton, Rick Epping, and Curt Bouterse.

Piano: George Winston plays Steinway Pianos
Guitar: Martin D -35 (1966), with low 7th string added
Harmonica: Hohner Big Rivers & Cross Harps, key of low D


Going Home (Instrumental)

George Winston

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