thank you for the recording! the limiters are not the same and this way I can not judge the preamps quality. they sound totally different  in this recording which is due to the fact that limiters are engagaed and the release time is different . I can not believe that 2 sd devices sound so differently

Hi, in terms of pure audio quality (no limiters) - detail - noise/distortion etc... would you say that the mixpre6 is as good as the 622 and 702?

How do they do on quiet sources ? I would be interested in the results.

I think it would be good to have an A-B comparsion recording with the limiters off and the gain on both turned up full on a quiet source, then I can compare the noise performance.

Quatuor Diotima
Live recording: April 1st, 2022
Genève, Festival Archipel

Diaphane

MS20, MS10, electric violin
piece of electronic chamber music

listen to sound under ice

This is my entry for https://disquiet.com/2023/04/20/disquiet-junto-project-0590-concrete-roots/

I took a brief portion of a field recording I made several years ago of high tide in Provincetown Harbor (Provincetown, MA), and subjected it to a process inspired by Alvin Lucier's "I Am Sitting in a Room". I iteratively processed the sound through a convolution reverb using an impulse response (IR) from an empty concrete nuclear reactor hall, Each successive generation re-applies the reverb so that eventually we hear only the resonant frequencies in the space from which the IR was derived. This was a manual process, as I wanted to preserve the ever-increasing reverb tails, and also to control the reverb level to avoid digital distortion (which can be cool, but not what I was after).

When I assembled the segments into a single track, I decided to reverse the order so that the most highly-processed segment comes first, and the original recording is only heard at the end of the piece.

Made in Reaper using the Waves IRLive Stereo plugin. The IR is from the OpenAIR Project: https://www.openair.hosted.york.ac.uk/?page_id=626

I Am Tiding In A Concrete Room [disquiet0590]

I've been meaning to engage with NI Playbox for a while now ... coupled with needing to start work on some of the video projects planned for the halF unusuaL YouTube channel, including this recording of a bee harvesting pollen from the first poppy to flower in the back garden ... https://youtu.be/I983Kk6enPI

More on this 597th weekly Disquiet Junto project, Goal Line (The Assignment: Get started on a plan by getting over getting started), at: https://disquiet.com/0597/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0597-goal-line/

visuals (YouTube)

halF goaL [disquiet0597]

Disquiet Junto Project 0599: Minimal(ist) Blend
The Assignment: Make a piece of music that combines self-contained minimalist parts.
More info on Disquiet Junto: disquiet.com/0599

For this submission I started with percussions and wanted to use my modular for sequencing, but I changed my plans and decided to do it with Ableton and my Zoom H5 instead.
Since I play bass as a main instrument this time I decided to explore the higher part of the spectrum of frequencies. 
I started recording seven loops (parts) using different instruments: a cuban clave, a home-made shaker, a singing bowl, a pair of Tingsha (tibetan cymbals), bamboo sticks, some sheep bells and an african metal rattle. Ended up with something that reminds me of the hidden life in a meadow, a wood or a small pond, thus the title Microskopios. 

I started with a simple clave rhythm in 15/8 subdivided 4+3+4+4 at 101.96 BPM and heavily processed it. Pitched it up 36 semitones and then sculpt it with EQ, Compressors, Lagrange, Grain Strain, Echo and Void.
I then recorded bamboo sticks hitting them with the clave while they were on the floor following the 4+3+4+4 division, pitched them down 24 semitones and processed with Phaser, Slink Pan and Springs. 
Then I improvised some patterns with the home made shaker and the metal rattle. 
The shaker is pitched 31 semitones down, panned 10L and has Erosion, Saturator, Ego and Romb as effects. 
The rattle is modified with Corpus, GongAmp, Filterjam and ValhallaPlate. It's paned 30R.
I added the singing bowl and tingsha at the end. 
Singing bowl is split into two channels, one without effects, panned 25L 25R and the other panned 25L, pitch shifted down 24 semitones and processed with GrainSpace and Chorus-Ensemble.
Tingsha is just effected with a little bit of GrainSpace.

Mikroskopios (disquiet0599)

Super fun shared sample project with sounds by @Marcus_Fischer

More on this 600th weekly Disquiet Junto project, Reaching Out (The Assignment: This is a shared sample project. Rework a set of seven WAV files provided by Marcus Fischer), at: https://disquiet.com/0600/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0600-reaching-out/

Fireworks Disquiet0600

The piece might match the form of Beethoven's Sixth "Pastoral" Symphony using mostly sculpted noise.  

Recorded, mixed & mastered 06 Jul 2023 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2023 Jim Lemanowicz

This original version of "49 Nudes & 6 Dogs In Church Arouse Cops" was submitted as part of Disquiet Junto Project 0601: Hard Six The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track.

Process notes - 

6-sided die rolls were 5, 2, 5, 2, 5, 1. These numbers helped determine the amounts of echo, warp flux, delay, echo offset, EQ freq, limiter ceiling & reverb for each track with 5/6 being highest and 1/6 being lowest. These numbers also determined frequency of occurrence in the track as a whole. These actions were all performed after the audio had been edited and brought into Ableton Live.

I used the following for the original recordings - three takes, one of backyard ambience, one adding xylophone and one primarily using my voice.

iPad 9th Gen
1 mic
xylophone
house alarm
backyard sounds - birds, wind
voice
dice 

AUM settings - 
Midi channel 1
mLFO 

Mic to audio channel 2
Audio Thing Crusher
Audio Thing Mantis
Audio Thing Wires

Mic to audio channel 3
DyStorT by Anthony Di Furia
Bleass Delay
Moloch Vox One Pitch Shifter by Anthony Di Furia

Bus of both mic channels
Audio Thing Bubbles

----

Artwork/photo by Jim Lemanowicz, 22 Jul 2018, Tackapausha Pond Park, Seaford, NY, USA

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

This track was originally released under the artist name "Don't Touch Loretta."

49 Nudes & 6 Dogs In Church Arouse Cops (disquiet0601)

Night Listening means sitting, through the night, in a chosen location, as still and quiet as possible, often for many hours, absorbed in purely listening, while recording. This is an excerpt from a recent Night Listening. It involves three Brushtail Possums, and one Red Fox. The responses of the Possums to the barking of the Fox are very interesting. (Don't start with the volume raised to more than 50 to 60 per cent: some of the fox barks are quite close and loud.)

Recorded on the land of the Kaurna people.

2023.12.28 Night Listening. Night Forest. Red Fox and Brushtail Possums. Early Summer.

A side by side comparison of loud sources: a water pump working, hand clapping. Recorded with Sennheiser MKH 8040 mics one next to the other in Rycote WS9. 

Left channel is the recording from the Mixpre 6, right channel is the one from the SD 633. Input gain levels were 72dB on both devices. Limiters engaged on the Mixpre 6, engaged as Soft Knee on the 633. Unprocessed audio.

By downloading the file you agree to Mindful Audio's commercial library terms: mindful-audio.com/eula

Sound Devices Mixpre6 Vs 633 On Loud Sources

https://tectorumtapes.bandcamp.com/album/berlin-reverberations-from-remembering-yet-to-occur

Berlin

Saturne Calling

Award winning sound recordist, audio director and expedition leader - Dune: Part Two | Mufasa: The Lion King | Horizon Forbidden West | Wordscapes

Sound Devices Mixpre6 Vs 633 On Loud Sources

George Vlad

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