Sounds like something scary there somewhere and you do not know if this thing will come to you or not

Boddi Ynoch Chi ("Drowning In You")

Hiding away again, Vera starts to feel her psychological stability falling apart.  She continues to pray to anything that will hear her pleas to save her from losing herself while trapped alone so far away from home, and no sign of hearing from Vincent and his team.

Project Umbriel

HIMOS (Hiding Inside My Own Space)

HIMOS - Hiding Inside My Own Space

GADGET SONIC 2022 🔥 RED STAGE 🔥 BEST OF SONIC を受賞しました！

真夏のトラックメイク・バトル GADGET SONIC 2022 エントリー曲「U」です。KORG Gadget で制作しています。Gadgetでは苦手なバンドモノ・インストにチャレンジしてみました。だいたいプレイアブルな楽曲になっています。何卒っ！
--- 2022.10
マスタリングバージョンに差し替えました。バランス調整のみで新しい音の追加などはありません。コンテスト応募版は BandLab にあります。
https://www.bandlab.com/takefumi_s/u4u

買えるよ♫

Quartet: Cealum

My contribution to Naviar Records Haiku Challenge 508.

Haiku by John Hinks
Deep, dark summer night
A Sudden shatt of moonlight 
Blesses the temple
stepping stones

::::>>>>::Moonlight Discord::::::Naviar Haiku 508

Envelope followers and synced effects applied to the track @xiiixxi created for the previous week's Disquiet Junto.

Thank you, @xiiixxi for a great track.

--
More on this 620th weekly Disquiet Junto project, Beat Accrual Accrual (The Assignment: Turn someone’s slow-build beat into a finished track), at: https://disquiet.com/0620/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0620-beat-accrual-accrual/

follower ft. x_i_i_i_x_x_i (disquiet0620)

Suss Müsik’s entire creative practice is centered around the quest to derive gold from detritus. It’s likely an attribute shared with carefree art school days of an earlier era: a time when post-modern photography, sweaty punk rock, and ramen noodles served as daily sustenance.

“Photographs, so much a part of our daily lives, become highly self-conscious when pulled from the fraying of their ordinary locations,” wrote the art critic Julia Ballerini in 1989. “They refer back to their origins in a different voice … suggest[ing] a complexity of potential attachments, detachments, and reconfigurations.”

For this week’s project, Suss Müsik utilized four handmade devices recently built from material laying around the workshop: a digital sample trigger, a joystick-activated grain synth, a touchscreen MIDI device, and a touchscreen modulation controller. These were used to manipulate sonic material (loops, found audio, etc.) from the backlog, some of which has been in the works for more than eight years.

Given the nature of this week’s offering, Suss Müsik captured the session on video. 

https://youtu.be/z-bk_wxwhMo

The piece has no title and was recorded live to a TASCAM 8-track.

More on this 621st weekly Disquiet Junto project, The Leftovers (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0621/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0621-the-leftovers/

Disquiet0621

More on this 621st weekly Disquiet Junto project, The Leftovers (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0621/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0621-the-leftovers/

I'm In The House (disquiet0621)

sound art for disquiet0622.

a stereo shadow.

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: How do you depict a shadow in sound?), at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

frozen shadows (disquiet0622)

"Take one held tone and make it dance slowly"

HI, I used a single Saw waveform playing a C note. I made it evolve using the Mod-wheel mapped to filter frequency cutoff and the knobs and faders of my midi controller mapped to tweak filters and LFO in real time.
Recorded two parallel tracks, one tweaking a square waveform LFO1 mapped to "volume" , the second track tweaking a pulse LFO2 mapped to Filter-Cutoff.



For:
https://llllllll.co/t/disquiet-junto-project-0631-in-a-silent-waveform/

It's Only A Saw Waveform (disquiet0631)

Musique réalisée avec le langage Pure Data (Pd)
Music made with Pure Data (Pd) language.
http://puredata.info

Based on Iannis Xenakis and Spencer Russell's work
http://gerard.paresys.free.fr/Theme/Theme7.html

Patch Pure Data:
http://gerard.paresys.free.fr/WithPureData/Patch-Pd-GendynA.zip

https://github.com/gerardparesys/ARGOPd
http://gerard.paresys.free.fr/ARGOPd/index.html

GendynA1

Gerard Paresys

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Andrus Kannel

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