Lorenzo Troiani was born in Rome, Italy, in 1989. 
He studied composition with Salvatore Sciarrino, Clemens Gadenstätter, Gerd Kühr and Chaya Czernowin.
He attended lessons, masterclass and courses working with groups, musicians and composers who changed his musical perspective, among them: Beat Furrer, Mark Andre, Darius Przybylski, Luis De Pablo, Manfred Trojahn, Philippe Manoury, Johannes Schoelhorn, Chaya Czernowin, Brian Ferneyhough, Isabel Mundry, J.Manuel Lopez Lopez, Stefano Gervasoni, Francesco Filidei and Dmitri Kourliandski.
He has been awarded in several international composition competitions (Germany, Italy, Lithuania, China, Scotland, Spain etc.).
His music has been perfermed by different ensembles such as Neue Vocalsolisten, Quatour Diotima, Klangforum Wien, Schallfeld ensemble, Quartetto Prometeo, MDI ensemble, Ensemble L’Arsenale, Divertimento Ensemble, and in different parts of the world: Italy, Germany, Austria, France, Lithuania, Canada, Scotland, England, Ireland, Cyprus, Spain, Slovenia, Argentina, USA.
The poetry of Paul Celan, the writings and the works of Paul Klee and Jannis Kounellis, the reflection of Jacques Derrida and Martin Heidegger  have a crucial role in his music. 
He graduated in Philosophy at the University Uniroma3 of Rome with Paolo D’Angelo and Elio Matassi with a thesis on ontological thinking of Paul Klee. At the moment he is specializing in the study of post-Nietzschean ontology, especially in its links with the thought of the pre-Socratic thinkers.

https://youtube.com/@rattanasup.5487?si=JgQZ00UN7J9jLpvt

Anja Kreysing, master of fine arts in sound- and media arts /experimental film. Accordion / electronics. Deep listening practitioner. 
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Anja Kreysing, accordionist and sound artist, certified Deep listening practitioner after Pauline Oliveros, master of fine arts, sound- and media arts / experimental film,  studied with German fluxus experimental filmer Lutz Mommartz, additional studies with Nan Hoover, Christina Kubisch. Accordionist, improviser (workshops with Malcolm Goldstein et al, certified Deep listening practitioner after Pauline Oliveros). Primarely work with Live Soundtracks for (silent-)film, video, performance, theater…) and for her own videoart / experimental films with accordion / electronics. Curator of „schwarz-weiss ist die bessere farbe“, label for (silent-)film concerts and a/v performances with Helmut Buntjer.

Dr. Angela Elizabeth Slater is a UK-based composer, whose compositional voice focuses on musically mapping aspects of the natural world into the fabric of music. Nominated for an Ivors Classical Award for her work, Through the Fading Hour, her music has been described as ‘intricate...and often ravishingly scored’ and  making ‘deft and vivid use of instrumental colour’.. Slater collaborates with performers, ensembles, and initiatives worldwide to musically explore sounds, colours, and textures.

Slater’s recent creative projects include fellowships at the Modern Music Festival, with performances of Glass dominoes for mixed ensemble and Gathering the tide for orchestra; Hong Kong Intimacy of Creativity Festival, working with the Viano Quartet on Distorted Light; Santa Fe Chamber Music Festival, for a commission of Where skies aflame, written for the Flux quartet; and Creative Dialogues Festival, for the world premiere of a tulip, iron. She has previously held Composition Fellowships at Tanglewood Music Center, London Philharmonic Orchestra, Royal Philharmonic Society, Royal Scottish National Orchestra Composers’ Hub, Stockholm Chamber Brass Academy, Impulse Festival, Young Composers Meeting. She is also the receipt of the Mendelssohn Scholarship Award and is an ISCM World Music Days Nominee.

Unravelling the Crimson Sky will be a featured work on the City of Birmingham Symphony Orchestra’s upcoming album, Sounds New. Additional upcoming collaborations include Arbor Concerto, a consortium for accordion and chamber orchestra led by Sanja Mlinarič, Mountains become oceans, a consortium for percussion and harp led by Rosanna Moore and Hannah Weaver, and an expansion of As the moon runs red into a trumpet concerto with wind ensemble led by Simon Debruslais. Past collaboration highlights include working with Laura Farré Rozada  and the Royal Birmingham Conservatoire Symphony Orchestra on piano concerto, Tautening skies and with Richard Waters and the London Philharmonic Orchestra on the world premiere of her viola concerto, Through the fading hour.

​Slater is also the Director of Illuminate Women’s Music, a chamber music concert series designed to celebrate the creativity of women composers and performers, as well as exploring the rich legacy of music written by women historically. Her works are self-published, with select works published by Composers Edition and Babel Scores. Please visit https://www.angelaslatercomposer.co.uk/ for more information.
For more information please visit: https://angelaslatercomposer.co.uk

https://linktr.ee/AngelaElizabethSlatercomposer


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I premiered more than 60 works of different genres of music by composers such as Joan Bagés Rubí, José Luis Campana and Hans Peter Stubbe Teglbjaerg, among others. Of particular note was the ‘Concerto for baritone saxophone, piano and string orchestra’ by Albena Petrovic-Vratchanska, at the Luxembourg Philharmonie in June 2018. 
My varied music projects, focused mainly on new music, have brought me to perform in Europe, America and Australasia in festivals such as Mixtur Barcelona (2018), New York City Electroacoustic Music Festival (USA 2017), Rc4 (Brazil 2015) and Classical:NEXT (Austria 2014 and Germany 2022). 
I have been a member of several chamber music groups such as the saxophone quartet SAX 3+1 (1994-2013) or Sigma woodwind trio (2004-2007). Currently, I collaborate with Morphosis Ensemble and some groups of contemporary music.

Composer
 Setar player
from "Iran"
(2004)

Followers of Gerard Erruz