yes!!!! closing track capriati sonus 2017<3 paaaaaaaaaaaaa

Len Faki - Obliteration Of The Berghain

Artist: Various artists
Title: 6
Cat nr.: ON006
Format: 12” vinyl & digital
Release date: 11th of April (vinyl, digital)

Tracks:
A1 Milton Bradley - Multidimensional
A2 Jeff Rushin - Tusk
B1 Terence Fixmer - Moments
B2 Yan Cook - Freefall
C1 Mørbeck - Weapon's in your Head
C2 Unbalance - Affective State
D1 Aiken - Reductive
D2 Nicole Rosie - Chambered Nautilus 


Yan Cook - Freefall

Mekong Delta

Decoded

Buy on Bandcamp

Red Richards & Onetram - Decoded

Adam Beyer & Jesper Dahlbäck - Number In Between

Rod - Hor

Johannes Heil - By Night, Part Three (Original Mix) [ODDEVEN006]

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
bit.ly/wuzzelbudff

Stream:
spoti.fi/2NtrXkq
apple.co/2Nk7i2r
bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

H&T04 Robag Wruhme - Wabb Bodun

Out now on Rekids: https://lnk.to/REKIDS147

He's coaxed them from Kassem Mosse, Actress and Skudge in the past, and now he's done it with Matt Edwards, whose "Don't Stop No Sleep" has whipped up a frenzy among the UK's bass-heavy 4/4 contingent. 

With its insistent but apathetic spoken word sample, the title cut has the kind of stupidly addictive hook that has driven so many UK club hits (think "Sicko Cell"), but it's also got the measured techno momentum that's in fashion these days. As is typical for Radio Slave, there's little window dressing, with only dulcet chord stabs to keep it afloat. "Don't Stop No Sleep" could have come at any point in his career, and like his best work, it builds so expertly that even a single hi-hat can feel explosive. (Like that one near the end—you'll know the one.) 

An acappella version and a brief "Nightmare Mix" offer idiosyncratic tools for creative DJs, while "War Dub" is a similarly-minded slab of bleepy techno. It's more of a peak-time number than its counterpart, but without the instantly recognizable sample it's just a solid Radio Slave track.

Radio Slave - Don't Stop No Sleep

Remixed, Pt. 4

Dial

Keith Carnal - Second Degree [SEC004]
Label: SEC ND
Release date: 27th November 2020
Vinyl + Digital

Amsterdam's techno talent Keith Carnal returns to his own Second Degree with a fresh four tracker.

Keith Carnal's techno has a signature sound that draws on rich melodies and locked-in groove - it is made for dancing but comes with an ominous feeling of melancholy that makes a lasting impact. He also layers in percussion that immerses his audience ever deep and as well as DJing around the globe has also released on Affin LTD, Arts and his very own Second Degree imprint.

He kicks off his latest powerful missive with the driving, rock solid kicks of 'Hope', a dark and alluring track where the heavenly synths bring the only light to the groove. 'Endless' is a peak-time cut that will have you riding on the edge of your seat thanks to its high speed arps and icy hi hats, all racing along over more firmly rooted kick drums.

Carnal's cultured studio craftsmanship is laid bare once more on the pounding, stripped back yet compelling 'Daily Route' which is linear techno with a soulful synth sound that takes you well into the future on a mysterious vibe. Closer 'Sadly Mistaken' has taught, pining kick drums and spooky howling synth sounds that are brilliantly unsettling as you march onwards.

Keith Carnal ‘SEC004’ drops on Second Degree in 27th November 2020.

Tracklist:
1. Hope
2. Endless
3. Daily Route
4. Sadly Mistaken

Adam Beyer & Jesper Dahlbäck - Number In Between

Gergő Brusznyiczki

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