https://getphysicalmusic.lnk.to/GPM665

Get Physical mainstay @m-o-n-r-o-e returns to the label with three more of his stylish house cuts. 

m.O.N.R.O.E. has had a colourful life that has seen him have a stint in the fashion industry working with the world’s biggest fashion brands as well as DJing and producing since his teens. He has linked with several vital labels from VIVa MUSiC to The Martinez Brothers’ Cuttin' Headz and, of course, Get Physical Music. His diverse style takes in elements of all the cities he has visited on his travels over the years, as well as places like the infamous Burning Man. 

He opens this fresh EP with 'Push The Fader' and works up a steamy house groove over six superb minutes. The drums and bass are warm and slick; the vibes are tinged with '90s cool, and the effect on the dance floor is sure to be irresistible. 'The Watcher' has a more edgy feel, with grinding bass and twisted synths keeping you on your toes. It's a late-night track that draws you in deep and keeps you there. Closing out this top trio is 'Ruff Around The Edges', which shows another side to m.O.N.R.O.E.. Here he cooks up some slick electronic funk with bouncy kicks, snappy hits and neon pads all weaving tightly around each other. 

Push the Fader is an EP of timeless and stylish house cuts. 

www.getphysicalmusic.com

Push the Fader EP

The Watcher

m.O.N.R.O.E. - The Watcher (Snippet)

[EN]
LOWORK, the stage name of Wellington Francisco, started DJing in 2008 at the age of 15, influenced by his father. At that time, due to his young age, his stage name was Wellington Boy. Years later, he became interested in music production and in November 2010, he released his first track as Wellington Boy on Beatport. Since then, he has had several releases, over 50 original tracks, remixes for various national and international artists, and many of his tracks have also been remixed by others.

He released music through renowned labels such as Not For Us, Cabana Music, Big Mamas House Records, and Midi Mood Records. His tracks were played by big names like Roger Sanchez and Anderson Noise. His charisma, knowledge, and talent made him a highly versatile DJ in his performances, with a sound range that spans from House to Techno, always bringing his inspirations and references to the dance floor.

Since 2017, he has been performing and releasing music as LOWORK, the same year he also produced his first electronic music event.

[PT]
LOWORK, nome artistico de Wellington Francisco começou a tocar por influencia do seu pai em 2008 com apenas 15 anos de idade, por ser muito jovem, Wellington Boy era seu nome artístico na época. Anos depois se interessou por produção musical e em novembro de 2010 lançou sua primeira track como Wellington Boy no Beatport, desde então foram vários releases, mais de 50 tracks originais, remixes para diversos artistas nacionais e internacionais, como também teve varias de suas tracks remixadas. Lançou por selos renomados como Not For Us, Cabana Music, Big Mamas House Records, Midi Mood Records. Teve suas tracks tocadas por nomes como Roger Sanchez e Anderson Noise. 

Seu carisma, conhecimento e talento fez dele um DJ bastante versátil em suas apresentações, com variações sonoras que passeiam do House ao Techno levando suas inspirações e referencias para as pistas.

Atualmente se apresenta e lança como LOWORK desde 2017 ano também em que produziu o seu primeiro evento de música eletrônica.

For booking requests please here: 

booking@martin-groovic.de

Next: 
….

16.08.2024: 
Sonnendeck@alte Veste Zirndorf playtime 18.30-20:00

03.05.2024: 
HOUSEBAR55 FFM playtime 05:00-Open End

08.03.2024: 
HOUSEBAR55 FFM playtime 01:00-06:00

07.10.2022: 
PAN KLUB HANNOVER playtime 02:00 - 08:00


BIO:

Martin surely can be described as legend of Nuremberg‘s electronic music scene. In 1992, at the age of 16, he discovered his passion for electronic music and began playing vinyl on two borrowed Technics turntables. During that time he completed an internship at a local radio station (Radio N1), where he soon was recognized for his Djing. 

First bookings as „Martin Martinez“, his former Dj name, at various events of the radio station like „N1 Sunday Dancehall“ and the weekly radio show „N1 Club Night“ followed, where he not only played vinyl with lots of heart, but also took over the moderation of the radio show.

Especially as a resident of the „N1 Rave Signal“ events, which took place at Volksbad, an abandoned Art Nouveau-Style bath, he soon gained a large fan base with his captivating techno and breakbeat sets and weekly played on stage with famous musicians like Sven Väth, Westbam, Carl Cox, Earth Nation, Tanith, Resistance D, Jens Lissat, Oliver Lieb and many more.

To spred his wings wider and take his immense passion for Djing to the next level, he changed his name to Martin Groovic in 1995 and soon played gigs in all major techno clubs in Franconia such as Boot, Dolphin Club, Paisley Park, Forum, Lancia Odeon, DUB Club and the Octagon in Eltmann and invitations to clubs in Munich and festivals in Italy followed.

In 1996 he and two partners founded the legendary TOS Club, where he organized weekly club nights and after hours and quickly became a well known musician in the Nuremberg techno scene for blowing up the dancefloors with his unique music style. 

His characteristics as a deliverer of music are within the inexhaustible dimensions of sound, creating imaginary dream worlds within his listeners and taking them on a journey full of depth, magic and desires – always with an unconditional love to music. His repertoire ranges from rhythmic, spherical house and techno sounds filled with lots of emotion to downtempo and acid sounds with the right drive to dance the nights away.

In 1998, after two successful years of TOS, the club mysteriously burned down and Martin moved to Munich. In 2000 he founded his family and took a time out for several years. During his break the love to music still accompanied him in private, but now the passion for Djing and the wish to create musical suspense grew strong again. And so he‘s back, more motivated than ever, presenting new monthly mixes on his Soundcloud. In the near future Martin Groovic will surely be seen and heard again in the clubs.

linktr.ee/diskirz

Booking: Theo@phaselectro.com
Contact: contact.diskirz@gmail.com
Support: PayPal.me/Diskirz

Damien, known as Diskirz, is a renowned dubstep producer blending electronic power with melodic sensitivity. Born in 1995, he began with drumming before diving into electronic music in 2011, quickly establishing his signature futuristic style. His epic, emotive compositions captivate audiences worldwide, with performances from Montreal to Paris and releases on top labels like Firepower and Never Say Die. Diskirz is committed to innovation, constantly pushing the boundaries of his art with visionary, genre-defying music.

Demo Submissions only via: https://www.labelradar.com/labels/getphysical/portal

A lot has happened in the last 20 years of dance music, but one constant has been Get Physical right at the sharp end of the scene. The label has become a globally recognised symbol of quality, renowned for its always varied and vital house output. Forming the backbone of the label's vast catalogue is the influential in-house DJ mix series, Body Language. It is a snapshot of exactly where the underground is at and has been assembled by tastemakers such as Azari & III, Catz ‘N Dogz, Dixon, DJ Hell, Francesco Tristano, Nôze and of course label-founders Booka Shade, DJ T., and M.A.N.D.Y..

Next to that there has been a constant stream of innovative, dance-floor ready singles, crossover club classics, seminal remixes and a number of standout artist albums. The label has always stayed true to its house roots, but with a rich array of influences taken from the worlds of disco, deep, tech and melodic house. Along the way, Get Physical´s core artists have been joined by red hot new talents including Alinka, Thandi Draai, PAUZA, Yulia Niko, Birds Of Mind, CIOZ and Monkey Safari. There have also been carefully considered forays into thriving house music scenes in Africa, Brazil, Cuba, Croatia and India: dedicated compilations and EPs have highlighted those region's most exciting new talents and given them a global platform. 

The name says it all: Get Physical tracks could hardly be more moving and corporeal. It was true in 2002, and it will be true in 2025 and beyond.