techno gaper_part2

Keys, Strings, Tambourines

Cirque de Soul

permvac 232-1 Donald's House - The Final Front Ear

Donald's House - Melodies On The Meridian

Pre-order: https://joshcaffe.bandcamp.com/album/do-you-want-to-take-me-home

Introducing @josh-caffe 's second single on @phantasysound, ‘Do You Want To Take Me Home?’ is a sensual yet gritty return, a keen document of just one of the many stories of desire always occurring in the shadows, just beyond the strobes. Produced in collaboration with Quinn Whalley, one half of @paranoid-london, ‘Do You Want To Take Me Home?’ is inspired by the rawest shades of early Chicago house music.

Do You Want To Take Me Home

More exclusive music

Premiere: Josh Caffé 'Do You Want To Take Me Home'

Armando - "Don't Take It" (ft. Sharvette) (Thomos Edit)

An inspired remix for the Italian proto-house bomb Freak LIke U by Masarima. Mr. Ho takes the alternative route to Rimini for an Italohouse take tinged with some acid.

Releasedate 26-04-2024

Freak LIke U Remixes

Freak Like U

Masarima - Freak Like U (Whip Mix by Mr. Ho) - Royal Oak 048mrho (SC edit)

Free Download

Rhythm + Gash

(FREE DL) Nissan Altima - REECE Edit

Don't You Want My Love (Vocal Edit)

New CoastDream out now on X-Kalay http://xkalay.com/album/soft-moon-2

https://soundcloud.com/x-kalay
https://soundcloud.com/oversea-1

CoastDream - Soft Moon

Purchase here: https://www.juno.co.uk/products/frits-wentink-wasted-years-of-pumping-iron/685411-01/

Frits Wentink takes to his own Bobby Donny imprint to deliver a collaborative release with DJ Boring dubbed 'Wasted Years Of Pumping Iron'. The EP consists of three jacking and glitchy house track including the swinging, garage influenced deep house cut 'Chad Brothers'.

This exciting collab brings together two of the brightest talents to emerge from the underground in recent years. Frits with standout releases Wolf Music and Detroit Swindle's Heist, and Dj Boring developing a cult-like following with releases on Shall Not Fade's sud-label Lost Palms, E-Beamz and the Let's Play House sub-label LPH WHITE. With that, this forthcoming EP is not to be overlooked.

The 'Wasted Years Of Pumping Iron' EP is set to be released May 18.

Wasted Years of Pumping Iron

DJ Boring & Frits Wentink 'Chad Brothers'

Let Me See You

I'm Trying

Buy: https://bit.ly/2QoCInh

Australian-born DJ-producer Loods returns to his buddy Mall Grab's Steel City Dance Discs imprint for his third official release on the label, 'Steel City Dance Discs Volume 11'.

Ahead of the four-track EP's release on May 31, Loods has handed over the record's lead track 'Three Blocks' - a drifting, undulating and laid back house affair with a crisp drum arrangement and an encouraging melody.

Premiere: Loods 'Three Blocks'

Sheer Fuck - Offness

A Walk in the Park

INSANE DANCES VOL. 3

Cochon toi même (I-Cube Remix Pt. 1)

Buy/stream: https://kompaktrecords.lnk.to/EverybodysKissingEveryoneSD

The story’s been told before, though perhaps it hasn’t been documented as well as it should have been: a group of young producers in Germany were knocked out by acid tracks, and in particular, the UK’s acid house moment, convinced by the way it negotiated pop’s pleasure and dancing’s drive. Across the turn of the decade, The Bionaut’s Jörg Burger, alongside friends and peers Wolfgang Voigt, Ingmar Koch, Cem Oral, Andreas Bolz, Gregor Luttermann, would produce a dizzying number of tracks under a mountain of pseudonyms.

1992 was a turning point for Burger. Moving between Frankfurt and Cologne, Burger produced Everybody’s Kissing Everyone with one eye on the dancefloor, the other on the lounge room. The productions from these fruitful sessions share a glam poppiness, even at their most supine, with Burger returning to his pop roots. This was a running theme across the nineties, as he released a stretch of pop-electronica albums and EPs as The Bionaut and The Modernist.

Vivid and welcoming, precision-tooled for the dancefloor, dewy-eyed and humbly melancholy, The Bionaut’s productions manage to make risk and experimentation welcoming, joyous – the inverse of so much studious experimental music. Talking about his productions as The Bionaut, Burger uses the term ‘metapop’ to explain his music, and that’s a perfect way of thinking about what he does – it’s at once pop and beyond pop, with a knowingness that gleefully ransacks pop’s history.

You can hear, in the seven tracks on Everybody’s Kissing Everyone, reflections of UK acid house, the spiralling squelch of Chicago acid tracks, the lilting lightness of pop-trance, but the connecting force is a lushness of tone and richness of melody that points forward to the pop-tronica of later Bionaut. Here, Burger takes a snapshot of that precise middle-point between the dancefloor and the bedroom and colours it in both primaries and pastels. It’s a most elegant swoon.

Cochon toi même (I-Cube Remix Pt. 1)

Get A Room!

Related tracks