Love the riddim. Lovely melody. Great voice. Reminds me of  Richie Stevens, Peter Morgan <3

suena muy limpio y bien amigooo fuaaa temazo

bro its real vamp shit this is my favorite song of this time

Piano was a great choice here! I thoroughly enjoyed this piece!

Reggae

Reggae music to inspire, uplift, sooth heal and calm your spirit

Reggae Oldschool Vibes

Retalhos

f o u n d u a s t a r

Jah protect

Interlinked

‘NPC’ is an electrifying dance pop anthem about the liberation of abandoning the dull and embracing individuals that bring color to your life, it creates a sonic fusion of infectious beats, funky horns, catchy melodies and soaring soulful vocals.

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🌐 Website: https://farlight.beatstars.com/
📩 Email: farlightmusic@hotmail.com

Prod. Er Pollice
171BPM - DbMinor


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TIMESTAMPS
0:00 - INTRO
0:11 - PRE
0:22 - HOOK
0:45 - VERSE
1:08 - PRE
1:19 - HOOK
1:41- VERSE
2:04 - PRE
2:15 - HOOK
2:37 - OUTRO

Boom Bap Type Beat | Old School Hip Hop Instrumental - "TRUMPETS"

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Dance by Whitfield Batson

Dub4EveR

Dub4EveR (Instrumental Dub Roots Reggae)

Beat Produced By: Charming x KXVI

Lyrics:
(J.L.F.)
A pass to Nina too bad I ain't want it either
Them slow tides you missed was the only feature
Like a lost missed call but without the beacon
Longer time spent searching and it only deepen

But I got bigger shit to fry 
This the only time you hear Maze in same line
Call bro Kev and he a engineer yo ride cuz
YB JuCash rolllin and you gone need him on yo side

Nina cappin cuz it was all for nothin
Always talking about that time when we was back in Hutton
Caught you bluffin now you sittin in yo city rushing
I must need a Scotty for 40 cuz I swear you rushed it

Like why it had to be one of those
You left yo own people to triple sixfolds
But left Mel when it came to yo girl's soul
I mean damn you bold but girl that was too cold

Cuz TT you aint holding nothin
You told me run it and only run it after you had crushed it
How you always leave the fame to only those who buzzing 
Christian Sean was on you before you went good-for-nothing

But nevermind these my past foes
Apologies for looking behind after new growth
Two steps ahead of them times when I was on Beatrice floor
Watching Game of Thrones sittin up we on HBO

Im just in the mix we on ghostrides
My hands in different pots its during my own time
The realest was said in JB's song head high
Im on it a hundred because I just sit on both sides

Detroit but its getting brutal
Corners boys on the side watching every movement
Yelling PonyDown aint heard it got to hit up google
Home is YBP when we was writin choosing

(Outro)
Its these days that come to me
Its these days that come to me
Its these days that come to me

Its these days that come to me
Its these days that come to me
Its these days that come to me

5am Thoughts - J.L.F.

Το θέμα είναι σχετικό με τους νέους άνδρες κυρίως στις δυτικές χώρες οι οποίοι είναι ηττοπαθείς και με το πως μπορούν να βελτιώσουν την κατάστασή τους. 

Σύνθεση Πιάνου:  Γιοχάνες Μπραμς
Ηλεκτρική κιθάρα, Τύμπανα, Μπάσο, Έγχορδα, Βιολί: MTK
Στίχοι, Μίξη, Μάστερινγκ: MTK

MTK - Το Μυστικό Της Επιτυχίας 

Εισαγωγή:

Οι πιο πολλοί δεν κοιτάζουνε μπροστά, γελιούνται 
Ούτε καν δε κρατούνε πισινή, παραστρατούνε 
Γι΄ αυτό είναι κακόκεφοι και παραπονιούνται
Να κάνουν επικερδείς επενδύσεις αρνούνται! 

Κουπλέ 1:

Γενικά, οι καλλιτέχνες δεν πληρώνονται με τίποτα 
Γι΄ αυτό είναι κρίσμο να σκεφτούμε καλά τα βήματα 
Μαντράχαλοι φλυαρούν για προσωπικά προβλήματα
Με μόχθο και αφοσίωση κερδίζουμε χρήματα 

Να είμαστε ρεαλιστές και όχι θύματα 
Να μην λέμε πράγματα ΄καταλαβίστικα
Ας ενθαρούνουμε τους νέους να τα πάνε περίφημα 
Αν είν΄ αργόσχολοι μπορεί να υπομείνουν μαρτύρια 

Η Δύση δε προχωράει, κατηγορώ το σύστημα 
Στην τελική, είναι μαθήματα τα φταιξίματα
Τιμωρούμαι γιατί τόσα χρόνια ζούσα μια χίμαιρα
Έχω κατέβει επιτέλους απ΄ τα σύννεφα 

Μες' τα μυαλά οι ονειροπαρμένοι βάζουν σύδερα 
Να είμαστε ΄υέλικτοι είναι όντως καλύτερα
Το κλειδί, ισχυρά εσωτερικά κίνητρα  
Όποιος υιοθετεί νωρίς αυτή τη στάση πάει πολύ μπροστά.

Ρεφρέν

Τις ζωές μας οι επιλογές τις καθορίζουν 
Το πείσμα και η τεμπελιά τις περιορίζουν 
Άνετ’ απ’ την τρώγλη οι ακούραστοι μπορούν να φύγουν  
Κάνοντας σοφές επενδύσεις προχωρούν.

Κουπλέ 2:

Στη κοινωνία δε συνεισφέρουν όλοι 
Κλέβουνε και βανδαλίζουνε τους δρόμους οι στόκοι 
Είναι απροχώρητοι κι επιπόλαιοι
Συνεχίζουν να κάνουν τα χαζά και δε τους κόβει 

Χιλιάδες άνθρωποι δε τη βρίσκουν με αυτήν τη πόλη,
Που νομίζουν πως είναι το ‘‘κέντρο του κόσμου’’  τα ζόμπι
Το πλοίο βουλιάζει και ακόμα μένουν οι αθώοι 
Στην αλλοδαπή τα θετικά δεν λαμβάνουν υπόψη 

Η ραστώνη δεν αρμόζει, για να ‘νθίσεις θέλει τόλμη 
Αναπόσπαστο κομμάτι της ζωής μας το ζόρι 
Στα κοπρόσκυλα χαραμίζεται η νιότη 
Φαντάσματα πάντα θα τα παίρνουν στο κατόπι

Πολλοί καταντούν κομπιναδόροι,
Λαθρέμποροι, διαρρήκτες, τζογαδόροι,
Άστεγοι και άφραγκοι πλανόδιοι
Όποιος είναι ξεγραμμένος ήδη τα ‘χει θαλασσώσει.

Ρεφρέν 

Τις ζωές μας οι επιλογές τις καθορίζουν 
Το πείσμα και η τεμπελιά τις περιορίζουν 
Άνετ’ απ’ την τρώγλη οι ακούραστοι μπορούν να φύγουν  
Κάνοντας σοφές επενδύσεις προχωρούν.

MTK - Το Μυστικό Της Επιτυχίας

Woman Y U 1 A Hurt Me ft 2nick8

KillaRudeBoy

KillaRudeBoy (KillaRudeBoy Riddim)

Carry On

Pimlico

Pilly Bilgrim - It's a New Year (Why are we Fighting?)

Where Did You Go? (prod. Twisted Dev)

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Songwriter - Composer - Percussionist - Vocalist - Producer
Contact, collabs & Booking: philswain.music@gmail.com

Songwriter, composer, performer, Phil Swain started his musical adventures in 2013. Diversity in his music, depth in his lyrics characterise his style. A subtle blend of funk, jazz, house and groove afford the listener and the spectator a very special experience...
From his very beginnings in music as backing vocalist and drummer in a choir, his project was to create tracks composed only with percussions. But the idea soon evolved. Adding a melodic voice and chords were the starting point of a long series of eclectic compositions. His voice gained in subtlety and his style was enriched with various influences – 70s English pop, jazz, funk and reggae from the 80s, 90s electro, Drum’n’Bass, House and African music. To enrich his compositions, Phil collaborates with musicians coming from various horizons. He describes his style as electro pop, and has created his own electro biotope, influenced by funk, reggae, jazz and Latino music – a universe very much his own. 
He performs very frequently in Costa Rica, where he takes a big part of his inspiration. The incredible lushness of nature there allows him to recreate an atmosphere of universal horizons. 
In May 2017, he released his debut album, Evolution on the Move, with 11 tracks, distributed on digital platforms. We discover diversity in the musical style and depth in the texts... This album has the lush atmosphere of the vegetation that envelops the recording studio in which he works during his stays – as well the blue shades of hope that dwells in his lyrics, directed towards peace and harmony through self-change. 
The Buddhist philosophical influence in his texts give depth to his world. The meeting of nature and keyboards produces a wonderfully groovy ecological electronic music. 
Fluids of positive energy also emerge from lyrics that call for refusing the fury of the present world and enjoying the present moment. Each track reminds us of the urgency to respect our good old planet and the earthlings that populate it, sung in a very warm voice...

Dance by Whitfield Batson

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