Supremacy Remix

This track made for the KVR One Synth Challenge with all sounds created by the VSTi Thorn.

DAW: Reaper

Track Details:
6 * Thorn
1 * VEQ4 Mono (Waves)
5 * VEQ4 Stereo (Waves)
3 * TDR NOVA GE
1 * Oril River

Master :
Voxengo MSED
TDR VOS SlickEQ
TDR Limiter No 6 GE

Meter:
SPAN
YouLean Loudness Meter

Stats:
LUFS: -17.6
DR: 12

Enjoy

Relaxing in the Sunset - OSC #193 - Thorn

"For me, the fair is always somewhere between exciting and boring, which means I have to take it with a relaxed feeling to enjoy it, not expecting too much and being happy with what it is."
[Track updated] 
Made for OSC 193 using 12 instances of Thorn VST synth.
DAW Ableton Live, with its stock effects EQ, Reverb, Delay, Clean Amp, Compressor, Limiter

La Fiera (The Fair)

Used Thorns: Thorn CM, Thorn Beats

Used Plugins

Maximus, TDR NOVA, Lim No6, Lumo, Loudmax, Ozone 11 EQ, SpecTrend, TDR Prism, Microfuse Reverb, Panagement, Widefire, kHs Transient Shaper, Transpire, TAL Dub III, ZL EQ, Beatslammer, Fruity Parametric EQ, OTT, MCompressor

N O S T A L G I A

--------------------

DAW: Studio One 6.6
23 track - Thorn instances

===================

FX:
- built-in plugins from Srudio One 6.6
"mixtool, compressor,Pro EQ, Binaural Pan, mixverb, Fat Channel"
- IK Channel strip X
- Darkfire
- Verbum reverb
- Royal compressor
- classic clipper


Mastering:
Mastermind

==================

It used to be nicer  (OSC #193 - All instruments in the song are from VST DS Audio Thorn)

Submission for One Synth Challenge 192 - "Thorn".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-193-thorn?authuser=0

More music:

Ashes Of Time: https://www.youtube.com/watch?v=9CSN9S2Vq7U
Spicestorm: https://www.youtube.com/watch?v=WMZWzKNYczA 
Hope Remains: https://www.youtube.com/watch?v=90XBo9-Mqyg
Dystopia Today: https://www.youtube.com/watch?v=PrO-ymAqCAc
Danger Zone: https://www.youtube.com/watch?v=xb0av_71N38

As always, a track that I made in the last days. The drums, choirs, distorted rhythm tracks and some of the SFX are made from scratch, the rest is a slightly modified stock presets. This synth reminds me a bit of old Massive (but with much better looking graphics) in terms of functionality and signal path. The glitch sequencer and arpeggiator are really handy to create interesting patterns. The effects section is pretty cool, especially the distortion module, an ultimate spice of the synth that I used (if not to say "abused") all the time. It can range from subtle saturation to a face melting tones. Also, this synth is great for making electronic drums and cymbals (though I would prefer to select the noise in the oscillator to be able to stack three noise sources in the single patch). This synth would definitely fit my setup.

31 instances used to create a track.

Vasabi

VVasabi (OSC#193)

J.Ruegg - Liminal

Loris - Wake Up
Reaper 7

108 instances of Monolit

FX Used: 
Gclip
frequency spectrum analyzer
VUMeter
Voxengo SPAN
Signilizer
KHz Distortion
ReaComp
ReaPhaseRotator - to try to get the sine wave in the kick phase aligned
MCompressor
KHz Clipper
ReaXComp
ReaEQ
Khz Reverb
KHz Filter
Ozone 8 Imager
MBandPass
Mequalizer
KHz Delay
MConvolutionEZ
KHz Formant Filter
Khz transientShaper
Ohmicide - not used to its full potential
ReaLimit
MCharmVerb
Khz gain
MComb - for light accentuation on percussion
Khz Stereo
KHz trance Gate

This song took several tries to get to where i want it. Once i fleshed out the idea, i started layering sounds to get a fuller feel for the track and to decorate the space. im particularly proud of the kick which is three active instances of the synth, i crafted the envelopes down to the milisecond and used an oscilliscope to precisely dial in the timing. I had several initial approaches for the kick none of which worked well. I worked a lot on the percussion to get metallic sounds using the FM function of the synth and also using a lot of EQ to peak frequencies. I woulnd say i went full 11/10 but i went 9/10 on EQ. I also used some distortion, to about 8/10. I accentuated sounds but did not completely distroy them. A lot of texture to certain percussion was obtained by layering different sounds at different pitches and also different FM ratios etc. Playing with envelopes goes a long way. 

The bass sounds are all very simple actually and most are a few layers deep with different waveforms FMing at different ratios and pitches. I was gonna go ballistic on the basses and use EQ, clipping and even convolution to obliterated the sound. But to avoid being DQ i opted for the PG 13 version. 

the amount of automation in this project with greater than 100 instances of the synth has made it a chore to navigate. Some midi clips have 6 or 7 layers of automation and other have only one but heavily adjusted everywhere. the automation i used the most is volume. Cutting sounds so they dont interfere with other sounds and to cut reverb tails, and also to shape sounds since i did not like the way the envelopes in the synth itself worked at times. Working with audio clips would have made this much more easy. I do not think i will go this hard for OSC ever again. But then again...it was kinda fun...

The song is clipped and compressed severely. I could have pushed it harder but i did NOT!! in order to preserve that last gasp of dynamic range that was slowly waiting to die. This is not a ballad, or classical, its dubstep - or something like it. 

The song got its name from the distinct digital alarm sound that we're all so familiar with. I used it in the buildup, in the drop, everywhere...

Nothing on the master except Gclip and ReaLimiter. 

Thats all i got

Loris - Wake Up!

This track made for the KVR One Synth Challenge with all sounds created by the VSTi Monolit.

Thanks to Taron for letting me use a refined version of his bass patch.

DAW: Reaper

Track details:
15 * Monolit, Bass Professor, Piz midiPolyphony, Oril River, OTT, ReaEQ
Master Details:
TDR VOS SlickEQ, Voxengo MSED, Limiter No 6.
Meter:
SPAN, Youlean Loudness Meter
Stats:
LUFS: -13.0, DR: 9

Enjoy

A Trio awaits us - OSC #194 - Monolit

Recorded, edited, mixed & mastered on 28 May 2017 & 06 Jun 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA. 

Synths, effects

Photography/Art - Jim Lemanowicz, 06 Jun 2015 & 06 Jun 2025, Massapequa, NY, USA 

©2015, 2025 Jim Lemanowicz

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This original version of “Usually May Disappear” was submitted as part of Disquiet Junto Project 0701: Gap Ear. The Assignment: Break apart a piece of music and fill the resulting spaces.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 701st weekly Disquiet Junto project, Gap Ear — The Assignment: Break apart a piece of music and fill the resulting spaces — at https://disquiet.com/0701/

Supremacy Remix

Gethiox