Name: the hidden world of everyday electronic objects (live recording) by Gabriele Dikciute
Duration: 8 min 1 s
Description: Live recording at the WFS Festival, Den Haag, 2024

Staňkovice Reverie is a site-specific composition that reconstructs the sonic narrative of Staňkovice, a village in north-western Bohemia, exploring the intertwining layers of personal, cultural, and historical memory that reverberate in and around the Löbl family manor.

Tracing the history of the house, the work weaves together voice fragments from interviews with Jan and Eva Löbl, interposing field recordings captured in the local area and archival material sourced from shellac records housed in the Ústí nad Labem city archive, creating a dialogue between the land, the architecture, and the people who live there.

Collaboration with composer and sound journalist Heu Hsu during the 2024 Phonon Spatial Audio Residency.

Premiered at the Melusines Ambisonic Concert, 27.7.24, National House, Ústí nad Labem

Stankovice Reverie - Binaural Mix

Live recording at the WFS Festival, Den Haag, 2024

the hidden world of everyday electronic objects (live recording)

Mango Mango

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Mix of the Week #165 is "Flipsides From Around The Globe" by James Greville, partner at @ken-oath-records

ID requests to @jamesgreville

Dream Chimney 'Mix of the Week'

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Mix of the Week #165: James Greville - Flipsides From Around The Globe

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VINYL, CD & DIGITAL: http://bit.ly/N45-NOTON-SHOP

N-45 - ALVA NOTO - UNIEQAV
RELEASE DATE: MARCH 16TH, 2018

The Uni series began when Alva Noto was booked to play live at the club UNIT in Tokyo, and had to adapt his sound accordingly for that environment.

‘UNIEQAV’ follows-on from and develops the concept of Alva Noto’s ‘Unitxt’ and ‘Univrs’ albums, and completes the third part in the trilogy, whereby each record is both unique and part of the bigger picture. This is also mirrored in the artwork for each release, which when combined form a triptych spelling ‘Uni’.

Described by Carsten as “sonically representing an underwater dive”, the gleaming ‘UNIEQAV’ brings as usual an inherent artistic, conceptual and scientific depth. Mathematics, data, unit systems, grids, rhythms, codes, text, language, spoken word, DNA, science technology and nature are all utilised, for both inspiration and execution.

As with the last two Uni releases, the French sound poet Anne-James Chaton collaborates here, on ‘Uni Dna’. Where on previous records Chaton first provided a vocal track to which Nicolai composed, this time the duo flipped it; the poet wrote for an existing track, adding his unique vocal approach to recite amino acids that constitute the DNA molecule.

Regarding Carsten’s interest in 3D sound design and building sonic spaces, ‘UNIEQAV’ transports the listener to a modern, spacious and zen-like place for meditative movement. But conversely the album works equally well in a dark club - as for every glistening digital spark and simple, emotive melody - there’s a stealthy bassline, frenetic drum pattern and colossal low-end thump.

@alvanoto

Unieqav

UNI DNA

Alva Noto - Uni Dna

'A moving, engrossing piece' — Clash

Emmy award-winning composer Michael Price shares the beautiful new piece Sandham, taken from his forthcoming album Tender Symmetry released on August 31 with Erased Tapes.

The ambitious musical project takes in a series of iconic National Trust locations across the UK as its inspiration, turning them into unlikely recording spaces. Michael and a host of musicians and collaborators — including soprano Grace Davidson (featured on Max Richter’s Sleep) and Shards (the choir on Nils Frahm’s All Melody) — travelled across the country in pursuit of places far removed from the traditional studio to create seven unique and moving pieces.

"Sandham Memorial Chapel, built in the 1920s, is both a place of reflection and healing, but also a timely reminder, though the extraordinary paintings of Stanley Spencer, of the horrors of war. Stepping out of the fragrant wild-flower garden and into the cool, naturally-lit interior of the chapel was a transportation to a time early in the last century where young men and women were either inflicting terrible injuries on each other, or tenderly caring for those wounds. A place that is both uniquely of the First World War, and utterly contemporary." — Michael Price

The diversity of Michael Price’s choices ranges from the ruins of Fountains Abbey in Yorkshire to the Fan Bay WWII shelter, cut deep into the chalk cliffs of Dover. All owned by the National Trust save one, each venue became both the inspiration and the recording studio for Michael Price and his accompaniment of renowned musical ensembles, choirs and soloists.

"I am interested in where we build our homes in an increasingly virtual world and the spirit of place we feel as we walk our local streets, our schools, temples and public spaces. Taking inspiration from a place, and the stories it told, then going back to that place to record, sometimes in less than ideal conditions, made the two-year adventure much more like shooting a film than making a record.” — Michael Price

Michael Price will premiere Tender Symmetry live at London’s Kings Place on September 6.

Pre-order Tender Symmetry on LP/CD/DL: phonofile.link/tender-symmetry

Released by:
Erased Tapes Records Ltd.

Release date:
31 Augist 2018

P-line:
℗ 2018 Erased Tapes Records Ltd.

Released by:
Erased Tapes Records Ltd.

Release date:
31 August 2018

P-line:
℗ 2018 Erased Tapes Records Ltd.

Tender Symmetry

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Michael Price - Sandham

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Rare Ft. Harris Cole

Watch the official music video: https://youtu.be/YVoqGMWVTF0

Daniel Brandt, co-founder of acclaimed German ensemble Brandt Brauer Frick, is set to release his second solo album via Erased Tapes on October 12th. Called 'Channels', the new record follows the release of the London and Berlin based producer’s solo debut Eternal Something from 2017.

The seven-track LP is Brandt’s biggest statement yet, with the album’s thrilling avant-garde framework interweaving chord-driven techno, orchestral flourishes, rich electronic textures and hints of dark cinematic pop. Following on from Eternal Something, which captured a contemplative kind of isolationism, with Channels Brandt set out to create an album that captures the essence of minimalism whilst lending it to a more playful context. 

Intricate floor-filler and lead track ‘Flamingo’ synthesises the measured pacing of Detroit techno with an orchestral background. As with all of the tracks on Channels, ‘Flamingo’ began life as a sketch with very basic instrumentation, before taking it into the studio to rehearse with his band members, giving the album a live and visceral sound that sets it apart from his debut; “It was a great experience to do it this way as I have always wanted to have the chance to try out something in a live setting before recording it in the studio and not the other way round,” explains Daniel. “The actual typical rock band recording style that I never had the chance to do before.”

With Brandt also being skilled as a filmmaker, directing and producing visuals for BBF and Eternal Something, much of the new album’s creative ideas reference a rich visual palette. He directed the video for ‘Flamingo’, a sideways glance at the art world that takes the concept behind John Cage’s 4’33” and turns it on its head. 

“The video for Flamingo is deliberately non performance — people sitting in a room and watching basically nothing, never really sure if anything is ever going to happen. It’s also a play on John Cage’s 4’33”, except in this instance there isn’t even a performer present.” — Daniel Brandt

Daniel’s passion for film even prompted him to kick start his own online television channel Strrr.tv in 2017 that since attracted a lot of attention with guest moderators including BBC Radio DJ Gilles Peterson, modular synth legend Suzanne Ciani and Berghain bouncer Sven Marquardt counting amongst the most popular episodes. 

Recorded between Berlin and London, Channels is a deeply enthralling listening experience, which sees Daniel Brandt build upon his distinctive percussive sound whilst exploring new and expansive horizons.

Praise for Daniel’s previous album, Eternal Something:
“Propulsive, tense, and entirely mesmerizing” 7.6 — Pitchfork
“An evocative ray of multi-instrumentalism” 9/10 — DJ Mag
“A fizz bomb of overlapping ideas” — Record Collector
“Utterly abstract and wholly melodic” — Clash
“A cracker”  — Electronic Sound

the hidden world of everyday electronic objects (live recording)

Gabriele Dikciute

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