When the original GForce Oddity was released all the way back in 2002, it was heavily praised by fans and critics alike for its incredibly accurate representation of the revered ARP Odyssey, with some notable users even calling it their desert island synth. Now, twenty-one years later, we’ve updated this classic to make it the most authentic, powerful and modern odyssey available.

Oddity3 takes the character and sound of Oddity and adds a wave of enhancements, bringing the spirit of the original to a new generation of music makers. With a powerful new Preset Browser and 1250+ presets including 250+ new ones, new Distortion and Reverb effects, a Vintage control for dialing in authentic imperfections, and four programmable Macros, plus new and improved performance controls, this classic desert island synth just got even better.

GForce Oddity3

Brian Brylow
All Oddity3 in the 80s inspired demo.

Oddity3 - Another Absurd Anomoly

Dave Spiers
All Oddity3 with lots of live macro and aftertouch control on display.

Oddity3 - Chaos & Light

Dave Spiers
That "guitar" is Oddity3...  As is everything else (except drums).

Oddity3 - Triplet & Guitar

Dave Spiers
A single-patch demo of the patch of the same name. Showing macros control as part of a live performance.

Oddity3 - Distorted Poly Bast**d

Dave Spiers
A gorgeous, but too brief demo from Dave. Showing a handful of Oddity3's poly patches and the on-board reverb.

Oddity3 - No Room For Old Odysseys

More info at https://www.gforcesoftware.com/blog/creative-lfo-techniques-in-ob-x/


By sound designer Reverb Machine.

The LFO is one of the most powerful and unique tools in a synthesiser. It stands for Low Frequency Oscillator, and it’s a slow waveform that automatically moves a parameter like pitch or filter cutoff up and down. Most synths have at least one LFO, and learning how to use them creatively can help you create more interesting patches with motion and movement.

In this article, we’ll look at some LFO patching ideas using OB-X, a synth with loads of modulation options, including both a front-panel LFO and deeper per-parameter control via X-LFOs. You can apply these ideas to other synths too, which is a great way to learn a new instrument or plugin.

2-lfo-intro

More info: www.gforcesoftware.com/products/bass…-by-zardonic/

Dominion is an intense and unapologetic preset pack for the GForce Bass Station, created by internationally acclaimed producer and sound designer Zardonic. Designed for those who want to lead and destroy in equal measure, this collection blends cinematic tension with raw electronic firepower, delivering aggressive basses and commanding leads with signature precision.

Whether you're building relentless drops, scoring dark futuristic worlds, or adding edge to live performances, Dominion gives you the sonic arsenal to dominate the mix.

Inside, you’ll find:

Growling basses, punishing subs, and distorted low-end weapons
Razor-sharp leads and searing synth hooks that cut through dense mixes
Hybrid textures and brutal sequences built for intensity and impact

Each preset pushes GForce Bass Station beyond the expected, unlocking the full potential of its analogue-style engine. With Dominion, Zardonic infuses his signature blend of electronic aggression and cinematic scale into every sound—perfect for trailer composers, producers, and performers who require maximum power with no compromise.

This is not background sound. This is the main event.

Dominion demos - Grindstep

More info https://www.gforcesoftware.com/blog/gforce-halogen-3-presets/

By sound designer Reverb Machine.

In this article, I’m going to look at Halogen FM and how to create three versatile sounds. Halogen FM makes FM synth patching nice and easy, so I’ll skip the deep theory and focus on making good sounds. Try following along, and download the presets at the end to compare your results.

halogen-fm-electric-piano-3-modulated

odd-look-7-no-sidechain

More information at www.gforcesoftware.com/products/map

GForce MAP – Navigate the unknown
Born from the lineage of modular synthesis, MAP reimagines the fearless experimental spirit of the 1970s for today’s creators. Blending vintage character with modern innovation, MAP is a sound design playground for artists who see synthesis not as programming, but as exploration.

At its core, MAP features three powerful oscillators, a dual-filter architecture, and a deep modulation system with MPE support. Every sound invites hands-on discovery—from shimmering tones and gritty textures to sprawling ambient soundscapes.

MAP’s expressive XY Pad macros, drawable LFOs, and generative polyphonic arpeggiator make sound design immediate and performative. Meanwhile, custom Colour, Time, and Space effects act as integral parts of the instrument—shaping tone, rhythm, and depth with character and flair.
Rooted in modular experimentation yet built for the modern studio, MAP transforms synthesis into a voyage of imagination.



GForce MAP Preset Demo 2

Some audio demos from instruments we make

Oddity3 - Distorted Poly Bast**d

GForce Software

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