Liszt, Hungarian Rhapsody No.2

Recordings of Philharmonia Fall 2014 Concert

Dvorak - Slavonic Dances, Op. 72 - Starodavny: Allegretto grazioso

Jun Keller, violin // Hiroshi Kato, piano // live recording

Kreisler: Schön Rosmarin

Chuck E Cheese Chase Yes Dear Music

Tribevore

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Although the “Kreutzer” Sonata, Op. 47, is dedicated to Rodolphe Kreutzer, the original dedication was to George P. Bridgetower (1779-1860), for whom the piece was written. Bridgetower, an African-Polish violinist who lived in London.
Rodolphe Kreutzer (1766-1831) was a French violinist of great renown whom Beethoven met in Vienna in 1798.

Beethoven’s decision to dedicate the sonata to Kreutzer instead of Bridgetower was probably related to his intended move to Paris and a wish to ingratiate himself with French musical luminaries. Legend has it that Beethoven changed the dedication because he and Bridgetower quarreled over a woman. Kreutzer most likely never knew of the dedication, and it is almost certain that he never played the piece.

The “Kreutzer” Sonata was published in 1805. Beethoven described the piece as “written in a very concertante style, like that of a concerto,” explaining the internal conflict generally associated with his larger works.

Beethoven’s “new path” is everywhere evident in the first movement of the “Kreutzer” Sonata. The only slow introduction Beethoven ever wrote for a violin sonata is actually the only portion of the movement in A major, which gives way to A minor at the beginning of the Presto sonata-form section. Development of the first theme does not occur until the lengthy, weighty coda, which is much more symphonic than chamber-style in conception.

Ludwig van Beethoven. Sonata No. 9 "Kreutzer" for violin and piano, op. 47

Caprive Viennois

Schön Rosmarin

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Shmirlap - My Way ON NEUROTROPE 040

Moonrise Kingdom Soundtrack: The Heroic Weather-Conditions Of The Universe, Part 4-6

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Aux Armes

Sinistroz - Aux Armes

Chopin Nocturne No. 10 In A - Flat Major Op 32/2.

Maurice Ravel - Sonatine (mvnt. I)

Chopin: Étude opus 25 No. 1 in A flat "Aeolian Harp" played by Bernard Pulham

"Aeolian Harp" Étude opus 25 No. 1 in A flat: Chopin

Ravel String Quartet in F major, played by Quartet Pro Musica (Patrick Halling, Ernest Scott, Gwynn Edwards, Peter Halling) in a BBC recording from circa 1961. If anyone would like to review this recording please contact promusica14@gmail.com or call +44 208 979 5707. Would be pleased to hear from any Ravel aficionados! Web: www.quartetpromusica.co.uk

Ravel - String Quartet

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Moonrise Kingdom Soundtrack: The Heroic Weather-Conditions Of The Universe, Part 4-6

Ghada Aljuhani

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