Purchase on Bandcamp : https://watashiwayogisan.bandcamp.com/album/shards-solace

Solace

KIRI - GATEWAY TO HELL EP [SYH004]

Very excited about the release of our fourth reference. We welcome Kiri, who debuts on our label with his second EP called "Gateway to Hell". The Austrian producer already showed his weapons in his first release on the amazing Kurnugû label and now offers us in this new EP 4 tracks full of personality and power including a collaboration with Parasite. Grumpy Halftime/Jungle wrapped with corrosive percussion, sinister bass and apocalyptic atmospheres. Kiri promises to make us vibrate a lot with his Drum & Bass, welcome to his dark hell. Enjoy it!!!

Digital EP available on Bandcamp:
syhdamusic.bandcamp.com/album/gateway-to-hell-ep

SYH004 TRACKLIST:
01. Kiri - Ronin
02. Kiri - Barbarian Gladiator
03. Kiri & Parasite - Ankh
04. Kiri - Gateway to Hell

Kiri:
@kiridnb
instagram.com/_kiri_dnb

Parasite:
@parasite_dnb
facebook.com/Parasite_dnb
instagram.com/parasite__dnb

Mastered by Eddie Nesta.
instagram.com/eddienesta
Artwork by Oxoko Design.
instagram.com/oxoko_design

Gateway to Hell EP

Buy on Bandcamp

Kiri - Gateway to Hell [SYH004]

The sequence starts with a cable connection to the clock output from the Steady State Fate Ultra Random module. This clock output was sent to an intellijel hub mult. From here the clock was sent to first to a 4ms RCD/QCD, Delptronics Trigger Man, and to the MakeNoise Rene. First output gates from 4ms RCD 4 divide output to the trigger input on the Braids module top row, running in "WLIN" mode. The second multi-output was sent to a 4ms QCD output green channel 4, set at a division trigger time of 16. This would trigger single notes on the "Elements" module, that begins at 1:42. The playback mode is running in "Secret Easter Egg Mode" :-) The selected note sequence from the QCV output from Rene. The final output from Elements was sent to the Eventide "Pitch" pedal using the "Crystalizer" algorithm.

Clouds - was processing recorded chunks from the drum percussion, kick used from the top row "Peaks" 808 kick drum synthesis model. Then a snare was created from the "grey" noise output from the SSF Quantum rainbow running through the right side of Streams to make a snare drum, which was running in envelope mode with shape position to the left, short decay. Then a third voice uses the blue noise output from the SSF quantum rainbow for hi-hats. Amplitude triggered/controlled by a HexVCA. The drum sequence was programmed from the Delptronics Triggerman, using all 8 patterns stringed together running in pattern play mode but being CV controlled by the S&H # 1 output from the SSF Ultra Random. Output for all voices was grouped and multiplied into two separate mixers. First three channels of the Intellijel Mutamix, which was then sent to output channel B. From there the summed mix was sent into the "left" side input of Clouds. Then triggered in time with the sequence by an 8th division trigger from the 4ms RCD. The freeze input in Clouds was triggered in time 7th divisions from the 4ms RCD, so that the chunks would process and record then playback in spurts of timed randomness. The mode was set in the pitch-shifter/time stretcher configuration, where the grains were spliced so that created interesting granular pitching repeats and percussive glitch effects, as the rhythmic beats played through. Focused ranges were selected for the "Density/Pitchshifter" and "Timestetcher/Texture" controls. These were being controlled by the S&H #2 output from the SSF Ultra Random. The 1/volt pitch input was controlled by the toggle A/B output from the SSF ultra random. The clean drum outputs were also sent to channels 5, 6, and 7 on the Blue Lantern "Mix 'Em Up" module.

Streams left side processing from the MakeNoise Mysteron output, which was being triggered by the 5th division output, for the metallic ripple delay like sounds, with the mutation knob set to counter-clockwise, low bit mode.
The "Shelves" module was processing the acid-like filter parts that get un-muted at 12 seconds. The sound source running into "Shelves" was the "Braids" module bottom row, running in "CSAW" mode. CV controlled by the CV output from the MakeNoise Rene sent to another intellijel hub mult. From here each CV output was sent to the "Frequency" inputs pink, green, and white jacks on "Shelves". The "Tides" high tide output modulation the CV controlling the top frequency input on "Shelves" Each filter knob was set so the incoming "CSAW" input was being processed like a formant filter effect.

Smooth Sub OSC bassline coming from the MakeNoise STO. This was being CV controlled by an intellijel ￼µScale (B) output. Playing back 8 notes while being triggered from the 2nd division trigger on the 4ms RCD. Triangle wave output from an Intellijel Dixie (synced) to the sequence controlling the input (1V/Oct). Second STO at 55 seconds, alternating high note triggers from the 1 channel output from the 4ms QCD 6th division output. The second STO output was sent to a MakeNoise Optomix for short quick plucks.

Clouds & Streams

A new electro acid slammer from yours truly

Slacid Ammer

Chaos is normality. Randomness is self-evident. Structure and meaning are not. They need proof. They need evidence. They are peculiar.

Negentropy is a measure of distance to normality. One example of negentropy is life.

Bandcamp: geometriccorruption.bandcamp.com/album/negentropy

Artwork by: Mi6fit - www.instagram.com/mi6fit/
Mastering by: Stazma - Electric Voyage Studio

Order Here

Nash Equilibrium

The album ΙΧΘΥΣ is available here: 
— HQ Digital (MP3/FLAC) = http://smarturl.it/ixoy3 
— Compact Disc + Digital = http://smarturl.it/ixoy3-hymen 
— Vinyl 2xLP + Digital = http://smarturl.it/ixoy3-schematic

Corvus (New album "ΙΧΘΥΣ" out June 12)

Eternal (wip)

Taken from Navagraha, the 3rd Ancestral Voices LP.
Pre order on Deluxe 3x12" and digital - https://horo.lnk.to/navagraha

Shani (Sanskrit: शनि, Śani) 
147.85 Hz = D
a1 = 443.0 Hz / 440 Hz + 11.9 cent)

Tempo:  69.3 / 138.6 bpm

Liam Blackburn’s Ancestral Voices project is a nomadic journey of self discovery, exploring expansion of consciousness through sound. Since it’s inception in 2016 the project has traversed from transcendent ambient to jagged 170 bpm beat experiments over the course of 2 full length LP’s and 3 EP’s. In 2018 Liam launched his own label ‘The Fifth Kingdom’ with the entirely beatless release - Mycelia.

Liam returns to Horo to follow up his second LP ‘Divination’ for the label in 2017 with the next step in his musical evolution - Navagraha.

Navagraha means "nine celestial bodies" in Sanskrit. Each ‘Graha’ is a specific vibration and relates to the nine planets of our solar system, as well as the different parts of our body.

In 1978 Hans Cousto, a Swiss mathematician and musicologist discovered the natural law of the cosmic octave as the link between different kinds of periodically occurring natural phenomena, such as the orbit of the planets, the weather, colours, rhythms and tones.

For the Navagraha project​ ​Ancestral Voices has taken Hans Cousto’s ‘frequency’ of each planet and created a unique tuning system which he uses as the fundamental frequency for each track.

The result is a mixture of Ptolemaic, Pythagorean and other ‘Alternate’ Harmonic scales that can create a profound effect on the consciousness of the listener. Steering away from equal temperament opens up an infinite amount of possibilities and more ‘colours’ to paint the picture with.

Navagraha 

Pre order

Shani

This is the first offering from our Showcase at Ohm in October. Nekyia presenting his hybrid set, one hour of genre-crossing bliss. Enjoy.

Shotta Texts Leaked [Arnab Edit]

GHZI PUR

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