😊.Do you like it? ROUMANIAN SOUL IN MUSIC!!!

Doină, doină, cântic dulce! Când te-aud nu m-aș mai duce! Doină, doină, vers cu foc! Când răsuni eu stau în loc.  Bate vânt de primăvară, Eu cânt doina pe afară, De mă-ngân cu florile Și privighetorile.  Vine iarna viscoloasă, Eu cânt doina-nchis în casă. De-mi mai mângâi zilele, Zilele si nopțile.  Frunza-n codru cât învie, Doina cânt de voinicie, Cade frunza gios în vale, Eu cânt doina cea de jale.  Doina zic, doina suspin, Tot cu doina mă mai țin. Doina cânt, doina șoptesc, Tot cu doina viețuiesc.

Toujours autant d'émotion Gheorghe né le 6 avril 1941 comme moi nicole des Diablerets

😊.Roumanian folklore...😇......🧚‍♂️🧚‍♀️🧚......

wow, so beautiful, deep, and flow like waterfall 💕

“Tambal” and “Nai” will make that soul cry

Gheorghe Zamfir - Doina de jale

Gheorghe Zamfir is a Romanian musician, known as "The Master of the Pan Flute",  a leading figure within the history of international pan flute music.
Zamfir is known for playing an expanded version of the traditional Romanian-style pan flute (nai). 
Zamfir came to the public eye when he was "discovered" by Swiss ethno-musicologist Marcel Cellier who extensively researched Romanian folk music in the 1960s. Brought for the first time with his pan flute to western European countries in 1972 by the composer Vladimir Cosma as soloist in Cosma's original music for the movie "Le grand blond avec une chaussure noire" and made a big success, since then, he has been used as soloist in movie soundtracks by composers Francis Lai, Ennio Morricone and many others. Largely through television commercials where he was billed as "Zamfir, Master of the pan Flute", he introduced the folk instrument to a modern audience and revived it from obscurity. In the United States his commercials were widely seen on CNN in the 1980s.
Zamfir's big break in the English-speaking world came when the BBC religious television program  "The Light of Experience" adopted his recording of "Doina De Jale", a traditional Romanian funeral song, as its theme. Popular demand forced Epic Records to release the tune as a single in 1976, and it climbed to number four on the UK charts. It would prove to be his only hit single, but it helped pave the way for a consistent stream of album sales in Britain.
After nearly a decade-long absence, Romanian pan flute virtuoso Gheorghe Zamfir returns to Canada in January 2006 for a seven-city tour with TRAFFIC STRINGS quintet . In the program was include a world premiere: Vivaldi's Four Seasons for PanFlute and string quintet arranged by Lucian Moraru, jazz standards, and well-known favorites.
Gheorghe Zamfir & Traffic Strings
Most recently, Zamfir has been sampled by Animal Collective in the song "Graze" on their EP Fall Be Kind.

One of his most notable contributions was to the soundtrack for the classic Australian film Picnic at Hanging Rock. His first appearance in 1972 as soloist interpreter in a movie soundtrack was in Vladimir Cosma's "Le grand blond avec une chaussure noire" with a very famous and successful melody known all over the world. His music has also been heard on the soundtracks of many Hollywood movies. He was asked by Ennio Morricone to perform the pieces "Childhood Memories" and "Cockeye's Song" for the soundtrack of Sergio Leone's 1984 gangster film "Once Upon A Time In America". His music is heard throughout the 1984 film "The Karate Kid", and his piece "The Lonely Shepherd", recorded with the James Last Orchestra, is featured in Quentin Tarantino's film Kill Bill Vol. 1. The melody "The lonely shepherd" was written by James Last and first released on his album "Memories from Russia", released 1977 (Polydor Germany 2371 856). The panflute was played by Gheorghe Zamfir, who had a contract with the Philips record company. An agreement was made that Philips could release "The lonely shepherd" as a single (45 rpm) on the Philips label.
Zamfir continues to concertize and record a wide variety of music. Sales of Zamfir's LPs and CDs have generally been strong, owing to their purchase by many buyers who previously had little or no exposure to the pan flute, but who found its exotic, soothing sonority of great appeal. 

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