Name: Pleure, car l’Adieu est Scellé [OldNeo Edit] by Ghost of Maya in GOaStreamBen👽✨👽's(i)XsenseMusic2025👽✨👽SilentBreake(R)'Damski
Duration: 3 min 17 s
Description: Un adieu suspendu dans l’air, une mélancolie douce-amère. La guitare, fragile, appelle à la mémoire, chaque note un murmure d’âme. Les larmes tombent, emportées par un vent d’éternité, et l’absence se fait musique, indélébile et sublime.

GOaStreamBen👽✨👽's(i)XsenseMusic2025👽✨👽SilentBreake(R)'Damski

Сергей Васюта И Группа -  Сладкий Сон (Sixsense Dance  Remix )

The journey ends where it began drifting into the vast unknown, where new mysteries await beyond the stars.

Returning to the Void

The track "Sijilmassa" by Sy Xavi, produced by the talented Spanish artist, is a unique and introspective musical piece. This song, however, carries an extraordinary twist: the melody of "Sijilmassa" was dreamed by Toofan, an artist known for transforming his dreams into music. A different follow-up to the previous title "Sanhaja", this composition explores a surreal dimension where time flows backward, inspired by a reversed dream.

Sijilmassa

Un adieu suspendu dans l’air, une mélancolie douce-amère. La guitare, fragile, appelle à la mémoire, chaque note un murmure d’âme. Les larmes tombent, emportées par un vent d’éternité, et l’absence se fait musique, indélébile et sublime.

Pleure, car l’Adieu est Scellé [OldNeo Edit]

Urgency builds as Dark Earl braces for an unseen challenge. Pulsing basslines and urgent arpeggios create an atmosphere of action—something is coming, and there is no time to hesitate.

SEDNA 0.1

The moment to roll up our sleeves has come (Remastered)

#Day_04 - Dusk Bloom 🌆 The sky deepens, colors fade—guitars swell in slow motion as twilight unfolds.


#Day_04 - Dusk Bloom

#Day_07 - Midnight Glow 🌙  Neon-lit rain, distant city echoes glimmering yet melancholic in its flickering beauty.

#Day_07 - Midnight Glow

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.
Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.
The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.
The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.
As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.
The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.
Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.

AMEDER

With When We Sit Upon the Veranda, aZzma steps into unfamiliar territory love. Her voice, usually fierce and rebellious, becomes a delicate whisper, a melancholic caress that makes every word resonate. Stripped down yet intensely emotional, her rendition breathes new life into this timeless ballad, pulling us into a space where time and feeling seem to stand still.

When We Sit Upon the Veranda (The Barnderders and Emma H. Cover)

Electronic trance in the style of electro house hands up j-pop eurodance chillwave vaporwave tropical house juke jumpstyle bassline euro house shoegaze ambient dub j-pop trap chiptune with a sprinkle of dance-pop hardcore dubbed progressive trance techno
Lyrical magic by Jessie. She's pissed off at me
It be like that

Flawless Lawless

Only To Survive

These Trees

Release Date 9 Mai 2025

TESOROX
https://multy.me/gOPvk
https://multy.me/SGXns 
https://multy.me/Zk4zH

Phonkhell
https://www.youtube.com/@phonkhellrecords

TESOROX - VIBRACAO [Slowed]

Origin One is my debut album – a journey through hypnotic melodic techno and driving tech house. Deep kicks, heavy rolling basslines, and atmospheric layers merge with robotic vocal textures to create a soundscape built for both underground clubs and big Ibiza stages. From emotional, dreamy buildups to harder, peak-time drops, each track captures a unique moment on the dancefloor and invites you to lose yourself in the flow.

👉 Tags: Melodic Techno, Tech House, Deep House, Club, Ibiza, Origin One, Underground, Peak Time

Stillness (trance)

Maya Guzmania, alias Ghost Of Maya, est une artiste belge dont le parcours oscille entre l’ombre et la lumière. Avant de devenir autrice-compositrice-interprète, elle a longtemps œuvré dans la production musicale, sculptant les sonorités des autres sans jamais oser imposer sa propre voix.
À six ans, elle enregistrait déjà des bribes de mélodies sur de vieux magnétophones, convaincue que la musique était un langage secret. Adolescente, elle passait ses nuits dans les clubs underground de Bruxelles, absorbant les rythmes du breakbeat, du dubstep et de l’électro, en quête d’une alchimie sonore qui lui échappait encore. À vingt ans, elle plongeait dans l’industrie musicale en tant que productrice, affinant son art dans l’ombre des studios. Pendant des années, elle façonnait des morceaux pour d’autres artistes, effleurant l’idée d’écrire pour elle-même, sans jamais franchir le pas.
Puis, un soir, au détour d’un morceau inachevé, elle a compris que sa place n’était plus derrière la console, mais au cœur du son. La voix qu’elle modelait pour les autres devait désormais être la sienne. C’est ainsi que Ghost Of Maya est née, fruit d’un vertige et d’un besoin urgent de rattraper le temps perdu.
Aujourd’hui, elle prépare son premier album, une œuvre immersive où les spectres du passé rencontrent les pulsations du futur. Et demain ? Si le futur appartient aux âmes qui osent, Ghost Of Maya pourrait bien devenir l’un de ces mystères musicaux qui traversent les époques, insaisissables et hypnotiques.

Maya Guzmania, known as Ghost Of Maya, is a Belgian artist whose journey sways between shadow and light. Before becoming a singer-songwriter, she spent years behind the scenes as a music producer, shaping the sound of others while keeping her own voice in silence.
At six, she was already recording fragments of melodies on old cassette players, believing that music was a secret language. As a teenager, she wandered through Brussels’ underground clubs, absorbing the pulse of breakbeat, dubstep, and electro, searching for a sonic formula that remained just out of reach. By twenty, she had dived into the music industry as a producer, perfecting her craft in the shadows of recording studios. For years, she created for others, brushing against the idea of writing for herself but never taking the leap.
Then, one night, amidst an unfinished track, she realized her place was no longer behind the console but within the music itself. The voice she had shaped for others had to become her own. And so, Ghost Of Maya was born—from that moment of vertigo, from the urgency of reclaiming lost time.
Now, she is preparing her debut album, a hypnotic journey where echoes of the past merge with the rhythms of the future. And what lies ahead? If the future belongs to those who dare, Ghost Of Maya may soon become one of those musical enigmas elusive, timeless, unforgettable.

Pleure, car l’Adieu est Scellé [OldNeo Edit]

Ghost of Maya

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aZzma

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D'JNIYEN

The Bartenders and Emma H.

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