🔥 New Live Remix on SoundCloud – 51 Minutes of Hypnotic Techno 🔥

Immerse yourself in a sonic journey where hypnotic rhythms and organic textures intertwine. Inspired by the energy of Trikk, Dixon, and other visionaries of the electronic scene, this 51-minute set explores deep grooves, captivating builds, and a refined tension designed to ignite the dancefloor.

💥 An immersive set, crafted for live performance.
💥 A subtle balance between power and emotion.
💥 A glimpse of what I bring to the stage.

DJs, event organizers, music curators—if you're looking for a unique vibe for your events, let’s connect! 🚀

🔊 Listen & share ➡️ [https://soundcloud.com/zack-tali/zack-tali-recorded-live-dj-set]

#Techno #LiveRemix #MelodicTechno #HypnoticGrooves #DJSet #ElectronicMusic

Zack TALI - Recorded Live DJ Set TECHNO / HYPNOTIC TECH / MELODIC TECH

New dance beat, instrumental... club friendly 2025 dance electronic excites!

Cyber Reality

The Thing in my Head Smiled

24 2 24

Ghost Of Maya reimagines Clio’s T’as vu with unparalleled sensitivity, transforming the understated original into a hauntingly introspective masterpiece. Stripping the song down to its emotional core, she slows the tempo and wraps the melody in a veil of atmospheric soundscapes, blending delicate piano notes with subtle electronic textures.

Her voice, raw and fragile, carries the weight of unspoken emotions, turning the lyrics into a whispered confession. The result is a deeply personal and cinematic reinterpretation that feels like a quiet conversation between shadows and light.

Ghost Of Maya’s version of T’as vu is not just a cover it’s a meditation on longing, vulnerability, and the fleeting nature of human connection. A perfect conclusion to her Caviar Covers trilogy, it leaves listeners suspended in a space where time seems to stand still.

T'as vu (Clio Cover)

Through the glass I saw a man
with weathered hands 
can you catch the timepiece falling
can you hold it in your hand
your closing every door I have opened
closing every door except the past
somewhere across the blue
I have to turn to another life
a summer wind
will take me there
I am the river washing over the stone 
you are the mountain calling me home
looking at your weathered hands

Weathered Hands

curieux l'évolution de ce morceau : d'abord une simple mélodie aux pianos électriques et à la flute, puis un climat très différent avec les voix et la batterie  ( pour agiter un peu la mélancolie, mais qui reste malgré moi bien collée au fond : on ne se refait pas!)

conversations en bord de nuit

A reload of a song about the passage of time and wondering it you have perhaps let life slide by. Melancholy turned up to 11.
Lyrics
I'm 57 years old now, its hard to believe I know
Where the hell did these years all go?
I hesitate and prevaricate, capitulate and procrastinate
Where the hell does that leave me now

They say that he who hesitates is lost
Well i have found that out and it's to my cost

Standing at the station with one foot on the train
But I step off and watch it roll away
Just watch the lights as they fade away

They say that he who hesitates is lost
Well i've found that out and it's to my cost..

I put off 'til tomorrow what I can do today
But today will soon be yesterday and tomorrow'll be today
So where does that leave me
Well somehow it seems
Between the devil and the deep blue sea....

57 years old now it's hard to believe I know
Where the hell did these years all go?
Where the hell have these years all gone.........?

He Who Hesitates

inspired by "a longer april" by John Giblin / Brand X

2025-05-23 ALongerMay

I came up with this during lock down a few years back, I thought I'd muck around with it...

From the Orange Tree (2021) remixed demo

Featuring https://www.bandlab.com/margab on guitar

Stomp clap

Stomp_clap_Featuring on guitar  https://www.bandlab.com/margab

DREAMING_OF_YOU_MY_LOVE

Maya Guzmania, alias Ghost Of Maya, est une artiste belge dont le parcours oscille entre l’ombre et la lumière. Avant de devenir autrice-compositrice-interprète, elle a longtemps œuvré dans la production musicale, sculptant les sonorités des autres sans jamais oser imposer sa propre voix.
À six ans, elle enregistrait déjà des bribes de mélodies sur de vieux magnétophones, convaincue que la musique était un langage secret. Adolescente, elle passait ses nuits dans les clubs underground de Bruxelles, absorbant les rythmes du breakbeat, du dubstep et de l’électro, en quête d’une alchimie sonore qui lui échappait encore. À vingt ans, elle plongeait dans l’industrie musicale en tant que productrice, affinant son art dans l’ombre des studios. Pendant des années, elle façonnait des morceaux pour d’autres artistes, effleurant l’idée d’écrire pour elle-même, sans jamais franchir le pas.
Puis, un soir, au détour d’un morceau inachevé, elle a compris que sa place n’était plus derrière la console, mais au cœur du son. La voix qu’elle modelait pour les autres devait désormais être la sienne. C’est ainsi que Ghost Of Maya est née, fruit d’un vertige et d’un besoin urgent de rattraper le temps perdu.
Aujourd’hui, elle prépare son premier album, une œuvre immersive où les spectres du passé rencontrent les pulsations du futur. Et demain ? Si le futur appartient aux âmes qui osent, Ghost Of Maya pourrait bien devenir l’un de ces mystères musicaux qui traversent les époques, insaisissables et hypnotiques.

Maya Guzmania, known as Ghost Of Maya, is a Belgian artist whose journey sways between shadow and light. Before becoming a singer-songwriter, she spent years behind the scenes as a music producer, shaping the sound of others while keeping her own voice in silence.
At six, she was already recording fragments of melodies on old cassette players, believing that music was a secret language. As a teenager, she wandered through Brussels’ underground clubs, absorbing the pulse of breakbeat, dubstep, and electro, searching for a sonic formula that remained just out of reach. By twenty, she had dived into the music industry as a producer, perfecting her craft in the shadows of recording studios. For years, she created for others, brushing against the idea of writing for herself but never taking the leap.
Then, one night, amidst an unfinished track, she realized her place was no longer behind the console but within the music itself. The voice she had shaped for others had to become her own. And so, Ghost Of Maya was born—from that moment of vertigo, from the urgency of reclaiming lost time.
Now, she is preparing her debut album, a hypnotic journey where echoes of the past merge with the rhythms of the future. And what lies ahead? If the future belongs to those who dare, Ghost Of Maya may soon become one of those musical enigmas elusive, timeless, unforgettable.

T'as vu (Clio Cover)

Ghost of Maya

Recent comments

ZDCOM

Related tracks