Ghost Culture plays LIVE @ Corscica Studios, London 23rd September 2015.
Limited tickets available here: http://www.ticketweb.co.uk/event/jqc2309

Out now:
Rough Trade (Album Of The Month) CD / LP (includes free bonus CD): http://po.st/RoughTradeGC
Phantasy CD / LP: http://shop.phantasysound.co.uk
iTunes : http://po.st/PHLP04iTunes

Since announcing his arrival one year ago with a debut single 'Mouth', London based artist Ghost Culture has built up a feverish following with a further pair of ear catching singles.

Now Phantasy are proud to present his self titled debut album, a collection of ten tracks rich in emotion, musicality and sonic artistry, which will see release in January 2015. 

http://ghostculture.com/
https://twitter.com/ghostculture
https://www.facebook.com/ghostculture

Buy from iTunes

Giudecca [Edit]

Lena Platonos - Shadow Of Blood

From " Basement dreams are the bedroom cream" out 5th may
First solo album by Guillaume from Feeling of Love
Mixed by Olivier 2mo ( Cheveu)


MARIETTA " CHEWING YOUR BONES"

Bring me Home _ Meredith Call & Tritonal (SLow'd)

From Thool's self-titled 12".
Buy: http://bit.ly/1GEhH9Q

Thool - Tepeu

From 12" LP TTNIK

moontown.bandcamp.com/album/ttnik-12

Here at Moontown we have been fans of Brisbanes Laura Hill (Scraps) since discovering her 7" Secret Paradise on Disembraining Machine back in 2012. From there we moved back and forth through her discography and even brought her to Canberra a few times ~ Needless to say we had become intrigued, obsessed and addicted to the mysterious world of SCRAPS.

TTNIK (pronounced Titanic) is her latest full length, its a hard one to pin down - Call it club music with luscious cosmic sunburn ~ Addictive, playful and sludgy synth pop that works just as well in a club setting as it does booming through the walls of a dilapidated weatherboard queenslander on a steamy afternoon.

It is an absolute pleasure and honour to be releasing SCRAPS latest album TTNIK through Moontown ~ We hope you enjoy just as much as we do.

Scraps - Touch Blue

"Gender Studies," the title track from the new full-length album, now available from Hidalgo Records: http://goo.gl/LWlhjB
Written and produced by Kent Odessa and Rob Arbelo. Additional production by Hays Holladay and Robert Lux. Mastered by Jeremy Cox. Backing vocals by Taylor Stapleton.

Gender Studies

taken from «Odd Johann and Klaus Couple».
Original track by Odd Couple
out on April 22nd via Cargo Germany.

Haste Strom Haste Licht

Outtake from the album Blast Off Through the Wicker available July 14, 2017 on Western Vinyl

Pre-Order
Bandcamp https://artfeynman.bandcamp.com/album/blast-off-through-the-wicker
iTunes http://hyperurl.co/a49jo3
WV http://westernvinyl.com/shop/wv162

ART FEYNMAN
Instagram https://www.instagram.com/artfeynman/
Facebook https://www.facebook.com/artfeynman/

Blast Off Through the Wicker documents Art Feynman looking for life in the lifeless, questioning what it means to be living.  There is a calm, disciplined pocket to be felt in everything Feynman does; krautrock slink, staccato bounce, and pentatonic bursts of Nigerian Highlife fuzz pour on the temporal canvas with unquestionable ease, never falling in the wrong place. Even more admirable is, that his “canvas” is a four-track tape recorder, and that Blast Off features no loops or drum machines despite its aesthetically faithful motorik and afrobeat underpinnings.  Nowhere is this fact more surprising than on album standout “Slow Down” which pulses along infectiously with a crunchy backbeat, and deftly arpeggiating bass lines that are so locked-in that it would be hard to fault an unknowing ear for assuming the whole thing is tediously programmed.

There are gentler sides to Blast Off that conjure the spacey tenderness of Arthur Russell inventively and respectfully, without adopting their muse’s palette wholesale. In this regard Blast Off is an endearing collection of songs that capture the ear with warm-yet-clear cassette aesthetics and spot-on musicianship, both of which form an angle that points lovingly to Feynman’s deep and varied influences. Make no mistake-- this one truly is alive.

Blast Off Outtakes

Art Feynman - "The Shape You're In"

'Traveler' is taken from The Green Child's self-titled debut album out January 12th through Upset The Rhythm.

Available to pre-order here now:
upsettherhythm.bigcartel.com/

Artist: The Green Child
Title: The Green Child

Label: Upset The Rhythm
Catalogue Number: UTR102
Release Date: Friday 12 January

Track listing:
01. Traveler
02. Her Majesty II
03. Bertha
04. New Years Eve
05. 46 Timelines
06. Walking Distance
07. Marie Elene
08. Destroyer

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child.

With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions.

‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?

‘The Green Child’ is due for release on January 12th through Upset The Rhythm on 180g black vinyl, accompanied by some spirited sleeve design by James Vinciguerra.

The Green Child

The Green Child - Traveler

The Field - Is This Power

'Blue Ice / Meltwater' out digitally now via Phantasy: https://lnk.to/ghostculturePH91

Self-titled Debut album out now.
Phantasy: www.phantasysound.co.uk
Rough Trade (Album Of The Month) includes free bonus CD: http://po.st/RoughTradeGC
iTunes : http://po.st/PHLP04iTunes

Giudecca [Edit]

GHOST CULTURE

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