Electronic in Spatial Audio

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I Could Be Your Dog (Part I)

Kaitlyn Aurelia Smith & Emile Mosseri - Log In Your Fire

Back to the source of it all, London’s Charles Green revives the initial grit of techno through hi-NRG blends of powerhouse percussions and dusty atmospheres. Teaming up with Neighbourhood boss Tasha for a special B2B, the British jockey and his acolyte grace us with a two-hour masterclass flush with propulsive old-school rippers, acid-drenched delicacies and further mind-expanding rave material. A true sense of pristine pioneering and enjoyably broad-spirited collagism flow across Green and Tasha’s transmission, making this listen a much essential listen. Lock in!

soundcloud.com/charlesgreen
soundcloud.com/dj_tasha

Reclaim Your City  

Reclaim Your City 476 | Charles Green b2b Tasha

Blume

Blume (Bendik HK Edit)

Christopher Willits - VISION

Everywhere And Nowhere

The debut collaboration between London-based artists SUN/MGNETK & Jupiter Grey

Clear View

Buy/stream: https://kompakt.fm/releases/the_floor_is_lava_2xlp_dl

Michael Mayer albums don’t come round too often, which is one of many reasons why his fourth collection, The Floor Is Lava, is a genuine event. It’s been eight years since his last one, the collaborative & released on !K7; its predecessors, Mantasy (2012) and Touch (2004), took their sweet time, too. It’s no real surprise, given the many hats Mayer wears – globetrotting DJ, revered remixer, inveterate collaborator, and boss of both Kompakt and Imara – that his solo productions are relatively sparing. But this also speaks to their quality: Mayer’s name on a record sleeve is a sign of quality, of music that’s both looking to the future and calling back to the past, that balances the imperatives of the dancefloor and the loungeroom, that’s as exploratory as it is functional.

On The Floor Is Lava, Mayer seems to be taking the temperature of both the music that surrounds him (past and present), and the ideas of the industry he works within. There’s that iconic album title, for a start. “The album’s mindset,” he says, reflecting on those four words together. For Mayer, it’s partly a critique of the way the industry boxes in both producer and listener, focuses them on genre, on market, on the next new thing: “Being a free minded spirit that transcends genres has become an uphill battle.” A battle worth fighting, though, and with The Floor Is Lava, the result is an album that’s varied, quixotic, idiosyncratic, charming, and deeply, addictively listenable.

Throughout, Mayer finds thrills in exploration and juxtaposition, allowing unexpected things to blossom and giving them their life, their platform, throwing the listener exciting curveballs: “It’s a DJ album by a DJ that’s easily bored.” Either easily bored, or endlessly curious, The Floor Is Lava is rich with ideas. It opens with “The Problem”, which looks back to look forward, embracing the rickety way early house productions threw samples together with gleeful abandon. Mayer mentions Pal Joey, and the scene around Rockers Hi-Fi and their Different Drummer imprint, as reference points, and you can hear that freewheeling spirit throughout.

That’s The Floor Is Lava: then and now, brainwaves and nerve structures, problems and solutions, genres on fire; the real, the unreal, and the surreal. An album for the easily bored and the endlessly curious. Mayer has the last word, telling us all you need to know about the album’s spirit: “Burning for the cause, being zealous, being addicted to the heat of the night, the exuberant powers of music.”

The Floor Is Lava

Ardor

Michael Mayer - Ardor

Whatever the Weather II

8°C

Barry Can’t Swim live at Brixton Academy

Christopher Willits - VISION

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