2019 N I T E    O U T

Our cover of Röyksopp's 'Remind Me' as a little thank you to all of our amazing fans for the love this year.

'Heirs & Graces' out now: http://smarturl.it/clbfthg

Clubfeet on Facebook: www.facebook.com/helloclubfeet
Clubfeet on Twitter: www.twitter.com/helloclubfeet

iTunes

Clubfeet - Remind Me (Röyksopp Cover)

DOWNLOAD IN HERE: https://mega.nz/folder/64ACEL6D#mTmOOH7dQPmpox4jYrvzGw
This is my recreation of the 2manydjs mashup between Cerrone's 'Supernature', Daft Punk's 'Giorgio by Moroder' and Giorgio Moroder's 'Chase'.

A special thanks to https://soundcloud.com/rikin8r for helping me big time with the synths and to everyone else who assisted me with this!

Enjoy!

Cerrone X Daft Punk X Giorgio Moroder (J.B's 2manydjs Remake)

Sfire 2 by Sfire

Hallo zusammen, es gibt eine neu gemasterte Version. Ich habe das eigentlich für mich privat gemacht, damit ich das selbst einfach besser anhören kann. Ich habe inhaltlich nichts geändert und es fällt nur im A/B-Vergleich auf, aber die Version ist etwas lauter und ein wenig räumlicher. 
Aber wirklich ganz, ganz dezent. Ich wollte, dass der Track etwas besser in aktuelle Playlists passt. Ist aktuell in den Spotlights oder direkt hier zu erreichen.
https://on.soundcloud.com/3Zo9m

Das gilt übrigens auch für die anderen Stücke des Albums. Ich lade die sukzessive hoch mit meinen Lieblings-Pressebildern aus dieser Zeit. Viel Spaß damit. Von Herzen, C.

Instagram

Codec & Flexor - Time Has Changed

Koudlam "I See You All" Acid Washed Remix

Tom Middleton & Mark Pritchard (AKA Global Communication, Reload, Chameleon, Secret Ingredients, Link & E621) had a short run from 95-99 as the Jedi Knights releasing nu-electro, funk, house, techno, and drum-n-bass until a remix for Depeche Mode put them on George Lucas' radar resulting in a cease and desist on using the name. This is a collection of their complete catalog compiling everything from the classic "May the Funk Be With You" on Clear Records, to their remixes of Underworld, Model 500, Bomb the Bass, Leftfield and the above mentioned Depeche Mode, to their final unreleased "Return of the Jedis" EP.
Bless the Funk.

1) Antacid [Jedi Knights Remix] - Link & E621
2) The Flow [Jedi Knights Mix] - Model 500
3) Noddy Holder - Jedi Knights
4) Science Friction - Jedi Knights
5) Jumbo [Jedis Electro Dub Mix] - Underworld
6) Absorber [Jedi Knights Remix 2] - Bomb The Bass
7) Lessons - Jedi Knights
8) Pubic Funk (Live) - Jedi Knights
9) Dance Of The Naughty Knights - Jedi Knights
10) May The Funk Be With You - Jedi Knights
11) Air Drums From Outer Bongolia - Jedi Knights
12) Nutsin - Tom Middleton
13) Big Knockers - Jedi Knights
14) One For M.A.W. - Jedi Knights
15) Catch The Break - Jedi Knights
16) Elkah (With Rice And I) - Tom Middleton
17) Future Funk 2 - Tom Middleton
18) Afrika Shox [Jedis Elastic Bass Remix] - Leftfield
19) Home [Jedi Knights Drowning In Time] - Depeche Mode
20) Time Machine - Mark Pritchard
21) Absorber [Jedi Knights Remix 1] - Bomb The Bass
22) Solina (The Ascension) - Jedi Knights
23) Disco Magic [Secret Ingredients Mix] - The Jedis
24) Jumbo [Jedis Sugar Hit Mix] - Underworld
25) The Truth - Jedi Knights
26) Human Blancmange - Jedi Knights
27) Afterlife - Jedi Knights
28) 3000 Fuckery - Jedi Knights 

This mix, plus seven others of Middleton's and Pritchard's back-catalog as Global Communication(et al) streaming at: 
https://www.mixcloud.com/hayhook/

Jedi Knights - Intergalactic Funk Transmissions

Chinatown to Chinatown Acid Washed remix of the new  Kasper Winding single 

Chinatown To Chinatown (Acid Washed Remix)

Out May 20 as part of The Yellow Collection! http://news.lnk.to/TYC 

Single release June 4th, incl. remixes by https://soundcloud.com/chida73 and https://soundcloud.com/avalonemerson http://news.lnk.to/operational 

Eskimo Recordings is back for its annual inspection of what propels the Belgian imprint’s throttle, exploring the boundaries of their house, disco and pop infusions in ‘The Yellow Collection’. Each artist has their own identity but Eskimo forms a package of seamless musical treats and forges yet new allies in the dreamy landscape of ‘The Yellow Collection’. 

https://soundcloud.com/thissoftmachine (aka Tim Sullivan) returns to Eskimo Recordings with a highly charged slice of psychedelictinged modern disco, with remixes from Japanese artist CHIDA and USA born Avalon Emerson. Created entirely by Tim and his band using analogue equipment, ‘It’s Operational’ follows on from last year’s double sided release ‘On & On / This Place Was Meant For Me.’

An irresistible fusion of disco, house and and chiming nu Balearic pop ’It’s Operational ’ is sure to place This Soft Machine firmly back within the contemporary dance music scene, with music that “consists solely of sounds recorded by human hands”. His previous release on Eskimo was met with high acclaim, with the accompanying video premiering on F ACT magazine and the past year saw him supporting Carl Craig, DARKSIDE, Tim Sweeney, Flight Facilities and Chris Liebing on stage.

More info http://maouris.co.uk/music/eskimo-recordings-presents-the-yellow-collection 
http://maouris.co.uk/music/its-operational

http://thissoftmachine.tumblr.com/
http://www.eskimorecordings.be/ 
https://www.facebook.com/eskimorecordings/ 
https://twitter.com/eskimorecords

This Soft Machine - It's Operational

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

Crockett's Theme / Ocean Drive

FPU - Ocean Drive (Tiga's White Linen Vox)

Vibe Remixes

DTMF (Call Super Remix)

Soulwax remix of Cosmic Swimmer by Tendts 
(audio rip from webshow, with fades)

Tendts - Cosmic Swimmer (Soulwax remix)

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Download Now!

Boom feat Problem

Thundercat - 'Friend Zone' (Ross From Friends Remix)

Eliza Doolittle "Skinny Genes" Acid Washed's Remix

Turbo Week End "Something or Nothing" Acid Washed's Remix

Appeared as a b-side to "Too Many DJ's"  in 1999 and never re-released since then.

Soulwax - Saturday (Hotline Mix by Cylob)

The original track "Theme From Discotheque" was produced by 2 Many DJ's for the the Belgian theathe play called 'Discotheque' (staged by Kung Fu from Ghent). Here's the B-side from the single released in 2001.

2019 N I T E O U T

Ghostly_Particle