Klangmoebel-Soundtracks, Vol. 4: Harry

In a White Room

A hypnotic lofi journey that drifts through atmospheric, in-between spaces—where time stretches and reality blurs. Ethereal synths hum like half-remembered dreams, while wandering piano keys dissolve into echoes. Suddenly, fast, glitchy beat drops slice through the haze, like flickering streetlights in a midnight transit station, only to melt back into the unknown. The track breathes with duality: weightless yet urgent, familiar yet alien, mirroring the tension of standing at life’s thresholds.

Liminal

Website

Sterlan Starr - Liminal (Mr Silky's LoFi Beats)

Future Nightmare

From our recently released album now available on viny! Please go to https://pashang.bandcamp.com/album/night-of-the-invasion-of-the-nazi-marsupial-werewolves-from-outer-space

Pashang  爬上 and Stranded Alien -  Fire Road 13

This is about going back to my childhood years and having fond memories of growing up. When life was simple and carefree. This also relates to my teenage and early 20" s times when there was a time of exploring and having adventures.
Special thanks to Pixabay for background effects.

Years Gone By

Mid to slow tempo psychedelic rock written, arranged & performed by JH.
John Hardman - vocals/guitars/keys

Soul In A Hole

A Talking Guitar

A timeless rocker cleverly written intertwining the hazards of driving with the ups and downs of love. Hank uses all 4 lanes of the interstate and them some with his steady classic rock n roll rhythm, chiming chorus guitar, and an out of nowhere guitar lead solo using open scales and his stock tremolo bar. Almost two songs in one, the climactic second half finale brings Hank's heartfelt pledge of love sung over a beautiful chord progression filled with lush string arrangement which seems to be echoing that steady clicking, humming sound of the lonesome interstate, Warning, this song stirs up emotions just below the surface of those who know love all too well.

The Long Haul

Well, He's got the highway to your heart
I got to come up the rocky way
He jumped ahead from the start
I'm right in second baby that's OK
Because, I'm in it for the long haul
I'm in it for the long haul now baby

He's layin' rubber in the top end
but it ain't all about RPMs
My eighteen are gonna keep on chuggin'
I'll get to you baby no matter what I'm luggin'
cause, I'm in it for the long haul
I'm in it for the long haul now baby, 

When you're in love you better not speed
You might pass by somethin' that you really need
You need somethin' baby built to last
to carry love's heavy load
Because a lot of things can happen baby
when you're out on that open road

You get your hopes up high but love comes down crashin'
You try it again but the same thing happens
Sooner or later you're gonna' get tired of bein' bumped around
That's when I'm gonna' be ready baby, just pullin' into your town
 
I know you're lookin' for Mr. Right
not those one-night romeos
Someday you'll see me in a different light
and that's the day I'll pull this rig off the road
Because, I'm in it for the long haul
I'm in it for the long haul now baby
Long haul, baby
Ohhh yeah, I'm in it for the long haul now baby

I'm in it for the long haul
I'm in it for the long haul 
I'm in it for the long haul now baby Ow

When the bridge is out, 
ohhh! there ain't no doubt
I'll find a different route
I'll be there by the mornin' yeah

Through the pourin' rain
No matter how steep the grade
I'm gonna' keep makin' my way to you baby

I'm in it for the long haul
I'm in it for the long haul
I'm in it for the long haul now baby
Baby, baby baby baby
Baby, baby baby baby
Long haul
Baby, baby, baby baby
Baby, baby, baby, baby
Hold on, It won't be long
Ohhh! I'm in it for the long long haul

The Long Haul

◉ Follow Magdalena Meisel:
@magdalenameisel
Malovana website : https://malovana.eu/

Industrial Steam

Vocal : Magdalena Meisel, Jacek Przydryga
Music : Magdalena Meisel, Jarosław Toifl
Lyrics : Krzysztof Wartak,
Producer/publisher : Krzysztof Wartak, Malovana

Inspiration: Industrial Steam – A song that pays tribute to James Watt and his groundbreaking invention – the steam engine, which started the industrial revolution. The lyrics encourage perseverance and continuing your passion, despite obstacles and criticism. Watt symbolizes an innovator who changes the world with his knowledge and determination. The song also emphasizes that when you do something great, there will always be “thieves” – people who watch you and try to steal your ideas or clip your wings. Despite this, it is not worth giving up, because better days will come if you do not lose faith and continue on your path.

Inspiracja: Industrial Steam – Utwór, który oddaje hołd Jamesowi Wattowi i jego przełomowemu wynalazkowi – maszynie parowej, która zapoczątkowała rewolucję przemysłową. Tekst zachęca do wytrwałości i kontynuowania pasji, mimo przeszkód i krytyki. Watt symbolizuje innowatora, który zmienia świat dzięki swojej wiedzy i determinacji. Utwór podkreśla także, że gdy robisz coś wielkiego, zawsze znajdą się „złodzieje” – ludzie, którzy obserwują Cię i próbują ukraść Twoje pomysły lub podciąć skrzydła. Mimo to nie warto się poddawać, bo lepsze dni nadejdą, jeśli nie stracisz wiary i będziesz dalej podążać swoją drogą.

Słowa:

Knowlege and gumption
When you have passion
Thieves never quit
When you do something good, good

Whoa……….. Whoa……

Evil spirits
Will disappear
She will be here
And better days will come, will come

Knowlege and courage
When you have passion
Keep going your way
Don’t go back to them 2x

Ref.
What, what, what you go
What what what you know
Go, know how you know
Go go! James you know 2x

What, James Watt
First industrial dream
What, James Watt
First industrial steam

Ref.
What, what, what you go
What what what you know
Go, know how you know
Go go ! James you know 2x

Whoa……….. Whoa……

Industrial Steam

I don’t know if I’ve actually heard electrofunk before. I thought it was funk with electronic characteristics but it’s actually electronic music with funk characteristics. This uses my city pop beat that I studied online (down to what color were the accents). So I guess it could be electro disco.
I think it’s minor bebop on the lead for the intro. Standard chord progression with superimposition with the effects. Half of them from Logic worked. We have the 1st instance of ‘cowbell’ in a song of mine.  The reappearance of pair triads for synth in chorus as well as slap bass. Then, in a blink and you’ll miss moment my signature sound! Hendrix has the E7#9 and some producers shout their name at the beginning of songs. So I could technically play a E7#9 and shout my name. Double the signature sound. No, what I did was 3 scratches-note-2 scratches-note -1 scratch-note. Tada. I call it the ‘countdown’. It’s probably been done before but I wanna make it my own thing (by repeating it more times in other songs). Then, a horn section  just superimposes itself over the same chord progression. It’s the first time I’ve successfully made a legato run on a horn section sound good. In time for the upcoming Bond theme.  I came up with it the same way as the string section for Cold Cold Storm. It appeared in my head and I took out my phone and went ‘and the strings shall go like dum dum dum’. So typical part came when I was sitting at Annies and they were playing some lounge. It reminded me a bit of ‘So Beautiful’ by Pete Murray. So I wrote the rest of it in a singer-songwriter style on my guitar and changed the vocal phrasing to make it less Pete Murray. Then, I came up with the rest of the chorus and asked myself what did it sound like later. 'well it’s only natural' is very similar to ‘will you still love me when’. Lana Del Rey is one of my sisters’ fave artists (or was). The last chorus is def danceable. Last revision I would ask the mixer to do is to increase the volume for backing parts for ‘in human form.’ 

I do remember singing it to someone and changing the lyrics to ‘I Will still love you when’.  It is both too easy and too hard. Too easy cos’ “I got a good (heart) memory remember?” “Threats heard Jer but not nearly as bad as semen in your wanton soup.” True story.  The last page of Fight Club it’s real waiters saying, “Margaret Thatcher has eaten my cum twice.”
Please tell everyone what you really think of waiters and black people. Btw, since you’re so righteous I’m gonna help you out here. At which point you might doubt why I would want to help you but believe me. Keep your mouth shut and don’t answer the question. No really, I’m trying to help you. I know how much you care about your hygiene. In fact it might be the only thing you care about. And, you were just born like this. So getting screwed over when you go eat take out and you do eat take out a lot wouldn’t change your opinion on waiters. 
Waiters all over the world: what was it?
Not telling you. You wouldn’t be offended if a person with below average IQ walked in and said, “waiters sucked” so just treat her like the village idiot she is. 
Also too easy in that I could just conjure up all of your childhood trauma that was done by daddy. 
Too hard in the sense that she’s already dead inside. That is a direct quote. 
*begins standup*
Now  if we were the last 2 human beings on earth I wouldn’t do it with you. Why? Just imagine those aliens in their spaceships laughing their asses off at me going, “and that is the moment that idiot stuck his dick back in and doomed the human race to extinction. Note the look of sheer self disgust on his face. Thus, beginning a new species known as homo narcissus.” I am a man of my word but ‘friends’ take the piss out of each other all the time!




So Typical

Soft Piano

support me on BandCamp

https://ghostn3rve.bandcamp.com

Future Nightmare

GhostN3rve

Related tracks