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Harto Tarigan - Goyang Sontil

Gondang Hata Sopisik




Beta Taembashon dabo..!!

Batak  Gondang Hata sopisik

Never a time, beating on the ground is prohibited gondang Batak. Perca edition this time and some of the next issue will move narratives highlight the history of the areas in the north, from the land of Batak.

Gondang (or drum) is an instrument of the Batak culture is important. Gondang used in all traditional ceremonies Batak people. Starting from the reception of important guests, death ceremonies, ceremonial event. Gondang a kind soul that animates the Batak. Thus, the repertoire of Batak are known, there are several levels of models penabuhan gondang.

As noted in a history book titled Toba Na Sae: Institute of Social and Political History XIII-XX century poet who wrote famous Batak, Sitor Situmorang. Gondang Tomu-Tomu or gondang welcoming guests sounded sounded as gondang opener. Mumps gondang songgot or concerns, sounded to commemorate the sad news. (When the castle was destroyed in Bakkara Sisingamangaraja XII, gondang is being played). Mumps tonggo-tonggo or gondang petitions, beaten to accompany prayers ask God Mulajadi Nabolon (God of the old Batak). Gondang the Monang-Monang gondang victory, joy gondang welcome victory. And still there are a few more types of music being played Godang which then covered by a wasp gondang sitio-tio, Godang music played as the closing ceremony. Gondang music circuit as that is forbidden ever to be played by the Dutch.

The turn of the century from the 19th century to the 20th century, efforts to conquer the Batak highlands were intense, vigorous conducted by the Dutch. Dutch troops deployed in large numbers to demolish strongholds Batak people in huta-huta selingkaran Lake Toba. Strongest defense is an area called Bakkara. Bakkara is the country of origin of the Batak, as Pariangan Padangpanjang for the Minangkabau. Also in Bakkara, dwells Singamangaraja Si XII, who coordinated the resistance and move people Batak war.

Attachment to traditional values, particularly attachment to the ancient religion that believes in the divinity Simulajadi Nambolon, is one of the things that makes fighters loyal Batak fought to maintain huta-hutanya (villages). The Dutch government considers, to conquer Batak, people should be released from attachment to traditional religion, including the attachment of Si XII Singamangaraja that represent keilahiahan Batak people.

Along with that, the values ​​of the ancient Batak, including gondang, should also be kept away from the Batak. For gondang, as also mentioned above, can not be separated from traditional life of Batak people, including in religious ceremonies. That is why, as the French historian Daniel Perret in his Colonialism and Ethnicity: Batak of Sumatra and the Malay Northeast, during the period when the war was going Singamangaraja The Dutch government forbade the beating gondang Batak. Godang considered beating the Netherlands will evoke the Spirit of Resistance against them, in addition it will also restore the spiritual bonds and the collective memory of the Batak back with Si Singamangaraja them.

But can a cultural item forcibly separated from the wearer? Gondang attached to the history of its owner. History that determine who owns it. Although the Dutch had forbidden to be played, until now gondang ring, ketipaknya even audible from neighboring countries.

" Gondang Batak " Tradisional Music

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