Name: VIRILHA DE ZEUS by Giana Viscardi in futuresound
Duration: 5 min 12 s
Description: Brincadeira de Carnaval. Essa marchinha ganhou "menção honrosa" no "Nóis Trupica Mais Não Cai" 2013

Coloca essa musica no festival de Marchinhas de São Luiz do Paraitinga. . . agora é só p/ o carnaval de 2015, muito linda essa marchinha adorei

futuresound

Essa canção já foi premiada pelo Festival da Altamogiana, ganhou gravações de outras intérpretes como Ana Paula da Silva e Manu Santos.
Nas mãos de Letieres Leite esse samba rural, com referências à terra, ganha as indumetárias de Samba Afro. "’Levada’ hoje bem guardada pelo Ilê Aiê mas que tem sua Raiz ancestral no toque Cabila da Nação de Angola e adotado por todas as Nações de Candomblés da Bahia nas suas Festas de Caboclo. No Arranjo para essa canção os instrumentos da Base seguem os códigos rítmicos deste ‘Toque’" – Letieres Leite
Com Ferreirinha ao trombone e  Banda Base: ao violão Jurandir Santana, baixo,  Ldson Galter, na atabaqueria, Kainan do Jêje.

Calma (Giana Viscardi/Michi Ruzitschka) - CD ORUM

Uma amiga que montou uma peça de Teatro Físico baseado no livro do Lewis Carroll “Alice no País das Maravilhas”, me encomendou uma música cuja ótica interpretativa fosse: a formação da mulher. Ao longo da leitura eu e anotei ideias que ganharam forma de verso. A melodia veio dias depois, sem foco exatamente nisso, grava despretensiosamente de exercício de improvisação livre ao violão e voz. O registro me lembrou a “Alice” e coincidentemente as frases melódicas se encaixavam perfeitamente no poema.
Letieres arranjou de forma intuitiva, oral. E o resultado me parece interessante quando as tantas dimensões que a personagem experimenta são expressas nas mudanças rítmicas que acontecem ao longo da música. Uma brincadeira com o tempo, o pulso e a sensação deles.
Com Roney Scott ao soprano, Joatan Nascimento ao Flugelhorn, Juninho costa Violão de Aço e  Banda Base: ao violão Jurandir Santana, baixo,  Ldson Galter, na atabaqueria, Kainan do Jêje.

À Espera (Giana Viscardi) CD - ORUM

João Taubkin Trio
Música do disco • Music from the album "Tribo" 

João Taubkin 
Composition, conception, bass and voice •Composição, concepção, baixo e voz
Zeca Loureiro 
Electric guitar •Guitarra 
Bruno Tessele 
Drums •Bateria
Recorded, mixed and mastered by •Gravação, mixagem e masterização por Zé Godoy
Produced by •Produzido por
Benjamim Taubkin and João Taubkin

Paulada!

Artist: Future Islands
Title: Tomorrow / Fountain 7”
Catalogue Number: UTR055
Formats: 7” / DIGITAL

Track listing:
A. Tomorrow
B. The Fountain

* * * RELEASE DATE / SEPTEMBER 3RD * * *

Since 2008’s ‘Wave Like Home’ debut album on Upset The Rhythm, Future Islands have gone from strength to strength, writing two classic albums of romantic yet melancholic synthpop for Thrill Jockey as well as exhaustively touring Europe and America to frenzied devotion. This new 7” on Upset The Rhythm ‘Tomorrow’ / ‘The Fountain’ sees the band at the top of their game, releasing some of their most compelling and sophisticated songs yet, building on the aching themes and poignant focus of their last album ‘On The Water’.

‘Tomorrow’ is a soulful swoon, its light tread is mesmerising amongst the slow burning synth cycles and relaxed bass progress. Samuel T. Herring’s ever-impressive vocal has never sounded more akin to Sam Cooke as he smoothly laments “I’m saying sorry every time we talk” before careening into a flight of sustained, arguably uncontrollable emotion. Some choice, additional vocals from Jenn Wasner (of Wye Oak), Lexie Mountain and Elena Johnston only make the song seem more impassioned; its ardent nature perfectly rendered into melody.

‘The Fountain’ meanwhile is a luscious narrative sunk into a slow dance. It’s a song that tells a tale of courtship, heady rush and leaps of faith. It’s a beautifully descriptive lyric, full of “shady groves”, “hanging gardens” and “human loam”, nodding a head to both Genet and Rilke as it passes. “I know my lines, and there’s a lot less space and a little bit of time… I know the way – It’s fine” sings Herring tenderly. Gerrit Welmers keyboard work here is stunning, the blooming chords and fluted air soaring across a landscape of crushed cymbals and quivering ambience, peaking with William Cashion’s deeply expressive, echoing bass ascent.

‘Tomorrow’ / ‘The Fountain’ was recorded and produced with long-term collaborator Chester Endersby Gwazda and mastered by Sarah Register (Talk Normal). Tyler Weeks provides the liminal, colourscape cover and the vinyl is heavyweight, white and limited to 1000 copies worldwide.

AVAILABLE HERE: http://upsettherhythm.bigcartel.com


Future Islands - 'Tomorrow'

Egyptian Hip Hop - Yoro Diallo - Lone remix

Original version taken from the album 'GOOD DONT SLEEP'

BUY THE ALBUM HERE:
http://itunes.apple.com/gb/album/good-dont-sleep/id567502051
http://www.recordstore.co.uk/search.html?term=egyptian+hip+hop (SIGNED)
http://www.amazon.co.uk/dp/B008XG5U7Q
http://randsrecords.greedbag.com/buy/good-dont-sleep/

--------------------------------------------------------
https://www.facebook.com/egyptianhiphop
https://www.facebook.com/randsrecords

Egyptian Hip Hop - Yoro Diallo - Lone remix

From The Evens' "The Odds," out Nov. 20th. 

The Evens - King of Kings

Brincadeira de Carnaval. Essa marchinha ganhou "menção honrosa" no "Nóis Trupica Mais Não Cai" 2013

VIRILHA DE ZEUS

Giana Viscardi

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