Just an outstanding  composition! Love the key change at the end!

Watch music video here : https://youtu.be/n-2v1rLc9YM 
Music & Graphics by Arnaud Le Coq

(Re-work of an old track : https://soundcloud.com/lo-fitronics/shleeps)

Sleeping tide music

17. Fini

Essence

From the Bandcamp release “Undergrowth”  https://martinhoogeboom.bandcamp.com/album/undergrowth

Boson Spin: electronics
Herman Muntzing: electronics
Martin Hoogeboom: gui-tronics

Mixed by Martin Hoogeboom
Mastered by Marlon Wolterink (White Noise Studio, Winterswijk)
Artwork: photograph 'Willow' by Grant Simon Rogers (www.flickr.com/people/grantsrogers/). Signed and numbered prints (limited to an edition of 10/10) are available for purchase. Please contact Grant Simon Rogers directly. © by Grant Simon Rogers

Boson Spin: soundcloud.com/boson_spin
Herman Muntzing: soundcloud.com/herman-muntzing

A Martin Hoogeboom Project (DS1233/2019)

Undergrowth I (Boson Spin/Herman Muntzing/Martin Hoogeboom)

Another strange, short piece written for mallets. Hope you enjoy!

The Wrong Birds

I Never Really (Really) Understood Animals

My first full-length instrumental album in years written and recorded in the time of Covid-19

Voce

This is the 2nd composition in my ongoing collaboration with artist and photographer Helena Whitten.

Helena uses the technique of slow-shutter exposure to capture the beauty and fragility of life in unexpected places. In her own words, "When the shutter on a camera is left open, there is the opportunity to capture a substantial segment of time. The action is then trapped in a two-dimensional image and can be viewed in its entirety, in an instant. The shutter rises like the curtain on a stage. A drama is played out and then the curtain falls. In that time, I see an opportunity to tell a story."

"The events and figures are almost living and breathing, they want to persist in the present and into the future. But the paradox of slow-shutter work is that these figures, with their disappearing arms, legs and heads, inescapably become ethereal and ghostlike, barely there and slipping away.

This photograph was taken at Poltimore House and is titled, "Forgotten".

To see more of Helena's stunning photography and our collaboration, follow our Instagram accounts:

www.instagram.com/helewhitty/
www.instagram.com/giftsfromcrows/

The Empty Mirror

Buy at Bandcamp

Sad America

but its contents are floating in the still air

The sachet is still sealed, taped to the underside of the drawer

Harrow

Richard Laurence is a composer of neoclassical and ambient piano music with a colourful background in post-rock and electronic studio projects.

Working under the name, ‘Gifts From Crows’, Laurence released his debut album, “Holding a Thought Forever”, in February 2021, a hauntingly beautiful collection of piano instrumentals augmented with samples, electronics and string arrangements. 

This was followed by a solo piano composition, ‘A Resolution’ which was released on Piano Day 2021 and also the E.P. ‘Northern Film Orchestra Sessions Vol. I’ which featured 3 tracks from the album arranged for a 20 piece ensemble recorded at Stoller Hall in Manchester.

The 2nd Gifts From Crows album, ‘Stories in Slow Light’ is a collaboration between composer Richard Laurence and photographer Helena Whitten. The project consists of 12 compositions all inspired by and composed around the themes depicted in Helena’s photographs. The album, along with 4 accompanying videos will be released progressively between now and February 2022.

The music of Gifts From Crows has been featured in Headphone Commute, Stationary Travels, York Calling, Music Dances When You Sleep and CutCommon Magazine. It has also been played on Classic FM, Scala Radio, Jorvik Radio and featured on the official Spotify playlist, Classical New Releases.

The Empty Mirror

Gifts From Crows

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