friday at sustain-release 2021, 12-2am. thank you karen nicole for the photo :)

thank you @sustain-release-nyc

livwutang @ Sustain-Release Year 7

ROOM 2 - SATURDAY 20 til 22 🐊🐊🐊

Thanks to Suzybee & Steevio, the volunteers, the dancers, the musicians, Théo & Ugo, the Friends of Fictions, Alex & very special thanks to @iambruce for mastering the recording :)

Hug to @r4r_luz who sadly couldn't make it this year and was supposed to play before me.

Shorter context: https://www.instagram.com/p/C9NI2bwMVcu/

Longer context: https://nonogigsta.substack.com/p/1ec95196-66ba-45d9-91d0-3b1031fc5c42

Freerotation 2024 : The House Of Crocodiles Part 2 (Live Recording)

Words by Ceci (@ccl-url): 

"Special thanks to Steevio & Suzybee & all the volunteers, workers & dancers 💙

This is my recording from Friday night Room 2, 12:30-2am, my first time being at the mythical Free Rotation. Playing one of the first sets & seeing the room, decor and the big bad subs of Room 2, years of fantastical lore and reality melded, I wanted to keep it sexy, wonky, trippy— imagining a psychic electric swamp and how one would levitate thru it... to the sky. No bpm trickery this time. Out to the heavenly bodies of the universe! ;)

Mastered by Wordcolour"


i <3

ani/live Fifty Six: CCL @ Freerotation

The third offering in our mix series is a live recording of Priori and Cousin's dj set at Sustain Release 2024. Recorded on the last morning between 6am and 1pm on what was meant to be an ambient stage, it featured everything a 3 day festival closing set should. Eclectic picks, strange and emotional sounds, dubious transitions and a few feigned endings. Massive thanks to all the dancers, the Sustain staff (Aurora, Ash and everybody else who put their blood, sweat and tears into this), the music makers, the birds, the stars. 

Much love,

P & C

@secondcousins x @priori-ties

.'⁠ '.' ⁠'.
.''.⁠ .  :  . ⁠.''.
'.    '. .'    .'
.⁠   .' '.   ⁠.
'..',`  :  `,'..'
     ⁠ -' ⁠'-`))
            ((    
             \|

naffcast003 ⦾ Cousin & Priori ༻ Sustain Release 2024 Bossa Nova Stage closing set ༺ ❁

The supremely talented DJ Plead launches us into a mind warping world of percussive pleasures and dexterous genre bending, with his trademark agile club rhythms and pacy low end palpitations on full display in episode 303!

@1djplead

Q. What inspiration did you draw upon when planning this mix, and what type of listening environment could you imagine it being easily enjoyed in? 

A. I actually looked through my rekordbox history from a recent Animalia night I played in Naarm and drew some inspiration from that. When listening back to the mix I can imagine it being played for a semi-casual game of Futsal or something like that. I feel like there are some light-footed tracks in there that would be useful to some nimble futsal players. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these cuts that resonate with you so much?

A. Mata by Nidia & Valentina

It's taken off  a truly sublime Album that I draw lots of inspiration from. It's simultaneously organic and loose and club-playable, which is a tough one to get right. It's something I’m constantly trying to achieve but they seem to have done it effortlessly. 

Dotted by Cliques

I actually tried to google to see if I’ve ever put this tune in another guest mix before. I probably have, so I’ll apologise for that now. Cliques has always had a big influence on me since I started producing music. They’ve since stopped producing themselves which is a shame but I always play their old tunes out if I can. RIP Cliques..

Q. One of the things I’ve been fascinated with in your DJ sets (the Sustain-Release set for example) is your mixing of polyrhythms to seamlessly bridge tempos throughout a set. How did you first get inspired to experiment with this style and what are some of otherwise conflicting genres/sounds that have blended nicely?

A. My DJing style is at times an extension of my music production. I think this might be a good example of that. The sustain release transition from 150 to 100 is using a tune that I produced years ago in a 3/4 time signature. I’ve produced a few tunes over the past few years that are able to do that. It just allows me at times to bounce around to different worlds and stops me from feeling stuck in a tempo-range. I haven’t done it so much recently but I’d like to get back into doing it. It can create a really strange feeling for the audience. At Sustain-Release, a lot of the audience were on hallucinogens so it felt appropriate to get trippy in that way. It's harder to pull off in a nightclub environment.

I’m no longer sure what the original inspiration for experimenting with this style was. Playing a lot of tunes that have a polyrhythm in them can often make you feel like you have the option to dance at two different tempos.

MDC.303 DJ Plead

It was my first Draaimolen and no one knew it which was great. 
It was also my first encounter with Addit Audio and their sound system installed for the first time in its full glory. I can't recall being brought to tears during one soundcheck.
So there were no news, no algorithms, no expectations to be disappointed. The pit was not announced. It felt like a curious manifestation of something paranormal.
Wonderful sound system, records and sweetest weather.  
Those who found us in the small pit in the middle of the forest most likely didn't know what was going on. 
For the most part of the first 5 hours I figured out that it would be great to play for and with the sound guy, playing right and wrong records and figuring out which one sound good. Research and development mission for Addit Audio.
After 5 hours ISAbella joined for a brief back to back session. Everything can happen in the realm of paranormal. Luckily she stayed and we played together for the next 3 hours until the last song, the one for the deceased. Probably as close as it gets to transcendence. 

Thank you all. You know who you are. 

Vladimir Ivkovic

Vladimir Ivkovic at Draaimolen Festival 2024

@priori-ties mix begins and ends with a gentle embrace, prowling seductively with dub-driven grooves before retreating into the ether like dusk yielding to dawn. Consistently in motion, but never in haste. Don’t miss the lion’s roar. 

The jewelry released with this mix is inspired by Priori’s fascination with labyrinths. Priori feels like mazes and labyrinths were omnipresent in youth literature and movies but hey rarely encounter them in culture these days.

Explore more on www.forge.fm 🔥

Priori

"In November 2007 Pinch’s debut album Underwater Dancehall was released to widespread acclaim. Four years later in July 2011 Space Shuttle Atlants commenced its final voyage from the Kennedy Space Centre. Unbeknownst to NASA and the crew, somehow a CD copy of Pinch’s landmark Dubstep masterpiece found its way aboard.

While the CD itself survived the journey into space physically unaltered the music contained within morphed and warped in its new zero gravity environment, Underwater Dancehall had become Dancehall in Outer Space. The weighty throb of the original floated away to leave a lean and spacious soundtrack for a new kind weighless wineing.

Whether through alien interference or some other miracle the CD started to play all by itself just as the Shuttle docked with the International Space Station. Beyond their control the crew found their bodies begin to contort into odd shapes as their muscles spasmed, seemingly in time to the beat. What follows is a recording of that moment from the Space Shuttle Atlantis sensors."

@sam_pv / @pumpingvelvet
IG: @sampv____ / @pumpingvelvetldn

Sam is the founder and a resident at Pumping Velvet, a London-based Queer dance party, and regularly plays at queer parties across the UK alongside a US tour and other international gigs including Planeta Manas (Lisbon), Savage (Hanoi), Kockiri (Seoul) and (Re)treat Festival (Vietnam).

Sam grew up in London, his tastes moulded by the city’s diverse dance music scenes: from childhood trips to Notting Hill Carnival, to formative dancefloor experiences at nights like FWD, Trash and Süd Electronic. He brings these influences to his DJing in sets that span a broad gamut of genres, tied together by a love for big drums, pop melodies and sleaze.   

Frustrated by the lack of queer spaces where you could hear both a Svek record and Kylie in the same night, Sam founded Pumping Velvet in 2018, driven by the firm belief that any barriers erected between pop and ‘serious’ dance music are entirely artificial and that there’s no such thing as a guilty pleasure. It’s this same ethos and disregard for boundaries that makes his DJ so thrilling.

Tracklist:
DJ Giant - Something Bady
Schuttle - Junkman
Joe - MPH
Leo - Jade Floors
Malcolm - Damâa
Brenda - Masato!
Kaval - Druid Potion
Product Toss - Willow
Yuseemi - Roll With It
Xzavier Stone, DJ Plead & Phillip Jondo - Bellydance
Plus One - Zero Chance
DJ Pausas & DJ Fofuxo - Tarracho Exxelentt  
Ayesha - Roll
Wes Lee - Gates
DJ Pitch - Juan Mecanico

Distant Signals 075: Sam PV

new york-based dj and promoter como se dj comes through with a live recording from a recent recess party in montreal. with the theme being swamp fairies and como se dj closing for one of our favourites, the mix transcends between dark and light, using beautiful textural melodies to bring you into his world. 

growing up in a household that was always playing music with como se dj’s dad introducing him to a world of different soundscapes, it wasn’t until the last two years of high school that como se dj (paul) was introduced to electronic music via the all encompassing sounds of brian eno, aphex twin, portishead and massive attack. opening up the flood gates for paul, he then got into the renegade scene in montreal which is where the influence of djing came into play. now based in brooklyn, paul runs the diy sunday party series recess which was launched in response to the frequent high energy parties in new york with the aim of creating something more nourishing and softer for the queer community in the city. the previous parties have featured sets from deep creep, loif, adobeprincess, ronan, matas, kia, d. tiffany, adab, succubass, aaron j, rrao and more. 

with plans to play in the eu and moving back to montreal in the fall for studies, como se dj is soaking up the rest of his time in nyc. we caught up with paul to chat about all things recess and new york city influence, what it was like growing up in a musical household, other inspirations outside of music, and what he’s most excited about right now.

interview: https://untitled909.substack.com/p/untitled-909-podcast-217-como-se

@como-se-dj

Untitled 909 Podcast: 217: como se dj

My set (with crowd noise) from the Grove Saturday Night 1-3am, after Djrum, before Identified Patient. 

Out to all the sexy witches of the forest, thank you to everytone there + entire crew @sustain-release-nyc :)

<3 Mastered by the best @wordcolour

CCL @ Sustain-Release Year Ten

pi pi pi curator deep creep steps up for a guest curation on the Rhythmic Culture mix series, shining a light on two standout artists from New York City and offering a glimpse into the sounds shaping the city’s forward-thinking musical landscape. First up is Connor Wrong.

deep creep: "Sometimes it feels like I’m swimming in a sea of new releases coming from every direction—but Connor Wright’s latest EP, Chlorine, is a refreshing plunge into the world of focused, modern euphoric breaks.

I first heard it during a b2b with adobeprincess at Public Records and have been obsessed ever since. As someone who loves letting a long track ride out, “Post Namen” still leaves you wanting more. I’m genuinely excited to see what’s ahead for them this year."

@connorwrong

RC:151 Connor Wrong

*recorded live in Field, ON at Best Out of Town Year 4 (09/01/24)

A sunrise session if there ever was one. As the clouds lifted and muted rays shone along the beach, a cresting dancefloor revealed smiles deep and as wide as musa’s sonic palette. Sounds tactile and effervescent, reminding us what’s worth holding onto.

@musarosa

musa // Best Out of Town Year 4 (09/01/24)

DANIEL RINCÓN | NSR 17

"It is not easy to find Saphira, and it is even harder to leave. Saphira is caught between a low-lying sun to the west and a glowing moon to the east, Saphira’s longing grows dense and time thickens within its walls. Perhaps this is why Saphira’s radios and televisions stutter with phrases and images so ghostly yet so intimately familiar, why its dusty buildings seem always to crumble so gloriously yet never collapse. It is a city inside of want and outside of time." 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/ccl/episodes/ccl-30th-july-2025

Invisible Cities w/ CCL - Saphira 300725

Free DL

Piano Girl [2025 Remaster]

Ready to get rowdy? My new release is pure chaos in the best way. Get your dose of high-energy Jump Up vibes now. You won't be disappointed.

Lockdown

"i dance, it's what i do" 
NO DMS PLS USE EMAIL

24.08 - Casita Kurescek Ljubljana 🇸🇮
30.08 - Czirp Czirp, Vienna 🇦🇹
31.08 - 53100 Festival, Siena 🇮🇹

02.09 - Fischio, Roma 🇮🇹
11.09 - Paris Electronic Week 🇫🇷
19.09 - TBA, London, UK 🇬🇧
21.09 - TBA, London, UK 🇬🇧

11.10 - b2b w/ Simo Cell @ Unsound, POL 🇵🇱

07.11 - TBA, BE 🇧🇪

neither @gigsta-uk nor @gigsta-694895819

Freerotation 2024 : The House Of Crocodiles Part 2 (Live Recording)

Nono Gigsta

Recent comments

yibing

yibing

yibing

yibing

Related tracks