So easy on the ears and easy to love. The smooth music and your beautiful vocals work magic together. I can see why this is your fav!

Lovely song, recording and performance. Dreamy yet so very particular in its details.

the chorus melody is really satisfying, and I like the interplay of the two guitars. I catch hints of cocteau twins

Very breezy Gina! Always a pleasure to hear you sing 😺

A beautiful languid vocal delivery and an a fine lyric, a lot of arguments end up in unknown territory.

As We Grow Old

Where Is The Next Step

Inspired by two things:
1. A line from a novel I was reading at the time by Robin Hobb in the Farseer Trilogy - and I did steal the words "didn't even know what I'd been insisting on" regarding a long argument!
2. A scene from a documentary about the band Chicago, where one of the members (Jimmy P.) had a blue with his girlfriend and nothing he did could get her out of the funk she'd gone into. He finally sat at the piano and wrote the situation into a beautiful song - it was one of their hit ballads and at the time it erased the sadness in girlfriend. 

This is by far my favourite MGs song.
Lyrics and vocals - Gina Graham
Guitar and music production - Mark Vigano

We argued on and on
But in the end
Didn’t even know
What I’d been insisting on
But you knew what you  wanted
And so you won
Thank God for that

So I took the words of Jimmy Chicago
A song he said
Written by his own hands
was all it took
To totally erase
The pain and sorrow
That had fallen on that day

So we took it down to the ocean
Let it feel the breeze
And take it’s shape
Watch it drift away
Know that it was mine and yours
But it’s not for keeps
Sure we made it
But it can blow away

No acrimony here now
We take a breath
Stretch the moment
And move in consonance
Well this is what you wanted
And in the end
All there really is to get

Feel the Breeze

With baby foxes
 Kawaii yokai in the shell


4h27. Les grues glaciologues picorent la mémoire obscène.

4h27. Et le kawaii yokai is still in the shell.

4h28. Lape la chatte, son infirmité est celle de la vitesse lunaire.

4h28. Et le kawaii yokai is still in the shell.

4h29. Sur le pas de mon balcon, le tournesol me dévisage.

4h29. Et le kawaii yokai is still in the shell.

4h30. Solitude salvatrice d'une fulguration omniprésente.

4h30. Et le kawaii yokai is still in the shell.

4h31. Un rythme est à soutenir à la thèse bientôt pluviale.

4h31. Et le kawaii yokai is still in the shell.

4h32. J'ai nagé dans les limbes oublieuses, résurrection automatique.

4h32. Et le kawaii yokai is still in the shell.

4h33. L'infini presque parfait perché sur les épaules.

4h33. Et le kawaii yokai is still in the shell.

4h34. Au souffle bâtisseur, le déséquilibre de ce qui arrive.

4h34. Et le kawaii yokai is still in the shell.

4h35. En sifflant 3 fois, dire j'ai gagné toute seule.

4h35. Et le kawaii yokai is still in the shell.

4h36. La fleur d'amandier persiste en colère à tomber.

4h36. Et le kawaii yokai is still in the shell.

4h37. Elle sait perdre par cycle car Elle revient toujours.

4h37. Et le kawaii yokai is still in the shell.

4h38. La technologie comme prétexte pour aimer tout faussement.

4h38. And kawaii yokai is still in the computer.

Kawaï Yokaï Foxy Version

Oups....un très vieux titre enregistré vers 2001..C'est mon KB arrangeur qui fait la batterie/basse le tout sur un 4 pistes K7.
Je sais pas ce qui m'a pris mais je le publie..aie...Désolé..ah ah ah !!!
Oops....a very old title recorded around 2001.. It's my KB arranger who does the drums/bass all on a 4-track K7.
I don't know what came over me but I'm posting it.. ouch... Sorry..ah ah ah!!!

Larry

Video:
https://youtu.be/qBUE1dnT358?si=SIHE6H22UeCSW5LK

-------------------------

1. The unreal on the horizon.

2. Seas soon to be acidic in their mother-of-pearl.

3. Families in worship of work.

4. Elementals always crucified.

5. Sewn-lipped savages.

6. Homeless month to those who sleep on straw.

7. The midwife become obsolete compost.

8. Resources almost dried up despite the witches' sobs.

9. In the egg, drowned faith. Nothing to hope for because the Gods are to be saved.

We Are All Gods

Simple Times Ahead

Tea plantations on the planet Athoek, the location of some intrigue in Ann Leckie's book, Ancillary Sword.
I took inspiration from the early work of Evangelos Odysseas Papathanassiou (Vangelis)RIP. I loved how he combined traditional Greek instruments with electronics on "Earth".  "Heaven and Hell"  remains a personal favourite. 



All rights reserved 2022

Plantation On Athoek

a little experiment with new stuff
made with ableton, korg modwave, nanoloop, and paul stretchX

work in progress

 rain © 2022 by Nadir is licensed under CC BY-NC-SA 4.0

rain

Vox - https://soundcloud.com/frawstakwa-for-you/pay-me-120bpm-frawstakwapella
Music - https://soundcloud.com/rizlixcollabs/rizlix-a-time-for-space-open-collab
MOSNAR DET - Remixing, Drum Programming, Live Drum Samples
Special thanks to my collaborators on this check out their stuff! https://soundcloud.com/rizlixcollabs https://soundcloud.com/frawstakwa https://soundcloud.com/rizlix

RiZLiX - A Time For Space/ FRAWSTAKWA - Pay Me (open Collabs) MZRPKLPS R3|v|1X

Lo and behold! Thee fierce princess Rodea has been summoned from thee Hedonistic Altar and this is her bassdaemonic dancing rite/ride!

Track 1 from *Princess from Across Thee Abyss* (10/22)

:::as usual Sanja/A23 - sonic/visual Neurologick VRT:::

Full Album

HEDONI ↯TICK ALTVR - Xilehpolis Sabbati (Where Thee High Horns Fork Because For Good)

I'm a singer-songwriter, and a primary school teacher, and a few other things. My favourite thing to do in the whole world is create a song - so I have done it a few times. Some of the songs I have helped make are here.
I hope a few will enjoy them!

Feel the Breeze

Gina Graham

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