sorbitol drops alias Antonín Závodný is Chrudim (Czech rep.) born, Prague based multidisciplinary artist, curator and a steampower of the establishing Trať festival. With an ear for crispy refined sound design as well as a sense for substantial and dynamic sonic world-building, he proves to be a newfound talent within the Czech experimental music scene – the kind that doesn't appear every year. After being aware of each other long before he'd start making music, Gin&Platonic are now tickled to introduce sorbitol drops with his ambitious premiere project 'Remízek Music'.

Produced with the spatiality of a six-channel audio instalation in mind, Závodný guides us on an excursion into the haven of his resourceful sound palette, portraying a vibrant place existing almost comically on it’s own. The term 'remízek' is used to describe a special type of grove – an unnaturally planted assemblage of a so-called forest, almost ironically dragged-and-dropped to exist surrounded by any kind of agricultural landscape. When entering such a grove from an open field, there is no gradual transformation from one biocenosis to another, creating a situation where a radical switch between two completely different worlds is just a few footsteps away.
While traversing this cute but absurd tableau of the audible forrest oasis, stripped down of it's original sprawl, we promptly find ourselves under a pressure of a constant neurotic crackle, harrowing creaky moaning, all participating in recurrent ambiguous breakdowns. Naive melodies buzz out from echoes of the interactions of temporary inhabitants of the environment, revealing their needs in territorial contradictions. At times, these melodies merge into a playful conversation of camaraderie; at other times, they spiral into wordless-but-loud dramas and overall tensions of sharing a limited space in which they are forced to coexist. Utilizing sounds of materials found in this harbor combined with highly processed samples, the result is a convincing fusion of narrative composition shaping up in a expressive bricolage full of harmless tension and lively contrast.


Written & produced by Antonín Závodný
soundcloud.com/antonin-zavodny

Mastered by Fausto Mercier
soundcloud.com/fausto_mercier

Artwork by Eva Rotreklová & Jiří Macků
www.instagram.com/avejaeva
instagram.com/jiri_macku

G&P027 🗾

Bandcamp

sorbitol drops - Remízek Music (G&P027)

Hop on for the unsettling ride conducted by Italian audio hacker and live coder Francesco Corvi, alias nesso, who's also got rep as an experienced lecturer and frequent performer. Francesco navigates his sound expedition through stuttery, wreathed beats that mutate in ways that make every performance a one-off and every studio record of his a byte-sized smashing equilibrium. Whether he's dropped such on HEEL.ZONE, Superpang, or Kaer’Uiks, he's left a distinct sonic trail leading directly to this one right here. Fasten your seatbelts, 'cause early this February, Gin&Platonic will happily dispatch the 'Algorave Express,' Francesco's latest EP.

The five packed-up tracks follow an insuppressible grind on rusty staccato rails, with sheen-silver monster beat structures – a symphony of algorithmic twists that transform electronic sonixscapes into a well-calculated delusion. But this is science with some steeze: for all its layered complexity, Algorave Express is steeped in rhythm, inviting passengers on a journey through amplitude fluctuations of perpetual, lurid grooves.

Written & produced by Francesco Corvi
nesso.xyz

Mastered by Carmine Laurenza
soundcloud.com/nocturnerror

Artwork by Jiří Macků
instagram.com/jiri_macku

G&P028 🚆

nesso - Algorave Express (G&P028)

Gin&Platonic are pleased to welcome the Montreal based composer, producer and sound designer Julien Racine to their catalogue. Following up the Genot Centre record with Keru Not Ever as Corporation and the stunning solo albums on Danse Noire, we're now blessed to present his newest longplay 'Boue', simply translated from French as 'mud'. 
___

Offshore it's foul weather.

I climbed down the stone steps of my two-storey tower to reach the shore. Anthracite. The steps are slow and precise; those of a new life apprehending itself in its fresh descent. I used to be a composer: 142 pieces of varying length mourn my career. Mostly for string quartet. I tried orchestrating percussion with tuba. To no avail. No albums, but individual pieces, yes, pieces that bled the contradictions of the world through sketches of bronze angels. I tried to compose it as well as I could: every day I'd add a new note, the next day I'd remove it. In this gap, between adding and removing, lay the beauty of the music. This is how I managed to compose the 142 pieces that today resonate in the belly of every betrayed.

Where was my mother when I was presenting these pieces to the world? In the emotion or indifference of the sound meadows? My mother, who bequeathed me her heart defect as an inheritance, all the better to avoid me? The heart I now have, — transplanted from a pig, whose vena cava is slightly smaller in diameter than the human average — leaving me gasping for breath when I climb the surrounding mountains? She sent me just one letter, too short, in which she told me she had gone to hear one of my pieces, the performance of which lasted 4 hours and 13 minutes, in Budapest: “Dear Pascalin, your piece performed at the Bela Bartok National Concert Hall reminds me of the day you were born, when we parted. This made me cry a little. Iˇm not being facetious, it's the truth. Suddenly your life appeared to me, in the music, as a morsel of forgotten evidence. Kisses. Madeleine.”

The rising air is pure.

As I reached the shore, I gave my hatred of music to the seagulls, which squawked at the shrill of my footsteps shuffling across the polished stones. Their music is close to mine, I thought. A great wind of a new day carried their polyphony to the storms of the open sea. Cantatas, arias and requiems, all at once, in the undulating rage of the horizon. This time I’m in is nasty, isn't it? Living with these seagulls that sing for no one. My pig’s heart is beginning to beat faster. This heart inside me that isn’t mine but makes me live. I take a metal chair that had been lying on the shore since last summer, and I sit on it. Look over there, she says. I pick up an abandoned driftwood branch, washed by the sea’s salt, and wave it in the air, signaling the rain’s slow arrival. A morsel of forgotten evidence, I silently think. Lately, good foul weather to compose anew. 

Written & produced by Julien Racine
julienracine.com

Mastering & additional production by Jesse Osborne-Lanthier
jesseosbornelanthiernoir.bandcamp.com

Artwork by Jiri Macku
instagram.com/jiri_macku

Words by Justin Leduc-Frenette (Keru Not Ever) 
justinleducfrenette.com

G&P026 🪞

Racine - Boue (G&P026)

24 years old, the self-proclaimed 'clothed and courageous' kodiki definitely is one of the most promising artists to emerge from (not only) the Slovakian electronic scene in recent years. First and foremost, the jovial and ever-kinetic enigma is a producer, model, and performer known for his engaging stage presence that feels more like a performative adrenaline rush than a standard guy+laptop situation. After self-releasing a couple of singles, including '300dB' and the 'Muliebre' EP, he later doubled up with a well-received '600dB' EP, all while being busy playing prominent triple-A festivals as well as off-the-grid ratholes.
While live, kodiki's signature animated self-puppetry embodies the sound itself to the extent that it becomes an inseparable part of his real-time sonic narration. Highly recommended to catch him live with his highly anticipated debut album, which Gin&Platonic is now honored to present.

Right from the start, the airy longplay welcomes us with flappy open arms and pours over us with precise sound design and high-octane rhythms, leaving you with a grin from ear to ear. In Your Excellence, every beat dares to be both pristine and primal. Each one fabricates a pulse-pounding joyride through sun-faded ambience, perpetually veering from trancey euphoria into glitchy chaos and all the way back. It is sleek but always one slip away from getting messy – an intentional collision of composition that makes for an exhilarating listen as kodiki flexes some plot-twisting hard skills and masterfully builds and teases with the momentum of a surprise seismic catharsis.
Closely tightened with body movement, the album flows with an admitted spontaneity, as kodiki’s production is distinguished by a certain human touch that electronic music, with its often mechanical approach, frequently lacks. Your excellence, the tea is SERVED. 


Written & produced by Miroslav Čuridlo (@kodiki)
kodiki.bandcamp.com

Mastered by Samo Benko
www.instagram.com/samo_benko_

Artwork by Jiří Macků
instagram.com/jiri_macku

G&P029 🎩

Pre-order

kodiki - Your Excellence (G&P029)

Ostrava–Poruba born-and-raised national champion in biathlon and fresh alumna of the Academy of Fine Arts in Prague, LilaTesla, alias Markéta Kubíčková, is foremost a ☆ sick girl making sick music ☆, and she’s right in your face, ready to prove it once and for all. After actively performing for quite some time and steadily gaining recognition across the Czech music and art scene, the aspiring superstar unveiled her full-fledged producer abilities with the Jasmine Romance EP, self-released in early 2023. Having followed her rise closely since the days when she was a steady visitor at our earliest events, we at Gin&Platonic are reveling in this full-circle moment: the announcement of Lila's debut longplay album – FATAL.

In the making for an extensive period of time, FATAL's final shape was refined by gritty Icelandic elements, woven together with creative outbursts from collaborations with newfound musical companions, as well as a tide of grief caused by the tragic loss of an unexpected inspirational acquaintance. Outlined by the fruitful loneliness of a semester in Gdańsk and the following visit to Reykjavík, an intense calling to find her own genuineness took off. At its core, FATAL is about self-confidence – and the longing not to be just a 'girl that makes music,' but to be seen as a musician.
On the album, Lila allows herself to express intuitively – layering her sonic narration without a preoccupied direction, much like she freely portrays her day-to-day silly–cheesy stories. The process of trial and error is almost tangible throughout FATAL, mixing diverse ingredients into a seductive potion of late-night elegance, alluring like her self-composed perfume, which was part of her recent diploma. The base of the FATAL scent: being a teen and completely obsessed; the heart: bravery and genuine mischief; the top: evaporating into radical fragility.  

Written & produced by Markéta Kubíčková 
https://soundcloud.com/user-281102524

Mastered & partially mixed by Fausto Mercier
soundcloud.com/fausto_mercier

Artwork by Jiří Macků
instagram.com/jiri_macku

G&P030 🐾

LilaTesla - FATAL (G&P030)

Aspiring Prague’s dark horse of a producer Ursula Sereghy & Warsaw’s very own romantic badboy Julek Ploski finally have a big pleasure to release their collaborative track 'Řeřicha'. Named after cress the plant, 'Řeřicha' has slowly grown next to the road heading towards Ursula’s debut album 'OK Box', released via Gin&Platonic - also home to Julek’s eponymous longplay opus 'spie'.

Written & produced by Ursula Sereghy & julek ploski
@ursulasereghy
@julekploski

Mastered by Wim Dehaen
@wimdehaen

Artwork by Matyas Malac
matyasmalac.com

Ursula Sereghy x julek ploski - Řeřicha

Taken from Ludwig Wandinger's sophomore album 'Spiritual Decay' (G&P022), out September 2022

The name of many talents - Ludwig Wandinger - has been echoing in the experimental scene for quite some time. This comes as no surprise, as the already renowned Berlin based polymath channels his full-time effort partly into playing live drums, producing his and other people’s music and creating multidisciplinary visual art. Following multifaceted solo projects on labels Average Negative/Alpha Pup Records and Orange Milk Records, Gin&Platonic are delighted to present Ludwig's exceptional sophomore full-length album 'Spiritual Decay'.

Written & produced by Ludwig Wandinger (@ludwig-wandinger)
ludwigwandinger.com

Mastered by Rashad Becker

Photo by Sophie Klock

G&P022 💀

Spiritual Decay

Ludwig Wandinger - In

aircode - Tears Of Wine

The first single from SINERAW's new album 'MIMETIC FAUNA' (G&P024), out August 6, 2023

We're pleased to introduce Francesco G. Gagliardi, also known as SINERAW. Hailing from the picturesque country of Italy, Francesco is a bold producer, a creative coder, a former sound design teacher, a devoted pasta connoisseur, and a very angry typer. Proving his fearless approach to music production, his Discogs diploma boasts a number of contributions to various comps, collab work with Noumeno for which the duo uses the name Hyter, a collab with Antonia TM from Ashida Park as well as solo stuff such as a game soundtrack composition, and a full-length album via CLAM. Our label is now presenting his latest auditory-meatus-bending release, which comes after we extensively relied on his tracks in nearly every DJ set we've played.

Step into the wild ecosystem of scientifically precise sounds that crawl around and gradually reveal themselves, entangled under the dim moonlight. MIMETIC FAUNA compellingly showcases Francesco's expertise in weaving together cutting-edge and groundbreaking sounds. He skillfully constructs pumpy build-ups and blends the invading melodies, sometimes with a touch of soundtrack-kinda opulence, other times with straight-forward trap swagger. The result is a collection of nine incredibly powerful tracks filled with crisp, haunting, and weighty goo, composed of digital and field recorded sound shards.

Written & produced by Francesco G. Gagliardi  (@sineraw)
f-9-9.com

Mastered by Fausto Mercier (@fausto_mercier)

Artwork by Jiri Macku
instagram.com/jiri_macku/

G&P024 🐉

SINERAW - YOU WANT SOFT

SINERAW - WATER MELT

Taken from Racine's new album 'Boue' (G&P026), out March 24, 2024

Gin&Platonic are pleased to welcome the Montreal based composer, producer and sound designer Julien Racine to their catalogue. Following up the Genot Centre record with Keru Not Ever as Corporation and the stunning solo albums on Danse Noire, we're now blessed to present his newest longplay 'Boue', simply translated from French as 'mud'.
___

Offshore it's foul weather.

I climbed down the stone steps of my two-storey tower to reach the shore. Anthracite. The steps are slow and precise; those of a new life apprehending itself in its fresh descent. I used to be a composer: 142 pieces of varying length mourn my career. Mostly for string quartet. I tried orchestrating percussion with tuba. To no avail. No albums, but individual pieces, yes, pieces that bled the contradictions of the world through sketches of bronze angels. I tried to compose it as well as I could: every day I'd add a new note, the next day I'd remove it. In this gap, between adding and removing, lay the beauty of the music. This is how I managed to compose the 142 pieces that today resonate in the belly of every betrayed.

Where was my mother when I was presenting these pieces to the world? In the emotion or indifference of the sound meadows? My mother, who bequeathed me her heart defect as an inheritance, all the better to avoid me? The heart I now have, — transplanted from a pig, whose vena cava is slightly smaller in diameter than the human average — leaving me gasping for breath when I climb the surrounding mountains? She sent me just one letter, too short, in which she told me she had gone to hear one of my pieces, the performance of which lasted 4 hours and 13 minutes, in Budapest: “Dear Pascalin, your piece performed at the Bela Bartok National Concert Hall reminds me of the day you were born, when we parted. This made me cry a little. Iˇm not being facetious, it's the truth. Suddenly your life appeared to me, in the music, as a morsel of forgotten evidence. Kisses. Madeleine.”

The rising air is pure.

As I reached the shore, I gave my hatred of music to the seagulls, which squawked at the shrill of my footsteps shuffling across the polished stones. Their music is close to mine, I thought. A great wind of a new day carried their polyphony to the storms of the open sea. Cantatas, arias and requiems, all at once, in the undulating rage of the horizon. This time I’m in is nasty, isn't it? Living with these seagulls that sing for no one. My pig’s heart is beginning to beat faster. This heart inside me that isn’t mine but makes me live. I take a metal chair that had been lying on the shore since last summer, and I sit on it. Look over there, she says. I pick up an abandoned driftwood branch, washed by the sea’s salt, and wave it in the air, signaling the rain’s slow arrival. A morsel of forgotten evidence, I silently think. Lately, good foul weather to compose anew.

Written & produced by Julien Racine
https://julienracine.com/

Mastering & additional production by Jesse Osborne-Lanthier
https://jesseosbornelanthiernoir.bandcamp.com/

Artwork by Jiri Macku
instagram.com/jiri_macku

Words by Justin Leduc-Frenette (Keru Not Ever)
https://justinleducfrenette.com/

G&P026 🪞

Boue

Racine - Boue V

READ > inverted-audio.com/premiere-racine-boue-iv

Six years after their inaugural release, Prague via Ostrava imprint Gin&Platonic prepare to release the seven-track 'Boue' LP - courtesy of Montreal-based sound designer Julien Racine.

@ginandplatonic
@julienracine

Boue IV

Racine - Boue IV [Gin&Platonic]

From 'Rem​í​zek Music', out August 4th on Gin&Platonic.

YES BUY: https://ginandplatonic.bandcamp.com/album/rem-zek-music

@antonin-zavodny 🤍
@ursulasereghy 🤍
@ginandplatonic 🤍

My wishes are simple. Idiotic, even. So, so so, embarrassingly cretinous. So it is to be a fool. A drooling mouthbreather, a blank and a void. It's for you to listen. To like. To repost widely. To share abundantly. sorbitol drops' 'Skruž', featuring Ursula Sereghy. My idiotic wish fulfilled. I thank you.

yes buy

sorbitol drops - Skruž feat. Ursula Sereghy [MK PREMIERE]

kodiki - VOLTRAM

kodiki - Juchu

kodiki - AR

kodiki - EROHA

kodiki - I HAVE PRIME TIME AT 1 AM AND WONT DO ANYTHING ABOUT IT

Taken from kodiki's debut album 'Your Excellence' (G&P029), out April 27, 2025

24 years old, the self-proclaimed 'clothed and courageous' kodiki definitely is one of the most promising artists to emerge from (not only) the Slovakian electronic scene in recent years. First and foremost, the jovial and ever-kinetic enigma is a producer, model, and performer known for his engaging stage presence that feels more like a performative adrenaline rush than a standard guy+laptop situation. After self-releasing a couple of singles, including '300dB' and the 'Muliebre' EP, he later doubled up with a well-received '600dB' EP, all while being busy playing prominent triple-A festivals as well as off-the-grid ratholes.
While live, kodiki's signature animated self-puppetry embodies the sound itself to the extent that it becomes an inseparable part of his real-time sonic narration. Highly recommended to catch him live with his highly anticipated debut album, which Gin&Platonic is now honored to present.

Right from the start, the airy longplay welcomes us with flappy open arms and pours over us with precise sound design and high-octane rhythms, leaving you with a grin from ear to ear. In Your Excellence, every beat dares to be both pristine and primal. Each one fabricates a pulse-pounding joyride through sun-faded ambience, perpetually veering from trancey euphoria into glitchy chaos and all the way back. It is sleek but always one slip away from getting messy – an intentional collision of composition that makes for an exhilarating listen as kodiki flexes some plot-twisting hard skills and masterfully builds and teases with the momentum of a surprise seismic catharsis.
Closely tightened with body movement, the album flows with an admitted spontaneity, as kodiki’s production is distinguished by a certain human touch that electronic music, with its often mechanical approach, frequently lacks. Your excellence, the tea is SERVED.

Written & produced by Miroslav Čuridlo (@kodiki)
https://kodiki.bandcamp.com/

Mastered by Samo Benko (@samo_benko)
www.instagram.com/samo_benko_

Artwork by Jiří Macků
instagram.com/jiri_macku

G&P029 🎩

Your Excellence

kodiki - LTA

Taken from kodiki's debut album 'Your Excellence' (G&P029), out April 27, 2025

24 years old, the self-proclaimed 'clothed and courageous' kodiki definitely is one of the most promising artists to emerge from (not only) the Slovakian electronic scene in recent years. First and foremost, the jovial and ever-kinetic enigma is a producer, model, and performer known for his engaging stage presence that feels more like a performative adrenaline rush than a standard guy+laptop situation. After self-releasing a couple of singles, including '300dB' and the 'Muliebre' EP, he later doubled up with a well-received '600dB' EP, all while being busy playing prominent triple-A festivals as well as off-the-grid ratholes.
While live, kodiki's signature animated self-puppetry embodies the sound itself to the extent that it becomes an inseparable part of his real-time sonic narration. Highly recommended to catch him live with his highly anticipated debut album, which Gin&Platonic is now honored to present.

Right from the start, the airy longplay welcomes us with flappy open arms and pours over us with precise sound design and high-octane rhythms, leaving you with a grin from ear to ear. In Your Excellence, every beat dares to be both pristine and primal. Each one fabricates a pulse-pounding joyride through sun-faded ambience, perpetually veering from trancey euphoria into glitchy chaos and all the way back. It is sleek but always one slip away from getting messy – an intentional collision of composition that makes for an exhilarating listen as Kodiki flexes some plot-twisting hard skills and masterfully builds and teases with the momentum of a surprise seismic catharsis.
Closely tightened with body movement, the album flows with an admitted spontaneity, as kodiki’s production is distinguished by a certain human touch that electronic music, with its often mechanical approach, frequently lacks. Your excellence, the tea is SERVED.

Written & produced by Miroslav Čuridlo (@kodiki)
https://kodiki.bandcamp.com/

Mastered by Samo Benko
www.instagram.com/samo_benko_

Artwork by Jiří Macků
instagram.com/jiri_macku

G&P029 🎩

kodiki - Mira

First single from nesso's highly anticipated EP 'Algorave Express' (G&P028), out February 2, 2025

Hop on for the unsettling ride conducted by Italian audio hacker and live coder Francesco Corvi, alias Nesso, who's also got rep as an experienced lecturer and frequent performer. Francesco navigates his sound expedition through stuttery, wreathed beats that mutate in ways that make every performance a one-off and every studio record of his a byte-sized smashing equilibrium. Whether he's dropped such on HEEL.ZONE, Superpang, or Kaer’Uiks, he's left a distinct sonic trail leading directly to this one right here. Fasten your seatbelts, 'cause early this February, Gin&Platonic will happily dispatch the 'Algorave Express,' Francesco's latest EP.

The five packed-up tracks follow an insuppressible grind on rusty staccato rails, with sheen-silver monster beat structures – a symphony of algorithmic twists that transform electronic sonixscapes into a well-calculated delusion. But this is science with some steeze: for all its layered complexity, Algorave Express is steeped in rhythm, inviting passengers on a journey through amplitude fluctuations of perpetual, lurid grooves.

Written & produced by Francesco Corvi (@nesso_xyz)
nesso.xyz

Mastered by Nocturnerror (soundcloud.com/nocturnerror)

Artwork by Jiří Macků
instagram.com/jiri_macku

G&P028 🚆

nesso - Pinguì Step

READ > inverted-audio.com/premiere-nesso-bouncer-toss

Gin&Platonic prepare to release ‘Algorave Express’ from Italian producer and live-coding virtuoso Francesco Corvi, better known as nesso...‘Bouncer Toss’ feels like a descent into the over-calculated madness of a digital subconscious. Opening with interstellar signals that seem like a high-velocity spacecraft making its way through alien atmospheres, the track erupts into a frenzy of distorted bass, rapid-fire percussion and UFO-like synth modulations. Skewered vocals ripple through the chaos, plunging listeners into a hyper-sensory blackout, as if their neural pathways have been hacked by an artificial intelligence.

@nesso_xyz
@ginandplatonic

Algorave Express

Bouncer Toss

nesso - Bouncer Toss [Gin&Platonic]

LilaTesla - virtualwhispering

LilaTesla - 2deep

LilaTesla - bez zbraní

LilaTesla - ★ONE★SHOT★ONE★HIT★

Lila Tesla - Otherworldly

From LilaTesla's debut album 'FATAL' (G&P030), out soon.

Ostrava–Poruba born-and-raised national champion in biathlon and fresh alumna of the Academy of Fine Arts in Prague, LilaTesla, alias Markéta Kubíčková, is foremost a ☆ sick girl making sick music ☆, and she's right in your face, ready to prove it once and for all. After actively performing for quite some time and steadily gaining recognition across the Czech music and art scene, the aspiring superstar unveiled her full-fledged producer abilities with the Jasmine Romance EP, self-released in early 2023. Having followed her rise closely since the days when she was a steady visitor at our earliest events, we at Gin&Platonic are reveling in this full-circle moment: the announcement of Lila’s debut longplay album — FATAL. 

Written & produced by Markéta Kubíčková
@user-281102524

Mastered by Fausto Mercier
@fausto_mercier

Photo by Kristína Opálková
https://www.instagram.com/opaaalek/

G&P030 🐾

FATAL

LilaTesla - CRASH

LilaTesla - riffkiss

LilaTesla - My𝓜𝓮𝓵𝓸𝓭𝔂˚ 🌸༘ ೀ⋆

✱ 𝓢𝓦𝓘𝓝𝓔 𝓟𝓡𝓔𝓜𝓘𝓔𝓡𝓔 ✱ We are delighted to present you the song "Amili Amili" from the upcoming debut studio album "Your Excellence" by one and only, Slovak wizard @kodiki via our favourite Czech  electronic label @ginandplatonic

➽ 24 years old, the self-proclaimed "clothed and courageous" kodiki definitely is one of the most promising artists to emerge from (not only) the Slovakian electronic scene in recent years. First and foremost, the jovial and ever-kinetic enigma is a producer, model, and performer known for his engaging stage presence that feels more like a performative adrenaline rush than a standard guy+laptop situation. After self-releasing a couple of singles, including '300dB' and the 'Muliebre' EP, he later doubled up with a well-received '600dB' EP, all while being busy playing prominent triple-A festivals as well as off-the-grid ratholes.

➽ While live, kodiki’s signature animated self-puppetry embodies the sound itself to the extent that it becomes an inseparable part of his real-time sonic narration. Highly recommended to catch him live with his highly anticipated debut album, which Gin&Platonic is now honored to present.

➽ Precise sound design and high-octane rhythms, every beat dares to be both pristine and primal. Each one fabricates a pulse-pounding joyride through sun-faded ambience, perpetually veering from trancey euphoria into glitchy chaos and all the way back.

✿ Written & produced by Miroslav Čuridlo (@kodiki)
✿ Mastered by Samo Benko / www.instagram.com/samo_benko_
✿ Artwork by Jiří Macků / instagram.com/jiri_macku

G&P029 🎩

[Swine Premiere] kodiki - Amili Amili (Gin&Platonic)

The need to inform has transformed seamlessly into a desire to contribute. Platonics 01 reflects our long-term alertness to our surroundings, it is an impulse to reassess our priorities. Some things cannot be left for tomorrow.

Gin&Platonic is the common sense of the long-abandoned extroverts, the newfound introverts, and of those constantly in-between. It's comfortable but challenging at times. A matter of intuition. It's something sentimental about being cynical. It is a state of double-edged irony.

***
respectful but aware
medium and the moment
raw imprint
collecting artifacts & archievements as treats
share & outline
out of a soapbox
long run with a back-up plan
the virgo season

***
Mastered by eva01
released July 1, 2018

Name your price

eva01 – Nectar Collar

Taken from Himera's new album 'Fragile', out December 2, 2018

tape & digital: https://ginandplatonic.bandcamp.com/album/fragile

Himera (@djhimera) is an emerging Ireland-based producer, originally born in Latvia to a Russian-speaking family. Last year, a trip back to his motherland introduced him to the atmosphere of eastern European rave culture, which helped to originate Himera's working process on his sophomore record. 

Fragile, a follow-up to his 2017 self-released debut project Angel EP, is a warm and colorful collection of blissful yet thrilling trance anthems, carefully wrapped up in contemporary club-ready aesthetics. Pointillistically drawn buildups quickly swell into intense periods of absolute euphoria then descend into celestial beatless compositions, capturing the dialectic of pleasure and exhaustion. It is where nightcore YouTube mixes meet the sounds of early dubstep or EDM, polished according to the advanced trance science of Ferry Corsten or Lorenzo Senni. This album has the potential to overtake huge stadium spaces as well as heal listeners' open wounds through their own home speakers. 
Himera's fascination with Dance Dance Revolution and shoot 'em up games can be heard clearly throughout the record. Indeed, Fragile feels like a soundtrack to an endless stream of attacking enemies in the form of information overload, coming from screens and signs of various sizes. 

Truth be told, the tension of an ecstatic state can't expand forever. It is just as fragile as a butterfly's wing. And we all are, too.

Artwork by Jiří Macků
Mastered by Wim Dehaen

Himera - Fragile

Himera (@djhimera) is an emerging Ireland-based producer, originally born in Latvia to a Russian-speaking family. Last year, a trip back to his motherland introduced him to the atmosphere of eastern European rave culture, which helped to originate Himera's working process on his sophomore record. 

Fragile, a follow-up to his 2017 self-released debut project Angel EP, is a warm and colorful collection of blissful yet thrilling trance anthems, carefully wrapped up in contemporary club-ready aesthetics. Pointillistically drawn buildups quickly swell into intense periods of absolute euphoria then descend into celestial beatless compositions, capturing the dialectic of pleasure and exhaustion. It is where nightcore YouTube mixes meet the sounds of early dubstep or EDM, polished according to the advanced trance science of Ferry Corsten or Lorenzo Senni. This album has the potential to overtake huge stadium spaces as well as heal listeners' open wounds through their own home speakers. 
Himera's fascination with Dance Dance Revolution and shoot 'em up games can be heard clearly throughout the record. Indeed, Fragile feels like a soundtrack to an endless stream of attacking enemies in the form of information overload, coming from screens and signs of various sizes. 

Truth be told, the tension of an ecstatic state can't expand forever. It is just as fragile as a butterfly's wing. And we all are, too.

Artwork by Jiří Macků
Mastered by Wim Dehaen

Himera - Ecstas

Taken from trngs' new EP 'RLLY INTENSE .WAV FILES', out July 7, 2019

digital/3D-printed flower pot: https://ginandplatonic.bandcamp.com/album/rlly-intense-wav-files

@trngs is a maximalist hi-fi music producer, multimedial artist and an occasional but quite a good sk8ter. After us grinding heavy on his last year’s projects BILOCATE and LAPTOP CREMATION, we reached out and he shared couple of very intense wav. files with us to put on our bandcamp. 

All the three files contain visceral sound tangles, which TRNGS himself (with our honest confirmation) insists on calling „dance“ music. Like in the cover of the record, which is capturing the tragedy of today's environmental condition, bits of the artificial sound elements blend insensibly into the organic material, all together creating a complicated 3-part puzzle, layed out on dark and rather disturbing background. 
„I am very passionate about making music with sort of uncanny relationship between synthesized and sampled sounds“, describes TRNGS on that note. 

We have designed a sleek 3D-printed flower pot as an object accompanying the EP, so you can plant yourself a dose of organic green hope (with possible shades of purple) into this tiny zen garden.

trngs - VIVID NATURAL LIGHT

Taken from Queimada's debut album 'Eremocene', out September 8, 2019

digital: https://ginandplatonic.bandcamp.com/album/eremocene

Marco Colocci is an Italian producer and a sound engineer based in Berlin. Studying music theory and learning how to play the contrabass has initiated the growth of his interest in the techniques of field recording and sound design, as well as his overall passion for electronic music. After self-releasing music during his teens, and later producing for Taiwanese artist Sabiwa from Chinabot, he now presents a debut record under the moniker "Queimada", coming out on Gin&Platonic.

Built around a concept proposed by Harvard professor E.O. Wilson, Eremocene depicts a future state of miserable epoch into which human species is slowly but steadily accelerating. Characterized by the existential & material isolation that comes from having calamitously extinguishing other forms of life on Earth while intrepidly fulfilling our immediate needs, the future labeled as The Age of Loneliness sees our identity completely transformed.
On the record, Queimada explores precisely the conflict between the tempting ease and a pang of unconfessed guilt in an attempt to capture the ironical relationship they epitomize. The album represents an encounter between different techniques of granular synthesis and field recording. The encounter between the unstoppable and destructive, altogether resulting in a disruptive anthem of the intensifying burden of the postmodern times.

Produced by @queimada77
Mastered by Wim Dehaen
Artwork by Jiri Macku

Eremocene

Queimada - Loneliness

Mixed by @djhimera for Gin&Platonic
https://himera.bandcamp.com/

🍸
tracklist:
703 - No Hate Is A Cold Star
Burial - Come Down To Us (Malibu edit)
Burial - Nightmarket
ivan skoryna - nobody
ju ca - Orochi
Himera - Airsensor
Malibu - Held
Connor C. Ellis - The Heron
Emily Glass - re:utada aquae edit
Cedric Madden & Anima - Crayon
703 - Aeon (703 braid for Dasychira)
Quit Life - Symphony Remix

🍸
photo courtesy of Himera

ginandplatonic.net/

Himera - 24 Hours in Twilight (mix for Gin&Platonic)

Taken from @strachkvas' new EP 'Break-in' (G&P013), out April 19, 2020
buy: https://ginandplatonic.bandcamp.com/album/break-in

Often mislabelled with the rather shallow ‘post-club’ hashtag, Strachkvas has been patiently alienating himself from the scene’s status quo. His sounds grew into the claustrophobic and grotesque realms of his debut release - Hedonic Treadmill (G&P003). More than two years has passed by with the treadmill rolling on non-stop - as Strachkvas reshapes his live performance with constant updates of new material, and occupies himself by mastering the arts of fine dining. Now, the producer, visual artist, and importantly our beloved friend with whom we have partied through countless nights, is finally back after the long hiatus from officially releasing music, bringing not one but two fresh releases for 2020. Gin&Platonic are pleased to continue the mutual collaboration by putting out one of the two upcoming EPs - ‘Break-in’.

Regardless of the past years, the Ostrava born-and-raised Strachkvas re-visits his primal environment - the club, and he does so with precision and a recognisable amount of contempt. The dancefloor-ready triptych ‘Break-in’ invades the innocent listeners with a mesmerising eponymous first track, holding them hostage until the abrasive lead single. ‘Fake’ may liberate them temporarily, thanks to seductive (yet menacing) vocals by M - a ‘Sound in New Media’ masters student minoring in neuroscience, interested in ending class war, becoming a pop star, the icey-sea, and hot sauce on popcorn. According to M, ’Fake’ is meant to become the next queer dancefloor anthem, and it is all about being seen. M’s lyrics here are taken from a tweet they wrote in response to having a difficult time dating as a non-binary person, when everyone treated them like their gender was fake. The third and final track, named after an infamous chemical tanker ‘Cumbrian Fisher’, eventually devours the listener into gloomy streams of contaminated waters, transforming the dancefloor into a polluted ocean-bottom, poorly lit by glimpses of sunrays that dimly pass through the aquatic surfaces covered with large oil spills and goo lumps.

Produced by Strachkvas
soundcloud.com/strachkvas

Vocals on 'Fake' by M
soundcloud.com/m-wingren

Mastered by Wim Dehaen
soundcloud.com/wimdehaen

Artwork by Jiri Macku & Matyas Malac
jirimacku.tumblr.com
matyasmalac.com

🤡

Break-in

Break-in on Bandcamp

Strachkvas - Fake (ft. M)

Taken from 'Deserted / Reclaimed'(G&P015), out September 16, 2020

With a handful of releases out on various pioneering imprints (including longplays RISC Chip and Meme Booth via Conditional Records or the latest contribution to the groove series by Warsaw based label outlines), the producer, programmer and live-coder Mike Hodnick is one of the leading figures representing a movement of computer-centred music production, recently labeled as algorave. Since we are devoted fans for quite some time, the Platonic's are proud to present Mike Hodnick´s latest project under the prolific Kindohm alias - 'Deserted / Reclaimed'.
Sequenced live on a drum machine, the diptych stretches across four vast sonic plains, bounded by curvy dunes formed by countless TidalCycles code bits, constantly pouring over like the grains of scorching and shiny sand. Full of paradoxical rhythm twists planted into the ever-bending landscape, Deserted / Reclaimed reads as a fragmented and sometimes petrifying ride towards the chaotic percepts of the monumental surroundings, dissolving in the thermal inversion somewhere far on the horizon.

Written, produced & mastered by Mike Hodnick
www.kindohm.com
@kindohm

Artwork by Jiri Macku
jirimacku.tumblr.com

🦂

Deserted / Reclaimed

Digital & Cassette

Kindohm - Reclaimed 2

systematic overcoming of longing since 2016
record label, collective & common spirit 

http://ginandplatonic.online

~ press ~

Gin&Platonic: Sounds plucked off the floor after dripping through a black hole (Easterndaze)
https://easterndaze.net/ginplatonic-sounds-seemingly-plucked-off-the-floor-after-dripping-through-a-black-hole/

Unlimited Editions: Gin&Platonic (The Wire)
https://www.thewire.co.uk/audio/tracks/unlimited-editions-gin-platonic

nesso premiere on IA:
https://inverted-audio.com/premiere-nesso-bouncer-toss/

sorbitol drops' Remízek Music on Foxy Digitalis:
https://foxydigitalis.zone/2024/08/23/the-capsule-garden-vol-3-17-august-23-2024/

Remízek Music on SilenceAndSound:
https://silenceandsound.me/2024/09/10/sorbitol-drops/

sorbitol drops video premiere on Swine Daily:
https://swinedaily.com/swine-premiere-sorbitol-drops/

Racine interviewed for Full Moon Magazine:
https://www.fullmoonzine.cz/julien-racine-hudba-vznika-skoro-vzdycky-v-izolaci-music-is-created-almost-always-in-isolation

Racine's Boue on SilenceAndSound:
https://silenceandsound.me/2024/05/15/racine/

Racine premiere on IA:
https://inverted-audio.com/premiere-racine-boue-iv/

aircode's Surface Tension among the best albums of 2023 on ATTN:
https://www.attnmagazine.co.uk/feature-review-of-2023/

Surface Tension on The Quietus:
https://thequietus.com/articles/33450-tenniscoats-ryosuke-kiyasu-spykidelic-aircode-cassette-high-bias

Surface Tension on SilenceAndSound:
https://silenceandsound.me/2023/10/26/aircode/

aircode on Crucial Listening podcast:
https://www.attnmagazine.co.uk/crucial-listening-141-aircode/

SINERAW's MIMETIC FAUNA on SilenceAndSound:
https://silenceandsound.me/2023/08/28/sineraw/

paszka's lapton on The Quietus:
https://thequietus.com/articles/33125-the-quietus-best-albums-of-2023-so-far

Somaticae's Kleis among the best albums of 2022 on The Quietus:
https://thequietus.com/articles/32400-the-quietus-top-100-albums-of-2022-norman-records

Oroboro's SPIKYMEMORY video on If-Only:
https://ifonlyuk.com/video-premiere-oroboro-spikymemory/

Ursula Sereghy on SHAPE:
https://shapeplatform.eu/2023/ursula-sereghy-i-cant-hear-myself-in-a-city

Ursula Sereghy interviewed for The Wire Magazine: www.thewire.co.uk/in-writing/interviews/thinking-outside-the-box-milos-hroch-interviews-ursula-sereghy

Ursula Sereghy's OK Box among the best albums of 2021 on The Quietus:
https://thequietus.com/articles/30903-the-quietus-top-100-albums-of-2021

hmurd's Flower Knight reviewed on RA:
https://ra.co/reviews/34044

toiret status' liquid house on The Quietus:
https://thequietus.com/articles/30921-best-tapes-of-2021

liquid house on Juno:
https://www.juno.co.uk/junodaily/2021/02/19/this-weeks-best-new-albums-7/

liquid house on Paynomindtous:
https://paynomindtous.it/toiretstatus-sabiwa-gnp/

Kindohm's Deserted / Reclaimed on Boomkat:
https://boomkat.com/products/deserted-reclaimed

Forces' Epoch on SBVRSV.press:
http://sbvrsv.press/premiere-forces-world-is-going-to-burn-gp012/

julek ploski's śpie on toneshift.net:
https://toneshift.net/2019/11/25/spie-by-julek-ploski/

śpie on nowamuzyka.pl:
https://www.nowamuzyka.pl/2019/11/13/julek-ploski-spie/

Queimada's Eremocene on Paynomindtous:
https://www.paynomindtous.it/ginplatonic-queimada-eremocene/

trngs' RLLY INTENSE .WAV FILES on Threshold:
https://www.thresholdmagazine.pt/2019/07/a-tecnologia-experimental-de-trngs-e.html

HIMERA featured on Ersa Magazine: http://ersamagazine.com/popnotes-penpals-three/

Strachkvas‘ mix of the month on A2larm: a2larm.cz/2018/11/mix-mesice-strachkvas/  

Kagami Smile’s Four Selves reviewed on RA: https://www.residentadvisor.net/reviews/23134

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