OMG this a fave of mine and you managed to create a new experience related to it. Let me feel and will comment on the end of the track!

fuck, this is pure fire, like a dream come true! Or better!!

brilliant job! glad to see KID MACHINE still killing it! cant wait for more new stuf

Damn so underrated. Could you please make it available digitally? :) would love to play it

boom

https://italiansdoitbetter.com/product/joonwatch-the-sky-neu-romancer-remix-single/

…Another Day Turns To Night…”
by JOON
Remixed by Neu-Romancer

Look Up, Baby Watch The Sky
Another Day Turns To Night
Brought Down, Some Things Go Awry
& You Keep Holding Tight
Get Lost & Dream Again
& Again & Again & Again
Get Lost & Love Again
& Again & Again & Again
Let Go, I Know You Can
Plenty Left To Outgrow
Once More, You Need A Plan
To Move Up From Below
Look Up, Watch The Sky
Another Day Turns To Night
Look Up, Baby Watch The Sky
Another Night Turns To Light

Watch The Sky (Neu-Romancer Remix) (5:24)
Total Running Time (5:24)

Joon - Watch The Sky - Neu-Romancer Remix

The second edition of this vital series features world-renowned talents such as Benjamin Fröhlich, Venice Arms aka Curses, Massimiliano Pagliara, Zombies in Miami, label founder Jorkes, and many more.

Queer Base is a charity in Vienna that offers social and legal counselling to LGBTQI+ refugees who arrive in Austria, including providing help with court cases, finding housing, community events, organising German lessons, HIV/STI testing, and more. Further details can be found at https://queerbase.at/.

This tastefully curated selection traverses the electronic spectrum in style. Polygonia opens with supple and trippy minimal on 'Cheeky Seduction' and things build through dubby, stripped-back analogue grooves from HCL, typically bright, jacked-up, and synth-heavy sounds from Massimiliano Pagliara on 'Distant Memory' and retro-future disco-house from Benjamin Fröhlich. CYRK's 'Fade 2 Gay' is a slow-motion and moody dark disco chugger before Gunce Aci picks it up with some skyward arps and slap-funk drums on 'Whatever It Takes.'

Elsewhere Zombie Affair, aka Zombies in Miami & Mystery Affair, offer the body-popping electro-disco of 'Girl, You Got Me', Panooc's 'Pellucid' is a throwback and sensual vocal house cut and Lydia Eisenblätter brings all out piano house joy to 'What Is Love' before the closer from Mala Ika is another celebratory cut full of hands in the air synths and joyous drums.

This compilation is not only an essential listen but also an essential project that highlights and supports the vital work undertaken by Queer Base. The artwork was created by label creative powerhouse Daniel Rajcsanyi, and the LP was mastered by Blackheadstudios.

Bandcamp

Benjamin Fröhlich - Don't Let Go

Señor Chugger, a prolific Bristol-based producer and remixer, makes his debut on Wrong Era with an EP filled with his unique blend of euphoric synth lines and sophisticated, arcane themes. His music immerses listeners in a synth-ridden realm, offering a collection of instant classics. The EP, 'Sunset On The A38' , also includes remixes from Wrong Era Label heads Sesto Senso and fellow label affiliate Radondo.

Señor Chugger sets the tone with '75 To Seafront ', a track that kicks the release into high gear. The tight, weighty drums and metallic pads create a powerful backdrop, while the descending bass-arp adds a visceral element. '75 To Seafront' seamlessly combines Chugger's monstrous bass tones and fluttering emotional melodies, creating a journey of euphoria with each rhythmic combination.

'Party In A Field In Cornwall' flirts with flashes of early UK house and Señor Chuggers special blend of Italo Disco. A creamy synth line, singing over a rasping, defined bass riff, unfolds into the mix. Still in keeping with the solidity of the intro track, percussion is robust and melodics are carefully detailed. The midway point of the EP is marked with the endlessly emotive and sophisticated 'Festival Skyline'. Painting an artful sonic depiction of its title' Festival Skyline' breathes a modern breath onto the golden era of new wave with choral harmonies that bring a tear to the eye and a bassline that anchors these emotions.

Stepping into the synthwave 'From The Harbour' weaves into flange-soaked electro. A swirling synth hook dances over a pulsating bass arp. Deliciously tuned vocoder lines swim through the crisp instrumentation with punctual vocal stabs. Choral pads join the medley preempting sliced vocal chops that put his elegant sound design on full display. These vocals whip across the stereo field, concluding the track's excitement.

'Sunset On The A38' closes with the fittingly named Devon Expressway. An anthemic pad-driven atmospheric piece with dimly lit twilight imagery. A tweeting synthline clambers over the augmented low-end hinting at the central theme to come. Haunting choral synths chant and swathes of pads sweep through the arrangement. A CMI cries out, and an enigmatic melody pricks the ears. Señor Chugger combines his innate gift of pushing genre boundaries, painting sonic scenes with effortless charm.

Along with these 5 shimmering tracks, label heads Sesto Senso and Wrong Era's Radondo join the release with remixes of '75 To Seafront' and 'Festival Skyline'. The illustrious collaboration of Fabrizio Mammarella and Franz Scala brings their signature metallic arps and earth-shattering drums to the remix. Respectfully lifting key elements from the original and injecting them with their infectiously energetic flair, a peak-time dancefloor gem is born. Radondo gives 'Festival Skyline' a stripped-back rework, letting the choral harmonies of the original shine forth. His signature percussive approach tows the line for an infectious bassline to dance below the arps of Señor Chugger. 
credits

Señor Chugger - 75 To Seafront (Sesto Senso Remix)

SLF IMG - Built To Last [Ombra International]

@slf-img
@ombrainternational

Chiodi EP

SLF IMG - Built To Last [Ombra International]

Across two mammoth, critically acclaimed compilations Berlin-based Musician and DJ Curses' Next Wave Acid Punx series has shone a blacklight onto the darker side of club music. Featuring tracks from the 1970s right up to the present day made by both musical legends and up and coming talents alike, Curses has expertly threaded the needle between Experimental Pop, Post Punk, EBM, Electro, Techno and more to produce a stunning alternative history of clubland. 

But, as every good digger knows, there's always more gems to uncover and so once again Curses has crowbarred open the electronic music's vaults to bring us four more long forgotten tracks, each one "Revamped" for maximum Dancefloor effect with Curses himself providing 2 edits alongside precision tooled reworks from Melbourne based Stockholm Syndrome and NYC's Andi. 

Get the 12" here -> https://cursesforever.bandcamp.com/album/next-wave-acid-punx-revamps

Having previously taken a razor to J.W.B. Hits The Beat's Body On Body track on Next Wave Acid Punx DEUX, Curses now turns his attention to the group’s House Fatale. Originally released in 1988, House Fatale is a classic example of just how fast electronic music was evolving back then, bringing together elements of Electro, Freestyle, House and more amongst a riot of samples, all elements Curses retains whilst nudging the tempo and giving the track a harder edge.

https://soundcloud.com/eskimorecordings

J.W.B. Hits The Beat - House Fatale (Curses Revamp) [Eskimo Recordings]

As part of his Next Wave Acid Punx series, Curses offers up his “Revamp” of Deborah Sasson’s (Carmen) Danger In Her Eyes, a curio from the wildly inventive mid late 80s that saw the American opera singer collaborate with German producers MCL (MicroChipLeague). A European chart topper on its original release, it's long since languished in obscurity, but in Curses' hands this mix of operatic vocals and raw house beats is now ready to add its more than a touch of melodrama to dancefloor's once again. 

"Hearing opera on the dance floor always hits me in a special way," explains Curses. "Decadent operatic vocals within decadent euphoric club environments just transports you to another time and place. When I first heard Danger In Her Eyes I was immediately inspired to make an edit that embraced that operatic escape but elevated the energy with harder drums and a proto-Trance EBM attitude like ate 80s early 90s releases from Manufacture, Interfront or BOY records.”

Buy / Stream

Deborah Sasson & MCL - (Carmen) Danger In Her Eyes (Curses Revamp)

Este álbum es como tu amigo 'emo' que nunca sale de casa pero tiene luces LED: muy cool, un poco triste, y siempre te hace sentir cosas. Imagina caminar bajo la lluvia 🌧️ en una ciudad cyberpunk mientras escuchas un cassette viejo 💿 que suena a 'como si un robot 🤖 se emborrachara de café descafeinado'. Tiene ese 'no sé qué' de estática ⚡, neones parpadeando 💡 y un bajo que te susurra 'no te preocupes, todo va a estar bien... probablemente' 😌.

Es el soundtrack ideal para:

Mirar la ventana mientras llueve ✨
Pensar en exceso en tu vida sin hacer nada 🤖
Pretender ser un hacker genio mientras ordenas pizza 🍕
Advertencia: Puede causar ganas inexplicables de comprar una chaqueta de cuero y un walkman. 

No me hago responsable por tus decisiones de moda. 😉

Ciudad Moribunda

Digital Love

Groove Theory

we are twins

► Correspondant label founder & owner Jennifer Cardini gracing the booth in Berlin.
► Follow us on SoundCloud: http://blrrm.tv/subscribe-sc

Jennifer Cardini Boiler Room DJ Set

Communion - Burning Witches Records - RSD

Deadly Avenger - Nightcrawler

Photo Credit - Paul Marshall

This week is a special one for us, and we are totally honoured to welcome Hardway Bros to our series. Probably best known in the modern day as one half of the enigmatic DJ duo ALFOS, Sean Johnston has long been one of our favourite selectors and with very good reason. 

Today he guides us on a two hour tour of the known universe, main points of interest include, but are not limited to; sidewinding psychedelia, low slung instrumentation, bubbling acid bass, and arps galore. 

All we can say is frothzoid. 

Enjoy.

@hardwaybros

Hardway Bros | 042

@NightNoiseMusic returns with a new release from @TheSovietUnion aka Richard Baldwin. Baldwin has a signature style that is cinematic and synth heavy and has been formed over the last decade plus. A fine DJ, experienced promoter and self-confessed addict of vintage analogue synthesizers and drum machines, Richard pulls his influences from early electronica, 80s film-scores, and shades of techno right up to the present day. 

This release sees 'The Soviet Union' drawing on all their influences to craft a rugged slice of electronica. 'Emptyhead' is the track and it features additional remixes from Mind Fair, Dance Station and Ondata plus a dub mix from 'The Soviet Union' .

Release Date - 10/12/18

Sinchi Blog - https://www.sinchi-collective.com/the-soviet-union-emptyhead/

Youtube - https://youtu.be/Z8b8TSwCQ_o

PREMIERE - The Soviet Union - Emptyhead (Night Noise)

Recorded live at Nuits Sonores 2019, 15:00 - 18:00, before Donato Dozzy took over.
Marissa Cetin from Resident Advisor wrote about the afternoon:
"Unlike the other daytime curators, Lena Willikens chose to open La Sucrière's impressive main hall on Friday, playing alongside her usual back-to-back partner Vladimir Ivkovic. The two looked relaxed behind the decks, swaying, smoking and sometimes smiling. The crowd, less dense than during the other headliners due to the early start, were also in a good mood, using the extra space to feel out each beat of the slower selections. Much of the two hours felt like existing in the lagging moment of a sci-fi movie, just before a spaceship launches into warp speed (in a good way, I promise)."
https://www.residentadvisor.net/reviews/23893
https://www.nuits-sonores.com/

Willikens & Ivkovic live at Nuits Sonores June 1st 2019

Paul Paul - Good Times (Kid Machine Remix)

HQ download available on our Bandcamp page ✊🏽

Follow the artist: Fabrizio Mammarella ⚡️
SC : @mammarella
FB : @fabmammarella
IG : @fabriziomammarella

HF: How did you discover this track?
FM: I was doing research over the lockdown, I was looking for proto techno releases from '88 to '91 and I've found this track on discogs.
It's a german production from '88 released on the amazing ZYX records. 

HF: Can you tell us more about the rework?
FM: The original track contains the famous speech by Martin Luther King "I have a dream" but I've decided to cut it and give more space to the instrumental parts and extend the acid elements. I think it's more effective on the dancefloor now.

Paul Paul - Good Times (Kid Machine Remix)

Giorgio Records

Recent comments

housexy1981

jonnie808

Castleguard

Castleguard

Related tracks